# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[III, 6]

Bertram

1789

Why, if you have a stomach, to't, monsieur: if you
think your mystery in stratagem can bring this
instrument of honour again into his native quarter,
be magnanimous in the enterprise and go on; I will
grace the attempt for a worthy exploit: if you
speed well in it, the duke shall both speak of it.
and extend to you what further becomes his
greatness, even to the utmost syllable of your
worthiness.

2

All's Well That Ends Well
[V, 3]

Diana

2906

I did, my lord, but loath am to produce
So bad an instrument: his name's Parolles.

3

Antony and Cleopatra
[V, 2]

Cleopatra

3686

Let him come in.
[Exit Guardsman]
What poor an instrument
May do a noble deed! he brings me liberty.
My resolution's placed, and I have nothing
Of woman in me: now from head to foot
I am marble-constant; now the fleeting moon
No planet is of mine.

4

As You Like It
[IV, 3]

Rosalind

2068

Do you pity him? No, he deserves no pity. Wilt thou love
such a woman? What, to make thee an instrument, and play false
strains upon thee! Not to be endur'd! Well, go your way to her,
for I see love hath made thee tame snake, and say this to her-
that if she love me, I charge her to love thee; if she will not,
I will never have her unless thou entreat for her. If you be a
true lover, hence, and not a word; for here comes more company.

5

Cymbeline
[III, 4]

Pisanio

1797

Hence, vile instrument!
Thou shalt not damn my hand.

6

Cymbeline
[IV, 2]

Belarius

2561

My ingenious instrument!
Hark, Polydore, it sounds! But what occasion
Hath Cadwal now to give it motion? Hark!

7

Cymbeline
[V, 4]

Posthumus Leonatus

3140

Most welcome, bondage! for thou art away,
think, to liberty: yet am I better
Than one that's sick o' the gout; since he had rather
Groan so in perpetuity than be cured
By the sure physician, death, who is the key
To unbar these locks. My conscience, thou art fetter'd
More than my shanks and wrists: you good gods, give me
The penitent instrument to pick that bolt,
Then, free for ever! Is't enough I am sorry?
So children temporal fathers do appease;
Gods are more full of mercy. Must I repent?
I cannot do it better than in gyves,
Desired more than constrain'd: to satisfy,
If of my freedom 'tis the main part, take
No stricter render of me than my all.
I know you are more clement than vile men,
Who of their broken debtors take a third,
A sixth, a tenth, letting them thrive again
On their abatement: that's not my desire:
For Imogen's dear life take mine; and though
'Tis not so dear, yet 'tis a life; you coin'd it:
'Tween man and man they weigh not every stamp;
Though light, take pieces for the figure's sake:
You rather mine, being yours: and so, great powers,
If you will take this audit, take this life,
And cancel these cold bonds. O Imogen!
I'll speak to thee in silence.
[Sleeps]
[Solemn music. Enter, as in an apparition,]
SICILIUS LEONATUS, father to Posthumus Leonatus,
an old man, attired like a warrior; leading in
his hand an ancient matron, his wife, and mother
to Posthumus Leonatus, with music before them:
then, after other music, follow the two young
Leonati, brothers to Posthumus Leonatus, with
wounds as they died in the wars. They circle
Posthumus Leonatus round, as he lies sleeping]

8

Hamlet
[III, 2]

Hamlet

2242

Why, look you now, how unworthy a thing you make of me! You
would play upon me; you would seem to know my stops; you would
pluck out the heart of my mystery; you would sound me from my
lowest note to the top of my compass; and there is much music,
excellent voice, in this little organ, yet cannot you make it
speak. 'Sblood, do you think I am easier to be play'd on than a
pipe? Call me what instrument you will, though you can fret me,
you cannot play upon me.
[Enter Polonius.]
God bless you, sir!

9

Hamlet
[V, 2]

Laertes

3970

It is here, Hamlet. Hamlet, thou art slain;
No medicine in the world can do thee good.
In thee there is not half an hour of life.
The treacherous instrument is in thy hand,
Unbated and envenom'd. The foul practice
Hath turn'd itself on me. Lo, here I lie,
Never to rise again. Thy mother's poison'd.
I can no more. The King, the King's to blame.

10

Henry VI, Part I
[II, 5]

Edmund Mortimer

1133

That cause, fair nephew, that imprison'd me
And hath detain'd me all my flowering youth
Within a loathsome dungeon, there to pine,
Was cursed instrument of his decease.

11

Henry VI, Part I
[III, 3]

Joan la Pucelle

1670

Besides, all French and France exclaims on thee,
Doubting thy birth and lawful progeny.
Who joint'st thou with but with a lordly nation
That will not trust thee but for profit's sake?
When Talbot hath set footing once in France
And fashion'd thee that instrument of ill,
Who then but English Henry will be lord
And thou be thrust out like a fugitive?
Call we to mind, and mark but this for proof,
Was not the Duke of Orleans thy foe?
And was he not in England prisoner?
But when they heard he was thine enemy,
They set him free without his ransom paid,
In spite of Burgundy and all his friends.
See, then, thou fight'st against thy countrymen
And joint'st with them will be thy slaughtermen.
Come, come, return; return, thou wandering lord:
Charles and the rest will take thee in their arms.

12

Henry VI, Part III
[IV, 6]

Henry VI

2323

For what, lieutenant? for well using me?
Nay, be thou sure I'll well requite thy kindness,
For that it made my imprisonment a pleasure;
Ay, such a pleasure as incaged birds
Conceive when after many moody thoughts
At last by notes of household harmony
They quite forget their loss of liberty.
But, Warwick, after God, thou set'st me free,
And chiefly therefore I thank God and thee;
He was the author, thou the instrument.
Therefore, that I may conquer fortune's spite
By living low, where fortune cannot hurt me,
And that the people of this blessed land
May not be punish'd with my thwarting stars,
Warwick, although my head still wear the crown,
I here resign my government to thee,
For thou art fortunate in all thy deeds.

