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Result number
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Work
The work is either a play, poem, or sonnet. The sonnets
are treated as single work with 154 parts.
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Character
Indicates who said the line. If it's a play or sonnet,
the character name is "Poet."
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Line
Shows where the line falls within the work.
The numbering is not keyed to any copyrighted numbering system found in a volume of
collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not
restart for each scene.
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Text
The line's full text, with keywords highlighted
within it, unless highlighting has been disabled by the user.
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1 |
All's Well That Ends Well
[II, 3] |
Lafeu |
1150 |
The devil it is that's thy master. Why dost thou
garter up thy arms o' this fashion? dost make hose of
sleeves? do other servants so? Thou wert best set
thy lower part where thy nose stands. By mine
honour, if I were but two hours younger, I'ld beat
thee: methinks, thou art a general offence, and
every man should beat thee: I think thou wast
created for men to breathe themselves upon thee.
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2 |
All's Well That Ends Well
[IV, 1] |
Second Lord |
1915 |
He must think us some band of strangers i' the
adversary's entertainment. Now he hath a smack of
all neighbouring languages; therefore we must every
one be a man of his own fancy, not to know what we
speak one to another; so we seem to know, is to
know straight our purpose: choughs' language,
gabble enough, and good enough. As for you,
interpreter, you must seem very politic. But couch,
ho! here he comes, to beguile two hours in a sleep,
and then to return and swear the lies he forges.
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3 |
All's Well That Ends Well
[IV, 1] |
Parolles |
1926 |
Ten o'clock: within these three hours 'twill be
time enough to go home. What shall I say I have
done? It must be a very plausive invention that
carries it: they begin to smoke me; and disgraces
have of late knocked too often at my door. I find
my tongue is too foolhardy; but my heart hath the
fear of Mars before it and of his creatures, not
daring the reports of my tongue.
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4 |
Antony and Cleopatra
[I, 1] |
Antony |
53 |
But stirr'd by Cleopatra.
Now, for the love of Love and her soft hours,
Let's not confound the time with conference harsh:
There's not a minute of our lives should stretch
Without some pleasure now. What sport tonight?
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5 |
Antony and Cleopatra
[II, 2] |
Antony |
795 |
Neglected, rather;
And then when poison'd hours had bound me up
From mine own knowledge. As nearly as I may,
I'll play the penitent to you: but mine honesty
Shall not make poor my greatness, nor my power
Work without it. Truth is, that Fulvia,
To have me out of Egypt, made wars here;
For which myself, the ignorant motive, do
So far ask pardon as befits mine honour
To stoop in such a case.
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6 |
Antony and Cleopatra
[III, 13] |
Antony |
2395 |
I found you as a morsel cold upon
Dead Caesar's trencher; nay, you were a fragment
Of Cneius Pompey's; besides what hotter hours,
Unregister'd in vulgar fame, you have
Luxuriously pick'd out: for, I am sure,
Though you can guess what temperance should be,
You know not what it is.
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7 |
Antony and Cleopatra
[III, 13] |
Antony |
2467 |
I will be treble-sinew'd, hearted, breathed,
And fight maliciously: for when mine hours
Were nice and lucky, men did ransom lives
Of me for jests; but now I'll set my teeth,
And send to darkness all that stop me. Come,
Let's have one other gaudy night: call to me
All my sad captains; fill our bowls once more;
Let's mock the midnight bell.
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8 |
Antony and Cleopatra
[IV, 2] |
Antony |
2551 |
Tend me to-night;
May be it is the period of your duty:
Haply you shall not see me more; or if,
A mangled shadow: perchance to-morrow
You'll serve another master. I look on you
As one that takes his leave. Mine honest friends,
I turn you not away; but, like a master
Married to your good service, stay till death:
Tend me to-night two hours, I ask no more,
And the gods yield you for't!
