# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

King John
[II, 1]

King Phillip

494

Peace, lady! pause, or be more temperate:
It ill beseems this presence to cry aim
To these ill-tuned repetitions.
Some trumpet summon hither to the walls
These men of Angiers: let us hear them speak
Whose title they admit, Arthur's or John's.

2

King John
[II, 1]

Philip the Bastard

660

Ha, majesty! how high thy glory towers,
When the rich blood of kings is set on fire!
O, now doth Death line his dead chaps with steel;
The swords of soldiers are his teeth, his fangs;
And now he feasts, mousing the flesh of men,
In undetermined differences of kings.
Why stand these royal fronts amazed thus?
Cry, 'havoc!' kings; back to the stained field,
You equal potents, fiery kindled spirits!
Then let confusion of one part confirm
The other's peace: till then, blows, blood and death!

3

King John
[III, 1]

Constance

1102

O, lawful let it be
That I have room with Rome to curse awhile!
Good father cardinal, cry thou amen
To my keen curses; for without my wrong
There is no tongue hath power to curse him right.

4

King John
[III, 4]

Constance

1422

No, no, I will not, having breath to cry:
O, that my tongue were in the thunder's mouth!
Then with a passion would I shake the world;
And rouse from sleep that fell anatomy
Which cannot hear a lady's feeble voice,
Which scorns a modern invocation.

5

King John
[V, 2]

Philip the Bastard

2450

Indeed your drums, being beaten, will cry out;
And so shall you, being beaten: do but start
An echo with the clamour of thy drum,
And even at hand a drum is ready braced
That shall reverberate all as loud as thine;
Sound but another, and another shall
As loud as thine rattle the welkin's ear
And mock the deep-mouth'd thunder: for at hand,
Not trusting to this halting legate here,
Whom he hath used rather for sport than need
Is warlike John; and in his forehead sits
A bare-ribb'd death, whose office is this day
To feast upon whole thousands of the French.