# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Two Gentlemen of Verona
[III, 1]

Speed

1419

'Item: She hath more hair than wit, and more faults
than hairs, and more wealth than faults.'

2

Two Gentlemen of Verona
[III, 1]

Speed

1430

'And more faults than hairs,'—

3

Two Gentlemen of Verona
[III, 1]

Speed

1432

'And more wealth than faults.'

4

Two Gentlemen of Verona
[III, 1]

Launce

1433

Why, that word makes the faults gracious. Well,
I'll have her; and if it be a match, as nothing is
impossible,—

5

Two Gentlemen of Verona
[IV, 1]

First Outlaw

1604

And I for such like petty crimes as these,
But to the purpose—for we cite our faults,
That they may hold excus'd our lawless lives;
And partly, seeing you are beautified
With goodly shape and by your own report
A linguist and a man of such perfection
As we do in our quality much want—

6

Two Gentlemen of Verona
[V, 4]

Proteus

2265

Than men their minds! 'tis true.
O heaven! were man
But constant, he were perfect. That one error
Fills him with faults; makes him run through all the sins:
Inconstancy falls off ere it begins.
What is in Silvia's face, but I may spy
More fresh in Julia's with a constant eye?