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9 |
As You Like It
[II, 7] |
Orlando |
1002 |
Speak you so gently? Pardon me, I pray you;
I thought that all things had been savage here,
And therefore put I on the countenance
Of stern commandment. But whate'er you are
That in this desert inaccessible,
Under the shade of melancholy boughs,
Lose and neglect the creeping hours of time;
If ever you have look'd on better days,
If ever been where bells have knoll'd to church,
If ever sat at any good man's feast,
If ever from your eyelids wip'd a tear,
And know what 'tis to pity and be pitied,
Let gentleness my strong enforcement be;
In the which hope I blush, and hide my sword.
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10 |
As You Like It
[III, 2] |
Touchstone |
1207 |
I'll rhyme you so eight years together, dinners, and
suppers, and sleeping hours, excepted. It is the right
butter-women's rank to market.
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11 |
As You Like It
[IV, 1] |
Orlando |
1945 |
For these two hours, Rosalind, I will leave thee.
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12 |
As You Like It
[IV, 1] |
Rosalind |
1946 |
Alas, dear love, I cannot lack thee two hours!
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13 |
Comedy of Errors
[II, 2] |
Antipholus of Syracuse |
420 |
Because that I familiarly sometimes
Do use you for my fool and chat with you,
Your sauciness will jest upon my love
And make a common of my serious hours.
When the sun shines let foolish gnats make sport,
But creep in crannies when he hides his beams.
If you will jest with me, know my aspect,
And fashion your demeanor to my looks,
Or I will beat this method in your sconce.
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14 |
Comedy of Errors
[II, 2] |
Antipholus of Syracuse |
536 |
Plead you to me, fair dame? I know you not:
In Ephesus I am but two hours old,
As strange unto your town as to your talk;
Who, every word by all my wit being scann'd,
Want wit in all one word to understand.
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15 |
Comedy of Errors
[III, 1] |
Antipholus of Ephesus |
612 |
Good Signior Angelo, you must excuse us all;
My wife is shrewish when I keep not hours:
Say that I linger'd with you at your shop
To see the making of her carcanet,
And that to-morrow you will bring it home.
But here's a villain that would face me down
He met me on the mart, and that I beat him,
And charged him with a thousand marks in gold,
And that I did deny my wife and house.
Thou drunkard, thou, what didst thou mean by this?
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16 |
Comedy of Errors
[IV, 2] |
Adriana |
1134 |
The hours come back! that did I never hear.
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17 |
Comedy of Errors
[V, 1] |
Aegeon |
1736 |
O, grief hath changed me since you saw me last,
And careful hours with time's deformed hand
Have written strange defeatures in my face:
But tell me yet, dost thou not know my voice?
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18 |
Coriolanus
[I, 5] |
Coriolanus |
576 |
See here these movers that do prize their hours
At a crack'd drachm! Cushions, leaden spoons,
Irons of a doit, doublets that hangmen would
Bury with those that wore them, these base slaves,
Ere yet the fight be done, pack up: down with them!
And hark, what noise the general makes! To him!
There is the man of my soul's hate, Aufidius,
Piercing our Romans: then, valiant Titus, take
Convenient numbers to make good the city;
Whilst I, with those that have the spirit, will haste
To help Cominius.
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19 |
Coriolanus
[I, 8] |
Coriolanus |
746 |
Within these three hours, Tullus,
Alone I fought in your Corioli walls,
And made what work I pleased: 'tis not my blood
Wherein thou seest me mask'd; for thy revenge
Wrench up thy power to the highest.
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20 |
Cymbeline
[I, 3] |
Imogen |
301 |
I did not take my leave of him, but had
Most pretty things to say: ere I could tell him
How I would think on him at certain hours
Such thoughts and such, or I could make him swear
The shes of Italy should not betray
Mine interest and his honour, or have charged him,
At the sixth hour of morn, at noon, at midnight,
To encounter me with orisons, for then
I am in heaven for him; or ere I could
Give him that parting kiss which I had set
Betwixt two charming words, comes in my father
And like the tyrannous breathing of the north
Shakes all our buds from growing.
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