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Result number
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Work
The work is either a play, poem, or sonnet. The sonnets
are treated as single work with 154 parts.
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Character
Indicates who said the line. If it's a play or sonnet,
the character name is "Poet."
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Line
Shows where the line falls within the work.
The numbering is not keyed to any copyrighted numbering system found in a volume of
collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not
restart for each scene.
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Text
The line's full text, with keywords highlighted
within it, unless highlighting has been disabled by the user.
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1 |
Midsummer Night's Dream
[I, 1] |
Lysander |
147 |
Or, if there were a sympathy in choice,
War, death, or sickness did lay siege to it,
Making it momentany as a sound,
Swift as a shadow, short as any dream;
Brief as the lightning in the collied night,
That, in a spleen, unfolds both heaven and earth,
And ere a man hath power to say 'Behold!'
The jaws of darkness do devour it up:
So quick bright things come to confusion.
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2 |
Midsummer Night's Dream
[I, 1] |
Helena |
237 |
How happy some o'er other some can be!
Through Athens I am thought as fair as she.
But what of that? Demetrius thinks not so;
He will not know what all but he do know:
And as he errs, doting on Hermia's eyes,
So I, admiring of his qualities:
Things base and vile, folding no quantity,
Love can transpose to form and dignity:
Love looks not with the eyes, but with the mind;
And therefore is wing'd Cupid painted blind:
Nor hath Love's mind of any judgement taste;
Wings and no eyes figure unheedy haste:
And therefore is Love said to be a child,
Because in choice he is so oft beguiled.
As waggish boys in game themselves forswear,
So the boy Love is perjured every where:
For ere Demetrius look'd on Hermia's eyne,
He hail'd down oaths that he was only mine;
And when this hail some heat from Hermia felt,
So he dissolved, and showers of oaths did melt.
I will go tell him of fair Hermia's flight:
Then to the wood will he to-morrow night
Pursue her; and for this intelligence
If I have thanks, it is a dear expense:
But herein mean I to enrich my pain,
To have his sight thither and back again.
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3 |
Midsummer Night's Dream
[I, 2] |
Bottom |
327 |
Let me play the lion too: I will roar, that I will
do any man's heart good to hear me; I will roar,
that I will make the duke say 'Let him roar again,
let him roar again.'
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4 |
Midsummer Night's Dream
[I, 2] |
Bottom |
335 |
I grant you, friends, if that you should fright the
ladies out of their wits, they would have no more
discretion but to hang us: but I will aggravate my
voice so that I will roar you as gently as any
sucking dove; I will roar you an 'twere any
nightingale.
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5 |
Midsummer Night's Dream
[III, 2] |
Helena |
1277 |
Ay, do, persever, counterfeit sad looks,
Make mouths upon me when I turn my back;
Wink each at other; hold the sweet jest up:
This sport, well carried, shall be chronicled.
If you have any pity, grace, or manners,
You would not make me such an argument.
But fare ye well: 'tis partly my own fault;
Which death or absence soon shall remedy.
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6 |
Midsummer Night's Dream
[IV, 2] |
Flute |
1791 |
No, he hath simply the best wit of any handicraft
man in Athens.
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7 |
Midsummer Night's Dream
[IV, 2] |
Bottom |
1815 |
Not a word of me. All that I will tell you is, that
the duke hath dined. Get your apparel together,
good strings to your beards, new ribbons to your
pumps; meet presently at the palace; every man look
o'er his part; for the short and the long is, our
play is preferred. In any case, let Thisby have
clean linen; and let not him that plays the lion
pair his nails, for they shall hang out for the
lion's claws. And, most dear actors, eat no onions
nor garlic, for we are to utter sweet breath; and I
do not doubt but to hear them say, it is a sweet
comedy. No more words: away! go, away!
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