# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[V, 3]

Lafeu

2686

This I must say,
But first I beg my pardon, the young lord
Did to his majesty, his mother and his lady
Offence of mighty note; but to himself
The greatest wrong of all. He lost a wife
Whose beauty did astonish the survey
Of richest eyes, whose words all ears took captive,
Whose dear perfection hearts that scorn'd to serve
Humbly call'd mistress.

2

Antony and Cleopatra
[II, 5]

Cleopatra

1101

I have a mind to strike thee ere thou speak'st:
Yet if thou say Antony lives, is well,
Or friends with Caesar, or not captive to him,
I'll set thee in a shower of gold, and hail
Rich pearls upon thee.

3

Cymbeline
[V, 5]

Cymbeline

3839

O rare instinct!
When shall I hear all through? This fierce
abridgement
Hath to it circumstantial branches, which
Distinction should be rich in. Where? how lived You?
And when came you to serve our Roman captive?
How parted with your brothers? how first met them?
Why fled you from the court? and whither? These,
And your three motives to the battle, with
I know not how much more, should be demanded;
And all the other by-dependencies,
From chance to chance: but nor the time nor place
Will serve our long inter'gatories. See,
Posthumus anchors upon Imogen,
And she, like harmless lightning, throws her eye
On him, her brother, me, her master, hitting
Each object with a joy: the counterchange
Is severally in all. Let's quit this ground,
And smoke the temple with our sacrifices.
[To BELARIUS]
Thou art my brother; so we'll hold thee ever.

4

Henry V
[III, 5]

King of France

1426

Where is Montjoy the herald? speed him hence:
Let him greet England with our sharp defiance.
Up, princes! and, with spirit of honour edged
More sharper than your swords, hie to the field:
Charles Delabreth, high constable of France;
You Dukes of Orleans, Bourbon, and of Berri,
Alencon, Brabant, Bar, and Burgundy;
Jaques Chatillon, Rambures, Vaudemont,
Beaumont, Grandpre, Roussi, and Fauconberg,
Foix, Lestrale, Bouciqualt, and Charolois;
High dukes, great princes, barons, lords and knights,
For your great seats now quit you of great shames.
Bar Harry England, that sweeps through our land
With pennons painted in the blood of Harfleur:
Rush on his host, as doth the melted snow
Upon the valleys, whose low vassal seat
The Alps doth spit and void his rheum upon:
Go down upon him, you have power enough,
And in a captive chariot into Rouen
Bring him our prisoner.

5

Henry VI, Part III
[IV, 6]

Henry VI

2315

Master lieutenant, now that God and friends
Have shaken Edward from the regal seat,
And turn'd my captive state to liberty,
My fear to hope, my sorrows unto joys,
At our enlargement what are thy due fees?

6

Henry VI, Part III
[V, 5]

Richard III (Duke of Gloucester)

2924

For God's sake, take away this captive scold.

7

Julius Caesar
[I, 1]

Marullus

33

Wherefore rejoice? What conquest brings he home?
What tributaries follow him to Rome,
To grace in captive bonds his chariot-wheels?
You blocks, you stones, you worse than senseless things!
O you hard hearts, you cruel men of Rome,
Knew you not Pompey? Many a time and oft
Have you climb'd up to walls and battlements,
To towers and windows, yea, to chimney-tops,
Your infants in your arms, and there have sat
The livelong day, with patient expectation,
To see great Pompey pass the streets of Rome:
And when you saw his chariot but appear,
Have you not made an universal shout,
That Tiber trembled underneath her banks,
To hear the replication of your sounds
Made in her concave shores?
And do you now put on your best attire?
And do you now cull out a holiday?
And do you now strew flowers in his way
That comes in triumph over Pompey's blood? Be gone!
Run to your houses, fall upon your knees,
Pray to the gods to intermit the plague
That needs must light on this ingratitude.

8

Love's Labour's Lost
[IV, 1]

Boyet

1034

'By heaven, that thou art fair, is most infallible;
true, that thou art beauteous; truth itself, that
thou art lovely. More fairer than fair, beautiful
than beauteous, truer than truth itself, have
commiseration on thy heroical vassal! The
magnanimous and most illustrate king Cophetua set
eye upon the pernicious and indubitate beggar
Zenelophon; and he it was that might rightly say,
Veni, vidi, vici; which to annothanize in the
vulgar,—O base and obscure vulgar!—videlicet, He
came, saw, and overcame: he came, one; saw two;
overcame, three. Who came? the king: why did he
come? to see: why did he see? to overcome: to
whom came he? to the beggar: what saw he? the
beggar: who overcame he? the beggar. The
conclusion is victory: on whose side? the king's.
The captive is enriched: on whose side? the
beggar's. The catastrophe is a nuptial: on whose
side? the king's: no, on both in one, or one in
both. I am the king; for so stands the comparison:
thou the beggar; for so witnesseth thy lowliness.
Shall I command thy love? I may: shall I enforce
thy love? I could: shall I entreat thy love? I
will. What shalt thou exchange for rags? robes;
for tittles? titles; for thyself? me. Thus,
expecting thy reply, I profane my lips on thy foot,
my eyes on thy picture. and my heart on thy every
part. Thine, in the dearest design of industry,
DON ADRIANO DE ARMADO.'
Thus dost thou hear the Nemean lion roar
'Gainst thee, thou lamb, that standest as his prey.
Submissive fall his princely feet before,
And he from forage will incline to play:
But if thou strive, poor soul, what art thou then?
Food for his rage, repasture for his den.

