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Upon the platform,'twixt eleven and twelve.

      — Hamlet, Act I Scene 2

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KEYWORD: exit

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# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Julius Caesar
[I, 2]

(stage directions)

389

Exit

2

Julius Caesar
[I, 2]

Cassius

402

I will do so: till then, think of the world.
[Exit BRUTUS]
Well, Brutus, thou art noble; yet, I see,
Thy honourable metal may be wrought
From that it is disposed: therefore it is meet
That noble minds keep ever with their likes;
For who so firm that cannot be seduced?
Caesar doth bear me hard; but he loves Brutus:
If I were Brutus now and he were Cassius,
He should not humour me. I will this night,
In several hands, in at his windows throw,
As if they came from several citizens,
Writings all tending to the great opinion
That Rome holds of his name; wherein obscurely
Caesar's ambition shall be glanced at:
And after this let Caesar seat him sure;
For we will shake him, or worse days endure.

3

Julius Caesar
[I, 2]

(stage directions)

419

Exit

4

Julius Caesar
[I, 3]

(stage directions)

463

Exit CICERO

5

Julius Caesar
[I, 3]

Cassius

584

That done, repair to Pompey's theatre.
[Exit CINNA]
Come, Casca, you and I will yet ere day
See Brutus at his house: three parts of him
Is ours already, and the man entire
Upon the next encounter yields him ours.

6

Julius Caesar
[II, 1]

(stage directions)

610

Exit

7

Julius Caesar
[II, 1]

(stage directions)

647

Exit

8

Julius Caesar
[II, 1]

Brutus

667

'Tis good. Go to the gate; somebody knocks.
[Exit LUCIUS]
Since Cassius first did whet me against Caesar,
I have not slept.
Between the acting of a dreadful thing
And the first motion, all the interim is
Like a phantasma, or a hideous dream:
The Genius and the mortal instruments
Are then in council; and the state of man,
Like to a little kingdom, suffers then
The nature of an insurrection.

9

Julius Caesar
[II, 1]

Brutus

688

Let 'em enter.
[Exit LUCIUS]
They are the faction. O conspiracy,
Shamest thou to show thy dangerous brow by night,
When evils are most free? O, then by day
Where wilt thou find a cavern dark enough
To mask thy monstrous visage? Seek none, conspiracy;
Hide it in smiles and affability:
For if thou path, thy native semblance on,
Not Erebus itself were dim enough
To hide thee from prevention.
[Enter the conspirators, CASSIUS, CASCA, DECIUS
BRUTUS, CINNA, METELLUS CIMBER, and TREBONIUS]

10

Julius Caesar
[II, 1]

Brutus

931

O ye gods,
Render me worthy of this noble wife!
[Knocking within]
Hark, hark! one knocks: Portia, go in awhile;
And by and by thy bosom shall partake
The secrets of my heart.
All my engagements I will construe to thee,
All the charactery of my sad brows:
Leave me with haste.
[Exit PORTIA]
Lucius, who's that knocks?

11

Julius Caesar
[II, 2]

(stage directions)

981

Exit

12

Julius Caesar
[II, 3]

(stage directions)

1136

Exit

13

Julius Caesar
[II, 4]

(stage directions)

1181

Exit

14

Julius Caesar
[III, 1]

(stage directions)

1361

Exit

15

Julius Caesar
[III, 2]

Second Citizen

1540

I will hear Cassius; and compare their reasons,
When severally we hear them rendered.
[Exit CASSIUS, with some of the Citizens. BRUTUS
goes into the pulpit]

16

Julius Caesar
[III, 2]

(stage directions)

1601

Exit

17

Julius Caesar
[IV, 1]

(stage directions)

1872

Exit LEPIDUS

18

Julius Caesar
[IV, 3]

(stage directions)

2133

Exit Poet

19

Julius Caesar
[IV, 3]

(stage directions)

2140

Exit LUCIUS

20

Julius Caesar
[IV, 3]

Brutus

2165

Come in, Tintinius!
[Exit LUCIUS]
[Re-enter Tintinius, with MESSALA]
Welcome, good Messala.
Now sit we close about this taper here,
And call in question our necessities.

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