# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Othello
[I, 1]

Iago

119

'Zounds, sir, you are one of those that will not
serve God, if the devil bid you. Because we come to
do you service and you think we are ruffians, you'll
have your daughter covered with a Barbary horse;
you'll have your nephews neigh to you; you'll have
coursers for cousins and gennets for germans.

2

Othello
[I, 1]

Brabantio

176

It is too true an evil: gone she is;
And what's to come of my despised time
Is nought but bitterness. Now, Roderigo,
Where didst thou see her? O unhappy girl!
With the Moor, say'st thou? Who would be a father!
How didst thou know 'twas she? O she deceives me
Past thought! What said she to you? Get more tapers:
Raise all my kindred. Are they married, think you?

3

Othello
[I, 1]

Roderigo

184

Truly, I think they are.

4

Othello
[I, 1]

Roderigo

195

I think I can discover him, if you please,
To get good guard and go along with me.

5

Othello
[I, 2]

Iago

238

By Janus, I think no.

6

Othello
[I, 2]

Othello

246

What is the matter, think you?

7

Othello
[I, 3]

First Senator

349

This cannot be,
By no assay of reason: 'tis a pageant,
To keep us in false gaze. When we consider
The importancy of Cyprus to the Turk,
And let ourselves again but understand,
That as it more concerns the Turk than Rhodes,
So may he with more facile question bear it,
For that it stands not in such warlike brace,
But altogether lacks the abilities
That Rhodes is dress'd in: if we make thought of this,
We must not think the Turk is so unskilful
To leave that latest which concerns him first,
Neglecting an attempt of ease and gain,
To wake and wage a danger profitless.

8

Othello
[I, 3]

Duke of Venice

517

I think this tale would win my daughter too.
Good Brabantio,
Take up this mangled matter at the best:
Men do their broken weapons rather use
Than their bare hands.

9

Othello
[I, 3]

Othello

612

Let her have your voices.
Vouch with me, heaven, I therefore beg it not,
To please the palate of my appetite,
Nor to comply with heat—the young affects
In me defunct—and proper satisfaction.
But to be free and bounteous to her mind:
And heaven defend your good souls, that you think
I will your serious and great business scant
For she is with me: no, when light-wing'd toys
Of feather'd Cupid seal with wanton dullness
My speculative and officed instruments,
That my disports corrupt and taint my business,
Let housewives make a skillet of my helm,
And all indign and base adversities
Make head against my estimation!

10

Othello
[I, 3]

Othello

637

So please your grace, my ancient;
A man he is of honest and trust:
To his conveyance I assign my wife,
With what else needful your good grace shall think
To be sent after me.

11

Othello
[II, 1]

Iago

936

She that was ever fair and never proud,
Had tongue at will and yet was never loud,
Never lack'd gold and yet went never gay,
Fled from her wish and yet said 'Now I may,'
She that being anger'd, her revenge being nigh,
Bade her wrong stay and her displeasure fly,
She that in wisdom never was so frail
To change the cod's head for the salmon's tail;
She that could think and ne'er disclose her mind,
See suitors following and not look behind,
She was a wight, if ever such wight were,—

12

Othello
[II, 1]

Iago

1019

Lay thy finger thus, and let thy soul be instructed.
Mark me with what violence she first loved the Moor,
but for bragging and telling her fantastical lies:
and will she love him still for prating? let not
thy discreet heart think it. Her eye must be fed;
and what delight shall she have to look on the
devil? When the blood is made dull with the act of
sport, there should be, again to inflame it and to
give satiety a fresh appetite, loveliness in favour,
sympathy in years, manners and beauties; all which
the Moor is defective in: now, for want of these
required conveniences, her delicate tenderness will
find itself abused, begin to heave the gorge,
disrelish and abhor the Moor; very nature will
instruct her in it and compel her to some second
choice. Now, sir, this granted,—as it is a most
pregnant and unforced position—who stands so
eminent in the degree of this fortune as Cassio
does? a knave very voluble; no further
conscionable than in putting on the mere form of
civil and humane seeming, for the better compassing
of his salt and most hidden loose affection? why,
none; why, none: a slipper and subtle knave, a
finder of occasions, that has an eye can stamp and
counterfeit advantages, though true advantage never
present itself; a devilish knave. Besides, the
knave is handsome, young, and hath all those
requisites in him that folly and green minds look
after: a pestilent complete knave; and the woman
hath found him already.

13

Othello
[II, 1]

Iago

1087

That Cassio loves her, I do well believe it;
That she loves him, 'tis apt and of great credit:
The Moor, howbeit that I endure him not,
Is of a constant, loving, noble nature,
And I dare think he'll prove to Desdemona
A most dear husband. Now, I do love her too;
Not out of absolute lust, though peradventure
I stand accountant for as great a sin,
But partly led to diet my revenge,
For that I do suspect the lusty Moor
Hath leap'd into my seat; the thought whereof
Doth, like a poisonous mineral, gnaw my inwards;
And nothing can or shall content my soul
Till I am even'd with him, wife for wife,
Or failing so, yet that I put the Moor
At least into a jealousy so strong
That judgment cannot cure. Which thing to do,
If this poor trash of Venice, whom I trash
For his quick hunting, stand the putting on,
I'll have our Michael Cassio on the hip,
Abuse him to the Moor in the rank garb—
For I fear Cassio with my night-cap too—
Make the Moor thank me, love me and reward me.
For making him egregiously an ass
And practising upon his peace and quiet
Even to madness. 'Tis here, but yet confused:
Knavery's plain face is never seen tin used.

14

Othello
[II, 3]

Cassio

1239

Ay, but, by your leave, not before me; the
lieutenant is to be saved before the ancient. Let's
have no more of this; let's to our affairs.—Forgive
us our sins!—Gentlemen, let's look to our business.
Do not think, gentlemen. I am drunk: this is my
ancient; this is my right hand, and this is my left:
I am not drunk now; I can stand well enough, and
speak well enough.

15

Othello
[II, 3]

Cassio

1248

Why, very well then; you must not think then that I am drunk.

16

Othello
[II, 3]

Iago

1462

Come, come, good wine is a good familiar creature,
if it be well used: exclaim no more against it.
And, good lieutenant, I think you think I love you.

17

Othello
[II, 3]

Cassio

1481

I think it freely; and betimes in the morning I will
beseech the virtuous Desdemona to undertake for me:
I am desperate of my fortunes if they cheque me here.

18

Othello
[II, 3]

Roderigo

1517

I do follow here in the chase, not like a hound that
hunts, but one that fills up the cry. My money is
almost spent; I have been to-night exceedingly well
cudgelled; and I think the issue will be, I shall
have so much experience for my pains, and so, with
no money at all and a little more wit, return again to Venice.

19

Othello
[III, 1]

Cassio

1607

Yet, I beseech you,
If you think fit, or that it may be done,
Give me advantage of some brief discourse
With Desdemona alone.

20

Othello
[III, 3]

Iago

1668

Cassio, my lord! No, sure, I cannot think it,
That he would steal away so guilty-like,
Seeing you coming.