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The shirt of Nessus is upon me.

      — Antony and Cleopatra, Act IV Scene 12

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KEYWORD: ferdinand

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Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Henry VIII
[II, 4]

Queen Katharine

1369

Sir, I desire you do me right and justice;
And to bestow your pity on me: for
I am a most poor woman, and a stranger,
Born out of your dominions; having here
No judge indifferent, nor no more assurance
Of equal friendship and proceeding. Alas, sir,
In what have I offended you? what cause
Hath my behavior given to your displeasure,
That thus you should proceed to put me off,
And take your good grace from me? Heaven witness,
I have been to you a true and humble wife,
At all times to your will conformable;
Ever in fear to kindle your dislike,
Yea, subject to your countenance, glad or sorry
As I saw it inclined: when was the hour
I ever contradicted your desire,
Or made it not mine too? Or which of your friends
Have I not strove to love, although I knew
He were mine enemy? what friend of mine
That had to him derived your anger, did I
Continue in my liking? nay, gave notice
He was from thence discharged. Sir, call to mind
That I have been your wife, in this obedience,
Upward of twenty years, and have been blest
With many children by you: if, in the course
And process of this time, you can report,
And prove it too, against mine honour aught,
My bond to wedlock, or my love and duty,
Against your sacred person, in God's name,
Turn me away; and let the foul'st contempt
Shut door upon me, and so give me up
To the sharp'st kind of justice. Please you sir,
The king, your father, was reputed for
A prince most prudent, of an excellent
And unmatch'd wit and judgment: Ferdinand,
My father, king of Spain, was reckon'd one
The wisest prince that there had reign'd by many
A year before: it is not to be question'd
That they had gather'd a wise council to them
Of every realm, that did debate this business,
Who deem'd our marriage lawful: wherefore I humbly
Beseech you, sir, to spare me, till I may
Be by my friends in Spain advised; whose counsel
I will implore: if not, i' the name of God,
Your pleasure be fulfill'd!

2

Love's Labour's Lost
[I, 1]

(stage directions)

1

[Enter FERDINAND king of Navarre, BIRON, LONGAVILLE]
and DUMAIN]

3

Love's Labour's Lost
[I, 1]

(stage directions)

299

[Exeunt FERDINAND, LONGAVILLE, and DUMAIN]

4

Love's Labour's Lost
[II, 1]

Boyet

569

Navarre had notice of your fair approach;
And he and his competitors in oath
Were all address'd to meet you, gentle lady,
Before I came. Marry, thus much I have learnt:
He rather means to lodge you in the field,
Like one that comes here to besiege his court,
Than seek a dispensation for his oath,
To let you enter his unpeopled house.
Here comes Navarre.
[Enter FERDINAND, LONGAVILLE, DUMAIN, BIRON, and]
Attendants]

5

Love's Labour's Lost
[IV, 3]

(stage directions)

1340

[Enter FERDINAND, with a paper]

6

Love's Labour's Lost
[V, 2]

Boyet

2042

The trumpet sounds: be mask'd; the maskers come.
[The Ladies mask]
[Enter Blackamoors with music; MOTH; FERDINAND,]
BIRON, LONGAVILLE, and DUMAIN, in Russian habits,
and masked]

7

Love's Labour's Lost
[V, 2]

Princess of France

2175

Twenty adieus, my frozen Muscovits.
[Exeunt FERDINAND, Lords, and Blackamoors]
Are these the breed of wits so wonder'd at?

8

Love's Labour's Lost
[V, 2]

Princess of France

2223

Whip to our tents, as roes run o'er land.
[Exeunt PRINCESS, ROSALINE, KATHARINE, and MARIA]
[Re-enter FERDINAND, BIRON, LONGAVILLE, and DUMAIN,]
in their proper habits]

9

Love's Labour's Lost
[V, 2]

(stage directions)

2457

[Converses apart with FERDINAND, and delivers him a paper]

10

Love's Labour's Lost
[V, 2]

Princess of France

2815

[To FERDINAND] Ay, sweet my lord; and so I take my leave.

