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I understand a fury in your words,
But not the words.

      — Othello, Act IV Scene 2

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# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Two Gentlemen of Verona
[I, 2]

Julia

225

What is't that you took up so gingerly?

2

Two Gentlemen of Verona
[I, 2]

Lucetta

228

To take a paper up that I let fall.

3

Two Gentlemen of Verona
[I, 2]

Julia

294

If you respect them, best to take them up.

4

Two Gentlemen of Verona
[I, 2]

Lucetta

295

Nay, I was taken up for laying them down:
Yet here they shall not lie, for catching cold.

5

Two Gentlemen of Verona
[II, 3]

Launce

593

Nay, 'twill be this hour ere I have done weeping;
all the kind of the Launces have this very fault. I
have received my proportion, like the prodigious
son, and am going with Sir Proteus to the Imperial's
court. I think Crab, my dog, be the sourest-natured
dog that lives: my mother weeping, my father
wailing, my sister crying, our maid howling, our cat
wringing her hands, and all our house in a great
perplexity, yet did not this cruel-hearted cur shed
one tear: he is a stone, a very pebble stone, and
has no more pity in him than a dog: a Jew would have
wept to have seen our parting; why, my grandam,
having no eyes, look you, wept herself blind at my
parting. Nay, I'll show you the manner of it. This
shoe is my father: no, this left shoe is my father:
no, no, this left shoe is my mother: nay, that
cannot be so neither: yes, it is so, it is so, it
hath the worser sole. This shoe, with the hole in
it, is my mother, and this my father; a vengeance
on't! there 'tis: now, sit, this staff is my
sister, for, look you, she is as white as a lily and
as small as a wand: this hat is Nan, our maid: I
am the dog: no, the dog is himself, and I am the
dog—Oh! the dog is me, and I am myself; ay, so,
so. Now come I to my father; Father, your blessing:
now should not the shoe speak a word for weeping:
now should I kiss my father; well, he weeps on. Now
come I to my mother: O, that she could speak now
like a wood woman! Well, I kiss her; why, there
'tis; here's my mother's breath up and down. Now
come I to my sister; mark the moan she makes. Now
the dog all this while sheds not a tear nor speaks a
word; but see how I lay the dust with my tears.

6

Two Gentlemen of Verona
[II, 7]

Julia

999

The more thou damm'st it up, the more it burns.
The current that with gentle murmur glides,
Thou know'st, being stopp'd, impatiently doth rage;
But when his fair course is not hindered,
He makes sweet music with the enamell'ed stones,
Giving a gentle kiss to every sedge
He overtaketh in his pilgrimage,
And so by many winding nooks he strays
With willing sport to the wild ocean.
Then let me go and hinder not my course
I'll be as patient as a gentle stream
And make a pastime of each weary step,
Till the last step have brought me to my love;
And there I'll rest, as after much turmoil
A blessed soul doth in Elysium.

7

Two Gentlemen of Verona
[II, 7]

Julia

1020

No, girl, I'll knit it up in silken strings
With twenty odd-conceited true-love knots.
To be fantastic may become a youth
Of greater time than I shall show to be.

8

Two Gentlemen of Verona
[III, 1]

Valentine

1187

Why then, a ladder quaintly made of cords,
To cast up, with a pair of anchoring hooks,
Would serve to scale another Hero's tower,
So bold Leander would adventure it.

9

Two Gentlemen of Verona
[III, 1]

Proteus

1296

Ay, ay; and she hath offer'd to the doom—
Which, unreversed, stands in effectual force—
A sea of melting pearl, which some call tears:
Those at her father's churlish feet she tender'd;
With them, upon her knees, her humble self;
Wringing her hands, whose whiteness so became them
As if but now they waxed pale for woe:
But neither bended knees, pure hands held up,
Sad sighs, deep groans, nor silver-shedding tears,
Could penetrate her uncompassionate sire;
But Valentine, if he be ta'en, must die.
Besides, her intercession chafed him so,
When she for thy repeal was suppliant,
That to close prison he commanded her,
With many bitter threats of biding there.

