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KEYWORD: good

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# Result number	Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.	Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."	Line Shows where the line falls within the work. The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.	Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.
1	Twelfth Night [I, 3]	Sir Toby Belch	124	Confine! I'll confine myself no finer than I am: these clothes are good enough to drink in; and so be these boots too: an they be not, let them hang themselves in their own straps.
2	Twelfth Night [I, 3]	Sir Toby Belch	138	Fie, that you'll say so! he plays o' the viol-de-gamboys, and speaks three or four languages word for word without book, and hath all the good gifts of nature.
3	Twelfth Night [I, 3]	Sir Andrew Aguecheek	164	Good Mistress Accost, I desire better acquaintance.
4	Twelfth Night [I, 3]	Sir Andrew Aguecheek	166	Good Mistress Mary Accost,—
5	Twelfth Night [I, 3]	Sir Toby Belch	221	Art thou good at these kickshawses, knight?
6	Twelfth Night [I, 4]	Orsino	258	Stand you a while aloof, Cesario, Thou know'st no less but all; I have unclasp'd To thee the book even of my secret soul: Therefore, good youth, address thy gait unto her; Be not denied access, stand at her doors, And tell them, there thy fixed foot shall grow Till thou have audience.
7	Twelfth Night [I, 5]	Maria	301	Make that good.
8	Twelfth Night [I, 5]	Maria	303	A good lenten answer: I can tell thee where that saying was born, of 'I fear no colours.'
9	Twelfth Night [I, 5]	Feste	305	Where, good Mistress Mary?
10	Twelfth Night [I, 5]	Maria	309	Yet you will be hanged for being so long absent; or, to be turned away, is not that as good as a hanging to you?
11	Twelfth Night [I, 5]	Feste	311	Many a good hanging prevents a bad marriage; and, for turning away, let summer bear it out.
12	Twelfth Night [I, 5]	Feste	317	Apt, in good faith; very apt. Well, go thy way; if Sir Toby would leave drinking, thou wert as witty a piece of Eve's flesh as any in Illyria.
13	Twelfth Night [I, 5]	Feste	323	Wit, an't be thy will, put me into good fooling! Those wits, that think they have thee, do very oft prove fools; and I, that am sure I lack thee, may pass for a wise man: for what says Quinapalus? 'Better a witty fool, than a foolish wit.' [Enter OLIVIA with MALVOLIO] God bless thee, lady!
14	Twelfth Night [I, 5]	Feste	334	Two faults, madonna, that drink and good counsel will amend: for give the dry fool drink, then is the fool not dry: bid the dishonest man mend himself; if he mend, he is no longer dishonest; if he cannot, let the botcher mend him. Any thing that's mended is but patched: virtue that transgresses is but patched with sin; and sin that amends is but patched with virtue. If that this simple syllogism will serve, so; if it will not, what remedy? As there is no true cuckold but calamity, so beauty's a flower. The lady bade take away the fool; therefore, I say again, take her away.
15	Twelfth Night [I, 5]	Feste	347	Misprision in the highest degree! Lady, cucullus non facit monachum; that's as much to say as I wear not motley in my brain. Good madonna, give me leave to prove you a fool.
16	Twelfth Night [I, 5]	Feste	352	Dexterously, good madonna.
17	Twelfth Night [I, 5]	Feste	354	I must catechise you for it, madonna: good my mouse of virtue, answer me.
18	Twelfth Night [I, 5]	Feste	357	Good madonna, why mournest thou?
19	Twelfth Night [I, 5]	Olivia	358	Good fool, for my brother's death.
20	Twelfth Night [I, 5]	Feste	414	Good Sir Toby!

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