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Result number
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Work
The work is either a play, poem, or sonnet. The sonnets
are treated as single work with 154 parts.
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Character
Indicates who said the line. If it's a play or sonnet,
the character name is "Poet."
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Line
Shows where the line falls within the work.
The numbering is not keyed to any copyrighted numbering system found in a volume of
collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not
restart for each scene.
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Text
The line's full text, with keywords highlighted
within it, unless highlighting has been disabled by the user.
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1 |
Julius Caesar
[I, 2] |
(stage directions) |
389 |
Exit
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2 |
Julius Caesar
[I, 2] |
Cassius |
402 |
I will do so: till then, think of the world.
[Exit BRUTUS]
Well, Brutus, thou art noble; yet, I see,
Thy honourable metal may be wrought
From that it is disposed: therefore it is meet
That noble minds keep ever with their likes;
For who so firm that cannot be seduced?
Caesar doth bear me hard; but he loves Brutus:
If I were Brutus now and he were Cassius,
He should not humour me. I will this night,
In several hands, in at his windows throw,
As if they came from several citizens,
Writings all tending to the great opinion
That Rome holds of his name; wherein obscurely
Caesar's ambition shall be glanced at:
And after this let Caesar seat him sure;
For we will shake him, or worse days endure.
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3 |
Julius Caesar
[I, 2] |
(stage directions) |
419 |
Exit
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4 |
Julius Caesar
[I, 3] |
(stage directions) |
463 |
Exit CICERO
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5 |
Julius Caesar
[I, 3] |
Cassius |
584 |
That done, repair to Pompey's theatre.
[Exit CINNA]
Come, Casca, you and I will yet ere day
See Brutus at his house: three parts of him
Is ours already, and the man entire
Upon the next encounter yields him ours.
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6 |
Julius Caesar
[II, 1] |
(stage directions) |
610 |
Exit
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7 |
Julius Caesar
[II, 1] |
(stage directions) |
647 |
Exit
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8 |
Julius Caesar
[II, 1] |
Brutus |
667 |
'Tis good. Go to the gate; somebody knocks.
[Exit LUCIUS]
Since Cassius first did whet me against Caesar,
I have not slept.
Between the acting of a dreadful thing
And the first motion, all the interim is
Like a phantasma, or a hideous dream:
The Genius and the mortal instruments
Are then in council; and the state of man,
Like to a little kingdom, suffers then
The nature of an insurrection.
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9 |
Julius Caesar
[II, 1] |
Brutus |
688 |
Let 'em enter.
[Exit LUCIUS]
They are the faction. O conspiracy,
Shamest thou to show thy dangerous brow by night,
When evils are most free? O, then by day
Where wilt thou find a cavern dark enough
To mask thy monstrous visage? Seek none, conspiracy;
Hide it in smiles and affability:
For if thou path, thy native semblance on,
Not Erebus itself were dim enough
To hide thee from prevention.
[Enter the conspirators, CASSIUS, CASCA, DECIUS
BRUTUS, CINNA, METELLUS CIMBER, and TREBONIUS]
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10 |
Julius Caesar
[II, 1] |
Brutus |
931 |
O ye gods,
Render me worthy of this noble wife!
[Knocking within]
Hark, hark! one knocks: Portia, go in awhile;
And by and by thy bosom shall partake
The secrets of my heart.
All my engagements I will construe to thee,
All the charactery of my sad brows:
Leave me with haste.
[Exit PORTIA]
Lucius, who's that knocks?
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11 |
Julius Caesar
[II, 2] |
(stage directions) |
981 |
Exit
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12 |
Julius Caesar
[II, 3] |
(stage directions) |
1136 |
Exit
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13 |
Julius Caesar
[II, 4] |
(stage directions) |
1181 |
Exit
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14 |
Julius Caesar
[III, 1] |
(stage directions) |
1361 |
Exit
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15 |
Julius Caesar
[III, 2] |
Second Citizen |
1540 |
I will hear Cassius; and compare their reasons,
When severally we hear them rendered.
[Exit CASSIUS, with some of the Citizens. BRUTUS
goes into the pulpit]
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16 |
Julius Caesar
[III, 2] |
(stage directions) |
1601 |
Exit
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17 |
Julius Caesar
[IV, 1] |
(stage directions) |
1872 |
Exit LEPIDUS
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18 |
Julius Caesar
[IV, 3] |
(stage directions) |
2133 |
Exit Poet
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19 |
Julius Caesar
[IV, 3] |
(stage directions) |
2140 |
Exit LUCIUS
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20 |
Julius Caesar
[IV, 3] |
Brutus |
2165 |
Come in, Tintinius!
[Exit LUCIUS]
[Re-enter Tintinius, with MESSALA]
Welcome, good Messala.
Now sit we close about this taper here,
And call in question our necessities.
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