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Result number
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Work
The work is either a play, poem, or sonnet. The sonnets
are treated as single work with 154 parts.
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Character
Indicates who said the line. If it's a play or sonnet,
the character name is "Poet."
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Line
Shows where the line falls within the work.
The numbering is not keyed to any copyrighted numbering system found in a volume of
collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not
restart for each scene.
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Text
The line's full text, with keywords highlighted
within it, unless highlighting has been disabled by the user.
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1 |
Antony and Cleopatra
[I, 2] |
Charmian |
95 |
Pray, then, foresee me one.
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2 |
Antony and Cleopatra
[I, 3] |
Cleopatra |
318 |
Pray you, stand further from me.
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3 |
Antony and Cleopatra
[I, 3] |
Cleopatra |
336 |
Nay, pray you, seek no colour for your going,
But bid farewell, and go: when you sued staying,
Then was the time for words: no going then;
Eternity was in our lips and eyes,
Bliss in our brows' bent; none our parts so poor,
But was a race of heaven: they are so still,
Or thou, the greatest soldier of the world,
Art turn'd the greatest liar.
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4 |
Antony and Cleopatra
[II, 2] |
Lepidus |
696 |
Your speech is passion:
But, pray you, stir no embers up. Here comes
The noble Antony.
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5 |
Antony and Cleopatra
[II, 4] |
Lepidus |
1033 |
Trouble yourselves no further: pray you, hasten
Your generals after.
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6 |
Antony and Cleopatra
[II, 6] |
Pompey |
1300 |
What, I pray you?
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7 |
Antony and Cleopatra
[II, 6] |
Menas |
1342 |
You've said, sir. We looked not for Mark Antony
here: pray you, is he married to Cleopatra?
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8 |
Antony and Cleopatra
[II, 6] |
Menas |
1347 |
Pray ye, sir?
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9 |
Antony and Cleopatra
[III, 4] |
Octavia |
1762 |
O my good lord,
Believe not all; or, if you must believe,
Stomach not all. A more unhappy lady,
If this division chance, ne'er stood between,
Praying for both parts:
The good gods me presently,
When I shall pray, 'O bless my lord and husband!'
Undo that prayer, by crying out as loud,
'O, bless my brother!' Husband win, win brother,
Prays, and destroys the prayer; no midway
'Twixt these extremes at all.
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10 |
Antony and Cleopatra
[III, 6] |
Octavius |
1932 |
Most certain. Sister, welcome: pray you,
Be ever known to patience: my dear'st sister!
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11 |
Antony and Cleopatra
[III, 11] |
Antony |
2118 |
I have fled myself; and have instructed cowards
To run and show their shoulders. Friends, be gone;
I have myself resolved upon a course
Which has no need of you; be gone:
My treasure's in the harbour, take it. O,
I follow'd that I blush to look upon:
My very hairs do mutiny; for the white
Reprove the brown for rashness, and they them
For fear and doting. Friends, be gone: you shall
Have letters from me to some friends that will
Sweep your way for you. Pray you, look not sad,
Nor make replies of loathness: take the hint
Which my despair proclaims; let that be left
Which leaves itself: to the sea-side straightway:
I will possess you of that ship and treasure.
Leave me, I pray, a little: pray you now:
Nay, do so; for, indeed, I have lost command,
Therefore I pray you: I'll see you by and by.
[Sits down]
[Enter CLEOPATRA led by CHARMIAN and IRAS; EROS]
following]
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12 |
Antony and Cleopatra
[V, 2] |
Proculeius |
3402 |
Be of good cheer;
You're fall'n into a princely hand, fear nothing:
Make your full reference freely to my lord,
Who is so full of grace, that it flows over
On all that need: let me report to him
Your sweet dependency; and you shall find
A conqueror that will pray in aid for kindness,
Where he for grace is kneel'd to.
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13 |
Antony and Cleopatra
[V, 2] |
Cleopatra |
3410 |
Pray you, tell him
I am his fortune's vassal, and I send him
The greatness he has got. I hourly learn
A doctrine of obedience; and would gladly
Look him i' the face.
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14 |
Antony and Cleopatra
[V, 2] |
Cleopatra |
3520 |
Nay, pray you, sir,—
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15 |
Antony and Cleopatra
[V, 2] |
Octavius |
3531 |
Arise, you shall not kneel:
I pray you, rise; rise, Egypt.
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16 |
Antony and Cleopatra
[V, 2] |
Clown |
3725 |
Very good. Give it nothing, I pray you, for it is
not worth the feeding.
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