# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Antony and Cleopatra
[I, 1]

Philo

2

Nay, but this dotage of our general's
O'erflows the measure: those his goodly eyes,
That o'er the files and musters of the war
Have glow'd like plated Mars, now bend, now turn,
The office and devotion of their view
Upon a tawny front: his captain's heart,
Which in the scuffles of great fights hath burst
The buckles on his breast, reneges all temper,
And is become the bellows and the fan
To cool a gipsy's lust.
[Flourish. Enter ANTONY, CLEOPATRA, her Ladies,]
the Train, with Eunuchs fanning her]
Look, where they come:
Take but good note, and you shall see in him.
The triple pillar of the world transform'd
Into a strumpet's fool: behold and see.

2

Antony and Cleopatra
[I, 1]

Cleopatra

25

Nay, hear them, Antony:
Fulvia perchance is angry; or, who knows
If the scarce-bearded Caesar have not sent
His powerful mandate to you, 'Do this, or this;
Take in that kingdom, and enfranchise that;
Perform 't, or else we damn thee.'

3

Antony and Cleopatra
[I, 2]

Domitius Enobarus

256

Why, sir, give the gods a thankful sacrifice. When
it pleaseth their deities to take the wife of a man
from him, it shows to man the tailors of the earth;
comforting therein, that when old robes are worn
out, there are members to make new. If there were
no more women but Fulvia, then had you indeed a cut,
and the case to be lamented: this grief is crowned
with consolation; your old smock brings forth a new
petticoat: and indeed the tears live in an onion
that should water this sorrow.

4

Antony and Cleopatra
[I, 3]

Antony

405

But that your royalty
Holds idleness your subject, I should take you
For idleness itself.

5

Antony and Cleopatra
[I, 5]

Cleopatra

533

Not now to hear thee sing; I take no pleasure
In aught an eunuch has: 'tis well for thee,
That, being unseminar'd, thy freer thoughts
May not fly forth of Egypt. Hast thou affections?

6

Antony and Cleopatra
[II, 2]

Antony

724

I learn, you take things ill which are not so,
Or being, concern you not.

7

Antony and Cleopatra
[II, 2]

Agrippa

835

To hold you in perpetual amity,
To make you brothers, and to knit your hearts
With an unslipping knot, take Antony
Octavia to his wife; whose beauty claims
No worse a husband than the best of men;
Whose virtue and whose general graces speak
That which none else can utter. By this marriage,
All little jealousies, which now seem great,
And all great fears, which now import their dangers,
Would then be nothing: truths would be tales,
Where now half tales be truths: her love to both
Would, each to other and all loves to both,
Draw after her. Pardon what I have spoke;
For 'tis a studied, not a present thought,
By duty ruminated.

8

Antony and Cleopatra
[II, 5]

Messenger

1181

Take no offence that I would not offend you:
To punish me for what you make me do.
Seems much unequal: he's married to Octavia.

9

Antony and Cleopatra
[II, 6]

Octavius

1237

Take your time.

10

Antony and Cleopatra
[II, 6]

Lepidus

1245

Be pleased to tell us—
For this is from the present—how you take
The offers we have sent you.

11

Antony and Cleopatra
[II, 6]

Pompey

1260

Know, then,
I came before you here a man prepared
To take this offer: but Mark Antony
Put me to some impatience: though I lose
The praise of it by telling, you must know,
When Caesar and your brother were at blows,
Your mother came to Sicily and did find
Her welcome friendly.

12

Antony and Cleopatra
[II, 6]

Pompey

1290

No, Antony, take the lot: but, first
Or last, your fine Egyptian cookery
Shall have the fame. I have heard that Julius Caesar
Grew fat with feasting there.

13

Antony and Cleopatra
[II, 6]

Domitius Enobarus

1332

There I deny my land service. But give me your
hand, Menas: if our eyes had authority, here they
might take two thieves kissing.

14

Antony and Cleopatra
[II, 6]

Domitius Enobarus

1368

I shall take it, sir: we have used our throats in Egypt.

15

Antony and Cleopatra
[II, 7]

Antony

1392

[To OCTAVIUS CAESAR] Thus do they, sir: they take
the flow o' the Nile
By certain scales i' the pyramid; they know,
By the height, the lowness, or the mean, if dearth
Or foison follow: the higher Nilus swells,
The more it promises: as it ebbs, the seedsman
Upon the slime and ooze scatters his grain,
And shortly comes to harvest.

16

Antony and Cleopatra
[II, 7]

Menas

1471

[Aside] For this,
I'll never follow thy pall'd fortunes more.
Who seeks, and will not take when once 'tis offer'd,
Shall never find it more.

17

Antony and Cleopatra
[II, 7]

Antony

1504

Come, let's all take hands,
Till that the conquering wine hath steep'd our sense
In soft and delicate Lethe.

18

Antony and Cleopatra
[II, 7]

Domitius Enobarus

1507

All take hands.
Make battery to our ears with the loud music:
The while I'll place you: then the boy shall sing;
The holding every man shall bear as loud
As his strong sides can volley.
[Music plays. DOMITIUS ENOBARBUS places them]
hand in hand]
THE SONG.
Come, thou monarch of the vine,
Plumpy Bacchus with pink eyne!
In thy fats our cares be drown'd,
With thy grapes our hairs be crown'd:
Cup us, till the world go round,
Cup us, till the world go round!

19

Antony and Cleopatra
[II, 7]

Domitius Enobarus

1534

Take heed you fall not.
[Exeunt all but DOMITIUS ENOBARBUS and MENAS]
Menas, I'll not on shore.

20

Antony and Cleopatra
[III, 2]

Octavius

1622

You take from me a great part of myself;
Use me well in 't. Sister, prove such a wife
As my thoughts make thee, and as my farthest band
Shall pass on thy approof. Most noble Antony,
Let not the piece of virtue, which is set
Betwixt us as the cement of our love,
To keep it builded, be the ram to batter
The fortress of it; for better might we
Have loved without this mean, if on both parts
This be not cherish'd.