# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Winter's Tale
[I, 2]

Polixenes

132

We were as twinn'd lambs that did frisk i' the sun,
And bleat the one at the other: what we changed
Was innocence for innocence; we knew not
The doctrine of ill-doing, nor dream'd
That any did. Had we pursued that life,
And our weak spirits ne'er been higher rear'd
With stronger blood, we should have answer'd heaven
Boldly 'not guilty;' the imposition clear'd
Hereditary ours.

2

Winter's Tale
[I, 2]

Polixenes

495

How! dare not! do not. Do you know, and dare not?
Be intelligent to me: 'tis thereabouts;
For, to yourself, what you do know, you must.
And cannot say, you dare not. Good Camillo,
Your changed complexions are to me a mirror
Which shows me mine changed too; for I must be
A party in this alteration, finding
Myself thus alter'd with 't.

3

Winter's Tale
[V, 2]

Third Gentleman

3190

One of the prettiest touches of all and that which
angled for mine eyes, caught the water though not
the fish, was when, at the relation of the queen's
death, with the manner how she came to't bravely
confessed and lamented by the king, how
attentiveness wounded his daughter; till, from one
sign of dolour to another, she did, with an 'Alas,'
I would fain say, bleed tears, for I am sure my
heart wept blood. Who was most marble there changed
colour; some swooned, all sorrowed: if all the world
could have seen 't, the woe had been universal.