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Result number
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Work
The work is either a play, poem, or sonnet. The sonnets
are treated as single work with 154 parts.
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Character
Indicates who said the line. If it's a play or sonnet,
the character name is "Poet."
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Line
Shows where the line falls within the work.
The numbering is not keyed to any copyrighted numbering system found in a volume of
collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not
restart for each scene.
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Text
The line's full text, with keywords highlighted
within it, unless highlighting has been disabled by the user.
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1 |
Much Ado about Nothing
[I, 1] |
Messenger |
11 |
Much deserved on his part and equally remembered by
Don Pedro: he hath borne himself beyond the
promise of his age, doing, in the figure of a lamb,
the feats of a lion: he hath indeed better
bettered expectation than you must expect of me to
tell you how.
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2 |
Much Ado about Nothing
[I, 1] |
Benedick |
188 |
You hear, Count Claudio: I can be secret as a dumb
man; I would have you think so; but, on my
allegiance, mark you this, on my allegiance. He is
in love. With who? now that is your grace's part.
Mark how short his answer is;—With Hero, Leonato's
short daughter.
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3 |
Much Ado about Nothing
[I, 1] |
Claudio |
212 |
And never could maintain his part but in the force
of his will.
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4 |
Much Ado about Nothing
[I, 1] |
Don Pedro |
288 |
What need the bridge much broader than the flood?
The fairest grant is the necessity.
Look, what will serve is fit: 'tis once, thou lovest,
And I will fit thee with the remedy.
I know we shall have revelling to-night:
I will assume thy part in some disguise
And tell fair Hero I am Claudio,
And in her bosom I'll unclasp my heart
And take her hearing prisoner with the force
And strong encounter of my amorous tale:
Then after to her father will I break;
And the conclusion is, she shall be thine.
In practise let us put it presently.
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5 |
Much Ado about Nothing
[II, 1] |
Don John |
547 |
Signior, you are very near my brother in his love:
he is enamoured on Hero; I pray you, dissuade him
from her: she is no equal for his birth: you may
do the part of an honest man in it.
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6 |
Much Ado about Nothing
[II, 1] |
Benedick |
596 |
Troth, my lord, I have played the part of Lady Fame.
I found him here as melancholy as a lodge in a
warren: I told him, and I think I told him true,
that your grace had got the good will of this young
lady; and I offered him my company to a willow-tree,
either to make him a garland, as being forsaken, or
to bind him up a rod, as being worthy to be whipped.
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7 |
Much Ado about Nothing
[III, 1] |
Hero |
1088 |
Now, Ursula, when Beatrice doth come,
As we do trace this alley up and down,
Our talk must only be of Benedick.
When I do name him, let it be thy part
To praise him more than ever man did merit:
My talk to thee must be how Benedick
Is sick in love with Beatrice. Of this matter
Is little Cupid's crafty arrow made,
That only wounds by hearsay.
[Enter BEATRICE, behind]
Now begin;
For look where Beatrice, like a lapwing, runs
Close by the ground, to hear our conference.
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8 |
Much Ado about Nothing
[III, 1] |
Ursula |
1101 |
The pleasant'st angling is to see the fish
Cut with her golden oars the silver stream,
And greedily devour the treacherous bait:
So angle we for Beatrice; who even now
Is couched in the woodbine coverture.
Fear you not my part of the dialogue.
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9 |
Much Ado about Nothing
[III, 5] |
Dogberry |
1596 |
It pleases your worship to say so, but we are the
poor duke's officers; but truly, for mine own part,
if I were as tedious as a king, I could find it in
my heart to bestow it all of your worship.
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10 |
Much Ado about Nothing
[IV, 1] |
Leonato |
1769 |
Wherefore! Why, doth not every earthly thing
Cry shame upon her? Could she here deny
The story that is printed in her blood?
Do not live, Hero; do not ope thine eyes:
For, did I think thou wouldst not quickly die,
Thought I thy spirits were stronger than thy shames,
Myself would, on the rearward of reproaches,
Strike at thy life. Grieved I, I had but one?
Chid I for that at frugal nature's frame?
O, one too much by thee! Why had I one?
Why ever wast thou lovely in my eyes?
Why had I not with charitable hand
Took up a beggar's issue at my gates,
Who smirch'd thus and mired with infamy,
I might have said 'No part of it is mine;
This shame derives itself from unknown loins'?
But mine and mine I loved and mine I praised
And mine that I was proud on, mine so much
That I myself was to myself not mine,
Valuing of her,—why, she, O, she is fallen
Into a pit of ink, that the wide sea
Hath drops too few to wash her clean again
And salt too little which may season give
To her foul-tainted flesh!
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11 |
Much Ado about Nothing
[IV, 1] |
Benedick |
1793 |
Sir, sir, be patient.
For my part, I am so attired in wonder,
I know not what to say.
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12 |
Much Ado about Nothing
[V, 1] |
Don Pedro |
2192 |
Welcome, signior: you are almost come to part
almost a fray.
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13 |
Much Ado about Nothing
[V, 2] |
Beatrice |
2465 |
For them all together; which maintained so politic
a state of evil that they will not admit any good
part to intermingle with them. But for which of my
good parts did you first suffer love for me?
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14 |
Much Ado about Nothing
[V, 4] |
Benedick |
2654 |
I'll tell thee what, prince; a college of
wit-crackers cannot flout me out of my humour. Dost
thou think I care for a satire or an epigram? No:
if a man will be beaten with brains, a' shall wear
nothing handsome about him. In brief, since I do
purpose to marry, I will think nothing to any
purpose that the world can say against it; and
therefore never flout at me for what I have said
against it; for man is a giddy thing, and this is my
conclusion. For thy part, Claudio, I did think to
have beaten thee, but in that thou art like to be my
kinsman, live unbruised and love my cousin.
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