# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Twelfth Night
[I, 5]

Sir Toby Belch

418

Let him be the devil, an he will, I care not: give
me faith, say I. Well, it's all one.

2

Twelfth Night
[I, 5]

Viola

539

I see you what you are, you are too proud;
But, if you were the devil, you are fair.
My lord and master loves you: O, such love
Could be but recompensed, though you were crown'd
The nonpareil of beauty!

3

Twelfth Night
[II, 3]

Maria

845

The devil a puritan that he is, or any thing
constantly, but a time-pleaser; an affectioned ass,
that cons state without book and utters it by great
swarths: the best persuaded of himself, so
crammed, as he thinks, with excellencies, that it is
his grounds of faith that all that look on him love
him; and on that vice in him will my revenge find
notable cause to work.

4

Twelfth Night
[II, 5]

Sir Toby Belch

1232

To the gates of Tartar, thou most excellent devil of wit!

5

Twelfth Night
[III, 4]

Sir Toby Belch

1642

Go to, go to; peace, peace; we must deal gently
with him: let me alone. How do you, Malvolio? how
is't with you? What, man! defy the devil:
consider, he's an enemy to mankind.

6

Twelfth Night
[III, 4]

Maria

1647

La you, an you speak ill of the devil, how he takes
it at heart! Pray God, he be not bewitched!

7

Twelfth Night
[III, 4]

Sir Toby Belch

1779

He is knight, dubbed with unhatched rapier and on
carpet consideration; but he is a devil in private
brawl: souls and bodies hath he divorced three; and
his incensement at this moment is so implacable,
that satisfaction can be none but by pangs of death
and sepulchre. Hob, nob, is his word; give't or take't.

8

Twelfth Night
[III, 4]

Sir Toby Belch

1820

Why, man, he's a very devil; I have not seen such a
firago. I had a pass with him, rapier, scabbard and
all, and he gives me the stuck in with such a mortal
motion, that it is inevitable; and on the answer, he
pays you as surely as your feet hit the ground they
step on. They say he has been fencer to the Sophy.

9

Twelfth Night
[III, 4]

Sir Toby Belch

1833

I'll make the motion: stand here, make a good show
on't: this shall end without the perdition of souls.
[Aside]
Marry, I'll ride your horse as well as I ride you.
[Re-enter FABIAN and VIOLA]
[To FABIAN]
I have his horse to take up the quarrel:
I have persuaded him the youth's a devil.

10

Twelfth Night
[III, 4]

Antonio

1919

But O how vile an idol proves this god
Thou hast, Sebastian, done good feature shame.
In nature there's no blemish but the mind;
None can be call'd deform'd but the unkind:
Virtue is beauty, but the beauteous evil
Are empty trunks o'erflourish'd by the devil.

11

Twelfth Night
[IV, 2]

Feste

2052

Fie, thou dishonest Satan! I call thee by the most
modest terms; for I am one of those gentle ones
that will use the devil himself with courtesy:
sayest thou that house is dark?

12

Twelfth Night
[IV, 2]

Feste

2137

[Singing]
I am gone, sir,
And anon, sir,
I'll be with you again,
In a trice,
Like to the old Vice,
Your need to sustain;
Who, with dagger of lath,
In his rage and his wrath,
Cries, ah, ha! to the devil:
Like a mad lad,
Pare thy nails, dad;
Adieu, good man devil.

13

Twelfth Night
[V, 1]

Sir Andrew Aguecheek

2379

The count's gentleman, one Cesario: we took him for
a coward, but he's the very devil incardinate.