13

Julius Caesar
[III, 1]

Antony

1369

O mighty Caesar! dost thou lie so low?
Are all thy conquests, glories, triumphs, spoils,
Shrunk to this little measure? Fare thee well.
I know not, gentlemen, what you intend,
Who else must be let blood, who else is rank:
If I myself, there is no hour so fit
As Caesar's death hour, nor no instrument
Of half that worth as those your swords, made rich
With the most noble blood of all this world.
I do beseech ye, if you bear me hard,
Now, whilst your purpled hands do reek and smoke,
Fulfil your pleasure. Live a thousand years,
I shall not find myself so apt to die:
No place will please me so, no mean of death,
As here by Caesar, and by you cut off,
The choice and master spirits of this age.

14

Julius Caesar
[IV, 3]

Brutus

2259

Farewell, every one.
[Exeunt all but BRUTUS]
[Re-enter LUCIUS, with the gown]
Give me the gown. Where is thy instrument?

15

Julius Caesar
[IV, 3]

Brutus

2281

Bear with me, good boy, I am much forgetful.
Canst thou hold up thy heavy eyes awhile,
And touch thy instrument a strain or two?

16

Julius Caesar
[IV, 3]

Brutus

2291

It was well done; and thou shalt sleep again;
I will not hold thee long: if I do live,
I will be good to thee.
[Music, and a song]
This is a sleepy tune. O murderous slumber,
Lay'st thou thy leaden mace upon my boy,
That plays thee music? Gentle knave, good night;
I will not do thee so much wrong to wake thee:
If thou dost nod, thou break'st thy instrument;
I'll take it from thee; and, good boy, good night.
Let me see, let me see; is not the leaf turn'd down
Where I left reading? Here it is, I think.
[Enter the Ghost of CAESAR]
How ill this taper burns! Ha! who comes here?
I think it is the weakness of mine eyes
That shapes this monstrous apparition.
It comes upon me. Art thou any thing?
Art thou some god, some angel, or some devil,
That makest my blood cold and my hair to stare?
Speak to me what thou art.

17

Julius Caesar
[IV, 3]

Brutus

2322

He thinks he still is at his instrument.
Lucius, awake!

18

King John
[IV, 1]

Arthur

1686

Hubert, the utterance of a brace of tongues
Must needs want pleading for a pair of eyes:
Let me not hold my tongue, let me not, Hubert;
Or, Hubert, if you will, cut out my tongue,
So I may keep mine eyes: O, spare mine eyes.
Though to no use but still to look on you!
Lo, by my truth, the instrument is cold
And would not harm me.

19

King John
[V, 2]

Lewis

2358

Your grace shall pardon me, I will not back:
I am too high-born to be propertied,
To be a secondary at control,
Or useful serving-man and instrument,
To any sovereign state throughout the world.
Your breath first kindled the dead coal of wars
Between this chastised kingdom and myself,
And brought in matter that should feed this fire;
And now 'tis far too huge to be blown out
With that same weak wind which enkindled it.
You taught me how to know the face of right,
Acquainted me with interest to this land,
Yea, thrust this enterprise into my heart;
And come ye now to tell me John hath made
His peace with Rome? What is that peace to me?
I, by the honour of my marriage-bed,
After young Arthur, claim this land for mine;
And, now it is half-conquer'd, must I back
Because that John hath made his peace with Rome?
Am I Rome's slave? What penny hath Rome borne,
What men provided, what munition sent,
To underprop this action? Is't not I
That undergo this charge? who else but I,
And such as to my claim are liable,
Sweat in this business and maintain this war?
Have I not heard these islanders shout out
'Vive le roi!' as I have bank'd their towns?
Have I not here the best cards for the game,
To win this easy match play'd for a crown?
And shall I now give o'er the yielded set?
No, no, on my soul, it never shall be said.

20

Macbeth
[II, 1]

Macbeth

609

Go bid thy mistress, when my drink is ready,
She strike upon the bell. Get thee to bed.
[Exit Servant]
Is this a dagger which I see before me,
The handle toward my hand? Come, let me clutch thee.
I have thee not, and yet I see thee still.
Art thou not, fatal vision, sensible
To feeling as to sight? or art thou but
A dagger of the mind, a false creation,
Proceeding from the heat-oppressed brain?
I see thee yet, in form as palpable
As this which now I draw.
Thou marshall'st me the way that I was going;
And such an instrument I was to use.
Mine eyes are made the fools o' the other senses,
Or else worth all the rest; I see thee still,
And on thy blade and dudgeon gouts of blood,
Which was not so before. There's no such thing:
It is the bloody business which informs
Thus to mine eyes. Now o'er the one halfworld
Nature seems dead, and wicked dreams abuse
The curtain'd sleep; witchcraft celebrates
Pale Hecate's offerings, and wither'd murder,
Alarum'd by his sentinel, the wolf,
Whose howl's his watch, thus with his stealthy pace.
With Tarquin's ravishing strides, towards his design
Moves like a ghost. Thou sure and firm-set earth,
Hear not my steps, which way they walk, for fear
Thy very stones prate of my whereabout,
And take the present horror from the time,
Which now suits with it. Whiles I threat, he lives:
Words to the heat of deeds too cold breath gives.
[A bell rings]
I go, and it is done; the bell invites me.
Hear it not, Duncan; for it is a knell
That summons thee to heaven or to hell.