# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Much Ado about Nothing
[I, 1]

Benedick

149

Do you question me, as an honest man should do, for
my simple true judgment; or would you have me speak
after my custom, as being a professed tyrant to their sex?

2

Much Ado about Nothing
[I, 1]

Claudio

152

No; I pray thee speak in sober judgment.

3

Much Ado about Nothing
[I, 1]

Benedick

163

Yea, and a case to put it into. But speak you this
with a sad brow? or do you play the flouting Jack,
to tell us Cupid is a good hare-finder and Vulcan a
rare carpenter? Come, in what key shall a man take
you, to go in the song?

4

Much Ado about Nothing
[I, 1]

Claudio

201

You speak this to fetch me in, my lord.

5

Much Ado about Nothing
[I, 1]

Don Pedro

202

By my troth, I speak my thought.

6

Much Ado about Nothing
[II, 1]

Don Pedro

485

Speak low, if you speak love.

7

Much Ado about Nothing
[II, 1]

Beatrice

683

Speak, count, 'tis your cue.

8

Much Ado about Nothing
[II, 1]

Beatrice

688

Speak, cousin; or, if you cannot, stop his mouth
with a kiss, and let not him speak neither.

9

Much Ado about Nothing
[II, 1]

Beatrice

703

No, my lord, unless I might have another for
working-days: your grace is too costly to wear
every day. But, I beseech your grace, pardon me: I
was born to speak all mirth and no matter.

10

Much Ado about Nothing
[II, 3]

Benedick

819

I know that; but I would have thee hence, and here again.
[Exit Boy]
I do much wonder that one man, seeing how much
another man is a fool when he dedicates his
behaviors to love, will, after he hath laughed at
such shallow follies in others, become the argument
of his own scorn by failing in love: and such a man
is Claudio. I have known when there was no music
with him but the drum and the fife; and now had he
rather hear the tabour and the pipe: I have known
when he would have walked ten mile a-foot to see a
good armour; and now will he lie ten nights awake,
carving the fashion of a new doublet. He was wont to
speak plain and to the purpose, like an honest man
and a soldier; and now is he turned orthography; his
words are a very fantastical banquet, just so many
strange dishes. May I be so converted and see with
these eyes? I cannot tell; I think not: I will not
be sworn, but love may transform me to an oyster; but
I'll take my oath on it, till he have made an oyster
of me, he shall never make me such a fool. One woman
is fair, yet I am well; another is wise, yet I am
well; another virtuous, yet I am well; but till all
graces be in one woman, one woman shall not come in
my grace. Rich she shall be, that's certain; wise,
or I'll none; virtuous, or I'll never cheapen her;
fair, or I'll never look on her; mild, or come not
near me; noble, or not I for an angel; of good
discourse, an excellent musician, and her hair shall
be of what colour it please God. Ha! the prince and
Monsieur Love! I will hide me in the arbour.

11

Much Ado about Nothing
[III, 1]

Hero

1137

Why, you speak truth. I never yet saw man,
How wise, how noble, young, how rarely featured,
But she would spell him backward: if fair-faced,
She would swear the gentleman should be her sister;
If black, why, Nature, drawing of an antique,
Made a foul blot; if tall, a lance ill-headed;
If low, an agate very vilely cut;
If speaking, why, a vane blown with all winds;
If silent, why, a block moved with none.
So turns she every man the wrong side out
And never gives to truth and virtue that
Which simpleness and merit purchaseth.

12

Much Ado about Nothing
[III, 1]

Hero

1150

No, not to be so odd and from all fashions
As Beatrice is, cannot be commendable:
But who dare tell her so? If I should speak,
She would mock me into air; O, she would laugh me
Out of myself, press me to death with wit.
Therefore let Benedick, like cover'd fire,
Consume away in sighs, waste inwardly:
It were a better death than die with mocks,
Which is as bad as die with tickling.

13

Much Ado about Nothing
[III, 2]

Benedick

1260

Yet is this no charm for the toothache. Old
signior, walk aside with me: I have studied eight
or nine wise words to speak to you, which these
hobby-horses must not hear.

14

Much Ado about Nothing
[III, 2]

Don John

1272

If your leisure served, I would speak with you.

15

Much Ado about Nothing
[III, 2]

Don John

1274

If it please you: yet Count Claudio may hear; for
what I would speak of concerns him.

16

Much Ado about Nothing
[III, 3]

Dogberry

1359

Why, you speak like an ancient and most quiet
watchman; for I cannot see how sleeping should
offend: only, have a care that your bills be not
stolen. Well, you are to call at all the
ale-houses, and bid those that are drunk get them to bed.

17

Much Ado about Nothing
[III, 3]

First Watchman

1484

Never speak: we charge you let us obey you to go with us.

18

Much Ado about Nothing
[III, 4]

Hero

1529

Why how now? do you speak in the sick tune?

19

Much Ado about Nothing
[IV, 1]

Hero

1703

Is my lord well, that he doth speak so wide?

20

Much Ado about Nothing
[IV, 1]

Leonato

1704

Sweet prince, why speak not you?