# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Hamlet
[II, 2]

Hamlet

1606

Follow him, friends. We'll hear a play to-morrow.
[Exeunt Polonius and Players [except the First].]
Dost thou hear me, old friend? Can you play 'The Murther of
Gonzago'?

2

Hamlet
[II, 2]

Hamlet

1611

We'll ha't to-morrow night. You could, for a need, study a
speech of some dozen or sixteen lines which I would set down and
insert in't, could you not?

3

Hamlet
[IV, 5]

Ophelia

2908

Pray let's have no words of this; but when they ask, you what
it means, say you this:
(Sings) To-morrow is Saint Valentine's day,
All in the morning bedtime,
And I a maid at your window,
To be your Valentine.
Then up he rose and donn'd his clo'es
And dupp'd the chamber door,
Let in the maid, that out a maid
Never departed more.

4

Hamlet
[IV, 7]

Claudius

3176

Laertes, you shall hear them.
Leave us.
[Exit Messenger.]
[Reads]'High and Mighty,-You shall know I am set naked on your
kingdom. To-morrow shall I beg leave to see your kingly eyes;
when I shall (first asking your pardon thereunto) recount the
occasion of my sudden and more strange return. 'HAMLET.'
What should this mean? Are all the rest come back?
Or is it some abuse, and no such thing?