11

Taming of the Shrew
[IV, 1]

Petruchio

1738

Go, rascals, go and fetch my supper in.
[Exeunt some of the SERVINGMEN]
[Sings] Where is the life that late I led?
Where are those-
Sit down, Kate, and welcome. Soud, soud, soud, soud!
[Re-enter SERVANTS with supper]
Why, when, I say? Nay, good sweet Kate, be merry.
Off with my boots, you rogues! you villains, when?
[Sings] It was the friar of orders grey,
As he forth walked on his way-
Out, you rogue! you pluck my foot awry;
Take that, and mend the plucking off the other.
[Strikes him]
Be merry, Kate. Some water, here, what, ho!
[Enter one with water]
Where's my spaniel Troilus? Sirrah, get you hence,
And bid my cousin Ferdinand come hither:
[Exit SERVINGMAN]
One, Kate, that you must kiss and be acquainted with.
Where are my slippers? Shall I have some water?
Come, Kate, and wash, and welcome heartily.
You whoreson villain! will you let it fall? [Strikes him]

12

Tempest
[I, 1]

Boatswain

9

Heigh, my hearts! cheerly, cheerly, my hearts!
yare, yare! Take in the topsail. Tend to the
master's whistle. Blow, till thou burst thy wind,
if room enough!
[Enter ALONSO, SEBASTIAN, ANTONIO, FERDINAND,]
GONZALO, and others]

13

Tempest
[I, 2]

Ariel

329

Not a soul
But felt a fever of the mad and play'd
Some tricks of desperation. All but mariners
Plunged in the foaming brine and quit the vessel,
Then all afire with me: the king's son, Ferdinand,
With hair up-staring,—then like reeds, not hair,—
Was the first man that leap'd; cried, 'Hell is empty
And all the devils are here.'

14

Tempest
[I, 2]

Prospero

532

So, slave; hence!
[Exit CALIBAN]
[Re-enter ARIEL, invisible, playing and singing;]
FERDINAND following]
ARIEL'S song.
Come unto these yellow sands,
And then take hands:
Courtsied when you have and kiss'd
The wild waves whist,
Foot it featly here and there;
And, sweet sprites, the burthen bear.
Hark, hark!
[Burthen [dispersedly, within] Bow-wow]
The watch-dogs bark!
[Burthen Bow-wow]
Hark, hark! I hear
The strain of strutting chanticleer
Cry, Cock-a-diddle-dow.

15

Tempest
[I, 2]

Prospero

611

[Aside]. The Duke of Milan
And his more braver daughter could control thee,
If now 'twere fit to do't. At the first sight
They have changed eyes. Delicate Ariel,
I'll set thee free for this.
[To FERDINAND]
A word, good sir;
I fear you have done yourself some wrong: a word.

16

Tempest
[I, 2]

Prospero

626

Soft, sir! one word more.
[Aside]
They are both in either's powers; but this swift business
I must uneasy make, lest too light winning
Make the prize light.
[To FERDINAND]
One word more; I charge thee
That thou attend me: thou dost here usurp
The name thou owest not; and hast put thyself
Upon this island as a spy, to win it
From me, the lord on't.

17

Tempest
[I, 2]

Prospero

686

[Aside] It works.
[To FERDINAND]
Come on.
Thou hast done well, fine Ariel!
[To FERDINAND]
Follow me.
[To ARIEL]
Hark what thou else shalt do me.

18

Tempest
[II, 1]

Antonio

969

O, out of that 'no hope'
What great hope have you! no hope that way is
Another way so high a hope that even
Ambition cannot pierce a wink beyond,
But doubt discovery there. Will you grant with me
That Ferdinand is drown'd?

19

Tempest
[III, 1]

(stage directions)

1277

[Enter FERDINAND, bearing a log]

20

Tempest
[III, 1]

(stage directions)

1388

[Exeunt FERDINAND and MIRANDA severally]

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