# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Cymbeline
[I, 5]

Queen

522

O, content thee.
[Enter PISANIO]
[Aside]
Here comes a flattering rascal; upon him
Will I first work: he's for his master,
An enemy to my son. How now, Pisanio!
Doctor, your service for this time is ended;
Take your own way.

2

Cymbeline
[I, 5]

Queen

550

Weeps she still, say'st thou? Dost thou think in time
She will not quench and let instructions enter
Where folly now possesses? Do thou work:
When thou shalt bring me word she loves my son,
I'll tell thee on the instant thou art then
As great as is thy master, greater, for
His fortunes all lie speechless and his name
Is at last gasp: return he cannot, nor
Continue where he is: to shift his being
Is to exchange one misery with another,
And every day that comes comes to decay
A day's work in him. What shalt thou expect,
To be depender on a thing that leans,
Who cannot be new built, nor has no friends,
So much as but to prop him?
[The QUEEN drops the box: PISANIO takes it up]
Thou takest up
Thou know'st not what; but take it for thy labour:
It is a thing I made, which hath the king
Five times redeem'd from death: I do not know
What is more cordial. Nay, I prethee, take it;
It is an earnest of a further good
That I mean to thee. Tell thy mistress how
The case stands with her; do't as from thyself.
Think what a chance thou changest on, but think
Thou hast thy mistress still, to boot, my son,
Who shall take notice of thee: I'll move the king
To any shape of thy preferment such
As thou'lt desire; and then myself, I chiefly,
That set thee on to this desert, am bound
To load thy merit richly. Call my women:
Think on my words.
[Exit PISANIO]
A sly and constant knave,
Not to be shaked; the agent for his master
And the remembrancer of her to hold
The hand-fast to her lord. I have given him that
Which, if he take, shall quite unpeople her
Of liegers for her sweet, and which she after,
Except she bend her humour, shall be assured
To taste of too.
[Re-enter PISANIO and Ladies]
So, so: well done, well done:
The violets, cowslips, and the primroses,
Bear to my closet. Fare thee well, Pisanio;
Think on my words.

3

Cymbeline
[II, 4]

Iachimo

1255

First, her bedchamber,—
Where, I confess, I slept not, but profess
Had that was well worth watching—it was hang'd
With tapesty of silk and silver; the story
Proud Cleopatra, when she met her Roman,
And Cydnus swell'd above the banks, or for
The press of boats or pride: a piece of work
So bravely done, so rich, that it did strive
In workmanship and value; which I wonder'd
Could be so rarely and exactly wrought,
Since the true life on't was—

4

Cymbeline
[IV, 3]

Pisanio

2870

I heard no letter from my master since
I wrote him Imogen was slain: 'tis strange:
Nor hear I from my mistress who did promise
To yield me often tidings: neither know I
What is betid to Cloten; but remain
Perplex'd in all. The heavens still must work.
Wherein I am false I am honest; not true, to be true.
These present wars shall find I love my country,
Even to the note o' the king, or I'll fall in them.
All other doubts, by time let them be clear'd:
Fortune brings in some boats that are not steer'd.

5

Cymbeline
[V, 3]

Posthumus Leonatus

3026

No blame be to you, sir; for all was lost,
But that the heavens fought: the king himself
Of his wings destitute, the army broken,
And but the backs of Britons seen, all flying
Through a straight lane; the enemy full-hearted,
Lolling the tongue with slaughtering, having work
More plentiful than tools to do't, struck down
Some mortally, some slightly touch'd, some falling
Merely through fear; that the straight pass was damm'd
With dead men hurt behind, and cowards living
To die with lengthen'd shame.

6

Cymbeline
[V, 3]

Posthumus Leonatus

3080

Nay, do not wonder at it: you are made
Rather to wonder at the things you hear
Than to work any. Will you rhyme upon't,
And vent it for a mockery? Here is one:
'Two boys, an old man twice a boy, a lane,
Preserved the Britons, was the Romans' bane.'

7

Cymbeline
[V, 5]

Cornelius

3426

More, sir, and worse. She did confess she had
For you a mortal mineral; which, being took,
Should by the minute feed on life and lingering
By inches waste you: in which time she purposed,
By watching, weeping, tendance, kissing, to
O'ercome you with her show, and in time,
When she had fitted you with her craft, to work
Her son into the adoption of the crown:
But, failing of her end by his strange absence,
Grew shameless-desperate; open'd, in despite
Of heaven and men, her purposes; repented
The evils she hatch'd were not effected; so
Despairing died.

8

Cymbeline
[V, 5]

Imogen

3489

No, no: alack,
There's other work in hand: I see a thing
Bitter to me as death: your life, good master,
Must shuffle for itself.