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Result number
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Work
The work is either a play, poem, or sonnet. The sonnets
are treated as single work with 154 parts.
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Character
Indicates who said the line. If it's a play or sonnet,
the character name is "Poet."
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Line
Shows where the line falls within the work.
The numbering is not keyed to any copyrighted numbering system found in a volume of
collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not
restart for each scene.
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Text
The line's full text, with keywords highlighted
within it, unless highlighting has been disabled by the user.
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1 |
Much Ado about Nothing
[I, 1] |
Beatrice |
57 |
Alas! he gets nothing by that. In our last
conflict four of his five wits went halting off, and
now is the whole man governed with one: so that if
he have wit enough to keep himself warm, let him
bear it for a difference between himself and his
horse; for it is all the wealth that he hath left,
to be known a reasonable creature. Who is his
companion now? He hath every month a new sworn brother.
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2 |
Much Ado about Nothing
[I, 1] |
Beatrice |
70 |
No; an he were, I would burn my study. But, I pray
you, who is his companion? Is there no young
squarer now that will make a voyage with him to the devil?
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3 |
Much Ado about Nothing
[I, 1] |
Benedick |
188 |
You hear, Count Claudio: I can be secret as a dumb
man; I would have you think so; but, on my
allegiance, mark you this, on my allegiance. He is
in love. With who? now that is your grace's part.
Mark how short his answer is;—With Hero, Leonato's
short daughter.
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4 |
Much Ado about Nothing
[I, 1] |
Claudio |
261 |
My liege, your highness now may do me good.
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5 |
Much Ado about Nothing
[I, 1] |
Claudio |
268 |
O, my lord,
When you went onward on this ended action,
I look'd upon her with a soldier's eye,
That liked, but had a rougher task in hand
Than to drive liking to the name of love:
But now I am return'd and that war-thoughts
Have left their places vacant, in their rooms
Come thronging soft and delicate desires,
All prompting me how fair young Hero is,
Saying, I liked her ere I went to wars.
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6 |
Much Ado about Nothing
[I, 2] |
Leonato |
303 |
How now, brother! Where is my cousin, your son?
hath he provided this music?
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7 |
Much Ado about Nothing
[II, 1] |
Benedick |
513 |
Not now.
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8 |
Much Ado about Nothing
[II, 1] |
Benedick |
582 |
Ho! now you strike like the blind man: 'twas the
boy that stole your meat, and you'll beat the post.
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9 |
Much Ado about Nothing
[II, 1] |
Benedick |
586 |
Alas, poor hurt fowl! now will he creep into sedges.
But that my Lady Beatrice should know me, and not
know me! The prince's fool! Ha? It may be I go
under that title because I am merry. Yea, but so I
am apt to do myself wrong; I am not so reputed: it
is the base, though bitter, disposition of Beatrice
that puts the world into her person and so gives me
out. Well, I'll be revenged as I may.
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10 |
Much Ado about Nothing
[II, 1] |
Don Pedro |
595 |
Now, signior, where's the count? did you see him?
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11 |
Much Ado about Nothing
[II, 1] |
Benedick |
644 |
Will your grace command me any service to the
world's end? I will go on the slightest errand now
to the Antipodes that you can devise to send me on;
I will fetch you a tooth-picker now from the
furthest inch of Asia, bring you the length of
Prester John's foot, fetch you a hair off the great
Cham's beard, do you any embassage to the Pigmies,
rather than hold three words' conference with this
harpy. You have no employment for me?
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12 |
Much Ado about Nothing
[II, 1] |
Don Pedro |
667 |
Why, how now, count! wherefore are you sad?
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13 |
Much Ado about Nothing
[II, 3] |
Benedick |
819 |
I know that; but I would have thee hence, and here again.
[Exit Boy]
I do much wonder that one man, seeing how much
another man is a fool when he dedicates his
behaviors to love, will, after he hath laughed at
such shallow follies in others, become the argument
of his own scorn by failing in love: and such a man
is Claudio. I have known when there was no music
with him but the drum and the fife; and now had he
rather hear the tabour and the pipe: I have known
when he would have walked ten mile a-foot to see a
good armour; and now will he lie ten nights awake,
carving the fashion of a new doublet. He was wont to
speak plain and to the purpose, like an honest man
and a soldier; and now is he turned orthography; his
words are a very fantastical banquet, just so many
strange dishes. May I be so converted and see with
these eyes? I cannot tell; I think not: I will not
be sworn, but love may transform me to an oyster; but
I'll take my oath on it, till he have made an oyster
of me, he shall never make me such a fool. One woman
is fair, yet I am well; another is wise, yet I am
well; another virtuous, yet I am well; but till all
graces be in one woman, one woman shall not come in
my grace. Rich she shall be, that's certain; wise,
or I'll none; virtuous, or I'll never cheapen her;
fair, or I'll never look on her; mild, or come not
near me; noble, or not I for an angel; of good
discourse, an excellent musician, and her hair shall
be of what colour it please God. Ha! the prince and
Monsieur Love! I will hide me in the arbour.
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14 |
Much Ado about Nothing
[II, 3] |
Don Pedro |
869 |
Now, pray thee, come;
Or, if thou wilt hold longer argument,
Do it in notes.
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15 |
Much Ado about Nothing
[II, 3] |
Benedick |
877 |
Now, divine air! now is his soul ravished! Is it
not strange that sheeps' guts should hale souls out
of men's bodies? Well, a horn for my money, when
all's done.
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16 |
Much Ado about Nothing
[II, 3] |
Leonato |
945 |
This says she now when she is beginning to write to
him; for she'll be up twenty times a night, and
there will she sit in her smock till she have writ a
sheet of paper: my daughter tells us all.
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17 |
Much Ado about Nothing
[II, 3] |
Claudio |
949 |
Now you talk of a sheet of paper, I remember a
pretty jest your daughter told us of.
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18 |
Much Ado about Nothing
[III, 1] |
Hero |
1088 |
Now, Ursula, when Beatrice doth come,
As we do trace this alley up and down,
Our talk must only be of Benedick.
When I do name him, let it be thy part
To praise him more than ever man did merit:
My talk to thee must be how Benedick
Is sick in love with Beatrice. Of this matter
Is little Cupid's crafty arrow made,
That only wounds by hearsay.
[Enter BEATRICE, behind]
Now begin;
For look where Beatrice, like a lapwing, runs
Close by the ground, to hear our conference.
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19 |
Much Ado about Nothing
[III, 1] |
Ursula |
1101 |
The pleasant'st angling is to see the fish
Cut with her golden oars the silver stream,
And greedily devour the treacherous bait:
So angle we for Beatrice; who even now
Is couched in the woodbine coverture.
Fear you not my part of the dialogue.
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20 |
Much Ado about Nothing
[III, 2] |
Claudio |
1251 |
Nay, but his jesting spirit; which is now crept into
a lute-string and now governed by stops.
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