10

Two Gentlemen of Verona
[IV, 4]

Launce

1834

When a man's servant shall play the cur with him,
look you, it goes hard: one that I brought up of a
puppy; one that I saved from drowning, when three or
four of his blind brothers and sisters went to it.
I have taught him, even as one would say precisely,
'thus I would teach a dog.' I was sent to deliver
him as a present to Mistress Silvia from my master;
and I came no sooner into the dining-chamber but he
steps me to her trencher and steals her capon's leg:
O, 'tis a foul thing when a cur cannot keep himself
in all companies! I would have, as one should say,
one that takes upon him to be a dog indeed, to be,
as it were, a dog at all things. If I had not had
more wit than he, to take a fault upon me that he did,
I think verily he had been hanged for't; sure as I
live, he had suffered for't; you shall judge. He
thrusts me himself into the company of three or four
gentlemanlike dogs under the duke's table: he had
not been there—bless the mark!—a pissing while, but
all the chamber smelt him. 'Out with the dog!' says
one: 'What cur is that?' says another: 'Whip him
out' says the third: 'Hang him up' says the duke.
I, having been acquainted with the smell before,
knew it was Crab, and goes me to the fellow that
whips the dogs: 'Friend,' quoth I, 'you mean to whip
the dog?' 'Ay, marry, do I,' quoth he. 'You do him
the more wrong,' quoth I; 'twas I did the thing you
wot of.' He makes me no more ado, but whips me out
of the chamber. How many masters would do this for
his servant? Nay, I'll be sworn, I have sat in the
stocks for puddings he hath stolen, otherwise he had
been executed; I have stood on the pillory for geese
he hath killed, otherwise he had suffered for't.
Thou thinkest not of this now. Nay, I remember the
trick you served me when I took my leave of Madam
Silvia: did not I bid thee still mark me and do as I
do? when didst thou see me heave up my leg and make
water against a gentlewoman's farthingale? didst
thou ever see me do such a trick?

11

Two Gentlemen of Verona
[IV, 4]

Proteus

1893

Go get thee hence, and find my dog again,
Or ne'er return again into my sight.
Away, I say! stay'st thou to vex me here?
[Exit LAUNCE]
A slave, that still an end turns me to shame!
Sebastian, I have entertained thee,
Partly that I have need of such a youth
That can with some discretion do my business,
For 'tis no trusting to yond foolish lout,
But chiefly for thy face and thy behavior,
Which, if my augury deceive me not,
Witness good bringing up, fortune and truth:
Therefore know thou, for this I entertain thee.
Go presently and take this ring with thee,
Deliver it to Madam Silvia:
She loved me well deliver'd it to me.

12

Two Gentlemen of Verona
[IV, 4]

Julia

2020

And she shall thank you for't, if e'er you know her.
A virtuous gentlewoman, mild and beautiful
I hope my master's suit will be but cold,
Since she respects my mistress' love so much.
Alas, how love can trifle with itself!
Here is her picture: let me see; I think,
If I had such a tire, this face of mine
Were full as lovely as is this of hers:
And yet the painter flatter'd her a little,
Unless I flatter with myself too much.
Her hair is auburn, mine is perfect yellow:
If that be all the difference in his love,
I'll get me such a colour'd periwig.
Her eyes are grey as glass, and so are mine:
Ay, but her forehead's low, and mine's as high.
What should it be that he respects in her
But I can make respective in myself,
If this fond Love were not a blinded god?
Come, shadow, come and take this shadow up,
For 'tis thy rival. O thou senseless form,
Thou shalt be worshipp'd, kiss'd, loved and adored!
And, were there sense in his idolatry,
My substance should be statue in thy stead.
I'll use thee kindly for thy mistress' sake,
That used me so; or else, by Jove I vow,
I should have scratch'd out your unseeing eyes
To make my master out of love with thee!

13

Two Gentlemen of Verona
[V, 4]

Valentine

2241

Why, boy! why, wag! how now! what's the matter?
Look up; speak.

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