9

Rape of Lucrece

Shakespeare

122

Their silent war of lilies and of roses,
Which Tarquin view'd in her fair face's field,
In their pure ranks his traitor eye encloses;
Where, lest between them both it should be kill'd,
The coward captive vanquished doth yield
To those two armies that would let him go,
Rather than triumph in so false a foe.

10

Rape of Lucrece

Shakespeare

780

Even in this thought through the dark night he stealeth,
A captive victor that hath lost in gain;
Bearing away the wound that nothing healeth,
The scar that will, despite of cure, remain;
Leaving his spoil perplex'd in greater pain.
She bears the load of lust he left behind,
And he the burden of a guilty mind.

11

Richard II
[I, 3]

Thomas Mowbray

380

However God or fortune cast my lot,
There lives or dies, true to King Richard's throne,
A loyal, just and upright gentleman:
Never did captive with a freer heart
Cast off his chains of bondage and embrace
His golden uncontroll'd enfranchisement,
More than my dancing soul doth celebrate
This feast of battle with mine adversary.
Most mighty liege, and my companion peers,
Take from my mouth the wish of happy years:
As gentle and as jocund as to jest
Go I to fight: truth hath a quiet breast.

12

Richard III
[IV, 1]

Lady Anne

2536

No! why? When he that is my husband now
Came to me, as I follow'd Henry's corse,
When scarce the blood was well wash'd from his hands
Which issued from my other angel husband
And that dead saint which then I weeping follow'd;
O, when, I say, I look'd on Richard's face,
This was my wish: 'Be thou,' quoth I, ' accursed,
For making me, so young, so old a widow!
And, when thou wed'st, let sorrow haunt thy bed;
And be thy wife—if any be so mad—
As miserable by the life of thee
As thou hast made me by my dear lord's death!
Lo, ere I can repeat this curse again,
Even in so short a space, my woman's heart
Grossly grew captive to his honey words
And proved the subject of my own soul's curse,
Which ever since hath kept my eyes from rest;
For never yet one hour in his bed
Have I enjoy'd the golden dew of sleep,
But have been waked by his timorous dreams.
Besides, he hates me for my father Warwick;
And will, no doubt, shortly be rid of me.

13

Sonnet 66

Shakespeare

911

Tired with all these, for restful death I cry,
As, to behold desert a beggar born,
And needy nothing trimm'd in jollity,
And purest faith unhappily forsworn,
And guilded honour shamefully misplaced,
And maiden virtue rudely strumpeted,
And right perfection wrongfully disgraced,
And strength by limping sway disabled,
And art made tongue-tied by authority,
And folly doctor-like controlling skill,
And simple truth miscall'd simplicity,
And captive good attending captain ill:
Tired with all these, from these would I be gone,
Save that, to die, I leave my love alone.

14

Titus Andronicus
[I, 1]

Tamora

121

Stay, Roman brethren! Gracious conqueror,
Victorious Titus, rue the tears I shed,
A mother's tears in passion for her son:
And if thy sons were ever dear to thee,
O, think my son to be as dear to me!
Sufficeth not that we are brought to Rome,
To beautify thy triumphs and return,
Captive to thee and to thy Roman yoke,
But must my sons be slaughter'd in the streets,
For valiant doings in their country's cause?
O, if to fight for king and commonweal
Were piety in thine, it is in these.
Andronicus, stain not thy tomb with blood:
Wilt thou draw near the nature of the gods?
Draw near them then in being merciful:
Sweet mercy is nobility's true badge:
Thrice noble Titus, spare my first-born son.

15

Troilus and Cressida
[II, 2]

Troilus

1054

I take to-day a wife, and my election
Is led on in the conduct of my will;
My will enkindled by mine eyes and ears,
Two traded pilots 'twixt the dangerous shores
Of will and judgment: how may I avoid,
Although my will distaste what it elected,
The wife I chose? there can be no evasion
To blench from this and to stand firm by honour:
We turn not back the silks upon the merchant,
When we have soil'd them, nor the remainder viands
We do not throw in unrespective sieve,
Because we now are full. It was thought meet
Paris should do some vengeance on the Greeks:
Your breath of full consent bellied his sails;
The seas and winds, old wranglers, took a truce
And did him service: he touch'd the ports desired,
And for an old aunt whom the Greeks held captive,
He brought a Grecian queen, whose youth and freshness
Wrinkles Apollo's, and makes stale the morning.
Why keep we her? the Grecians keep our aunt:
Is she worth keeping? why, she is a pearl,
Whose price hath launch'd above a thousand ships,
And turn'd crown'd kings to merchants.
If you'll avouch 'twas wisdom Paris went—
As you must needs, for you all cried 'Go, go,'—
If you'll confess he brought home noble prize—
As you must needs, for you all clapp'd your hands
And cried 'Inestimable!'—why do you now
The issue of your proper wisdoms rate,
And do a deed that fortune never did,
Beggar the estimation which you prized
Richer than sea and land? O, theft most base,
That we have stol'n what we do fear to keep!
But, thieves, unworthy of a thing so stol'n,
That in their country did them that disgrace,
We fear to warrant in our native place!

16

Troilus and Cressida
[V, 3]

Troilus

3321

When many times the captive Grecian falls,
Even in the fan and wind of your fair sword,
You bid them rise, and live.

17

Venus and Adonis

Shakespeare

117

'I have been woo'd, as I entreat thee now,
Even by the stern and direful god of war,
Whose sinewy neck in battle ne'er did bow,
Who conquers where he comes in every jar;
Yet hath he been my captive and my slave,
And begg'd for that which thou unask'd shalt have.