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Result number
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Work
The work is either a play, poem, or sonnet. The sonnets
are treated as single work with 154 parts.
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Character
Indicates who said the line. If it's a play or sonnet,
the character name is "Poet."
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Line
Shows where the line falls within the work.
The numbering is not keyed to any copyrighted numbering system found in a volume of
collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not
restart for each scene.
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Text
The line's full text, with keywords highlighted
within it, unless highlighting has been disabled by the user.
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1 |
All's Well That Ends Well
[I, 1] |
(stage directions) |
73 |
[Exit]
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2 |
All's Well That Ends Well
[I, 1] |
(stage directions) |
190 |
[Exit]
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3 |
All's Well That Ends Well
[I, 1] |
(stage directions) |
217 |
[Exit]
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4 |
All's Well That Ends Well
[I, 1] |
(stage directions) |
232 |
[Exit]
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5 |
All's Well That Ends Well
[I, 3] |
(stage directions) |
413 |
[Exit]
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6 |
All's Well That Ends Well
[I, 3] |
Countess |
437 |
You have discharged this honestly; keep it to
yourself: many likelihoods informed me of this
before, which hung so tottering in the balance that
I could neither believe nor misdoubt. Pray you,
leave me: stall this in your bosom; and I thank you
for your honest care: I will speak with you further anon.
[Exit Steward]
[Enter HELENA]
Even so it was with me when I was young:
If ever we are nature's, these are ours; this thorn
Doth to our rose of youth rightly belong;
Our blood to us, this to our blood is born;
It is the show and seal of nature's truth,
Where love's strong passion is impress'd in youth:
By our remembrances of days foregone,
Such were our faults, or then we thought them none.
Her eye is sick on't: I observe her now.
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7 |
All's Well That Ends Well
[II, 1] |
(stage directions) |
618 |
[Exit, attended]
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8 |
All's Well That Ends Well
[II, 1] |
(stage directions) |
695 |
[Exit]
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9 |
All's Well That Ends Well
[II, 1] |
(stage directions) |
705 |
[Exit]
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10 |
All's Well That Ends Well
[II, 3] |
(stage directions) |
1134 |
[Exit]
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11 |
All's Well That Ends Well
[II, 3] |
(stage directions) |
1165 |
[Exit]
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12 |
All's Well That Ends Well
[II, 4] |
Helena |
1260 |
I pray you.
[Exit PAROLLES]
Come, sirrah.
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13 |
All's Well That Ends Well
[II, 5] |
(stage directions) |
1311 |
[Exit]
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14 |
All's Well That Ends Well
[II, 5] |
Bertram |
1360 |
Where are my other men, monsieur? Farewell.
[Exit HELENA]
Go thou toward home; where I will never come
Whilst I can shake my sword or hear the drum.
Away, and for our flight.
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15 |
All's Well That Ends Well
[III, 2] |
(stage directions) |
1416 |
[Exit]
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16 |
All's Well That Ends Well
[III, 2] |
(stage directions) |
1443 |
[Exit]
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17 |
All's Well That Ends Well
[III, 2] |
(stage directions) |
1540 |
[Exit]
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18 |
All's Well That Ends Well
[III, 6] |
(stage directions) |
1810 |
[Exit]
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19 |
All's Well That Ends Well
[III, 6] |
(stage directions) |
1834 |
[Exit]
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20 |
All's Well That Ends Well
[IV, 1] |
(stage directions) |
1993 |
[Exit, with PAROLLES guarded. A short alarum within]
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