# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[I, 2]

Bertram

290

His good remembrance, sir,
Lies richer in your thoughts than on his tomb;
So in approof lives not his epitaph
As in your royal speech.

2

All's Well That Ends Well
[I, 3]

Helena

517

Then, I confess,
Here on my knee, before high heaven and you,
That before you, and next unto high heaven,
I love your son.
My friends were poor, but honest; so's my love:
Be not offended; for it hurts not him
That he is loved of me: I follow him not
By any token of presumptuous suit;
Nor would I have him till I do deserve him;
Yet never know how that desert should be.
I know I love in vain, strive against hope;
Yet in this captious and intenible sieve
I still pour in the waters of my love
And lack not to lose still: thus, Indian-like,
Religious in mine error, I adore
The sun, that looks upon his worshipper,
But knows of him no more. My dearest madam,
Let not your hate encounter with my love
For loving where you do: but if yourself,
Whose aged honour cites a virtuous youth,
Did ever in so true a flame of liking
Wish chastely and love dearly, that your Dian
Was both herself and love: O, then, give pity
To her, whose state is such that cannot choose
But lend and give where she is sure to lose;
That seeks not to find that her search implies,
But riddle-like lives sweetly where she dies!

3

Antony and Cleopatra
[I, 1]

Antony

53

But stirr'd by Cleopatra.
Now, for the love of Love and her soft hours,
Let's not confound the time with conference harsh:
There's not a minute of our lives should stretch
Without some pleasure now. What sport tonight?

4

Antony and Cleopatra
[II, 1]

Pompey

667

I know not, Menas,
How lesser enmities may give way to greater.
Were't not that we stand up against them all,
'Twere pregnant they should square between
themselves;
For they have entertained cause enough
To draw their swords: but how the fear of us
May cement their divisions and bind up
The petty difference, we yet not know.
Be't as our gods will have't! It only stands
Our lives upon to use our strongest hands.
Come, Menas.

5

Antony and Cleopatra
[II, 5]

Cleopatra

1101

I have a mind to strike thee ere thou speak'st:
Yet if thou say Antony lives, is well,
Or friends with Caesar, or not captive to him,
I'll set thee in a shower of gold, and hail
Rich pearls upon thee.

6

Antony and Cleopatra
[II, 7]

Antony

1420

It is shaped, sir, like itself; and it is as broad
as it hath breadth: it is just so high as it is,
and moves with its own organs: it lives by that
which nourisheth it; and the elements once out of
it, it transmigrates.

7

Antony and Cleopatra
[III, 13]

Antony

2467

I will be treble-sinew'd, hearted, breathed,
And fight maliciously: for when mine hours
Were nice and lucky, men did ransom lives
Of me for jests; but now I'll set my teeth,
And send to darkness all that stop me. Come,
Let's have one other gaudy night: call to me
All my sad captains; fill our bowls once more;
Let's mock the midnight bell.

8

Antony and Cleopatra
[IV, 14]

Diomedes

3127

Lives he?
Wilt thou not answer, man?

9

As You Like It
[II, 3]

Adam

660

O unhappy youth!
Come not within these doors; within this roof
The enemy of all your graces lives.
Your brother- no, no brother; yet the son-
Yet not the son; I will not call him son
Of him I was about to call his father-
Hath heard your praises; and this night he means
To burn the lodging where you use to lie,
And you within it. If he fail of that,
He will have other means to cut you off;
I overheard him and his practices.
This is no place; this house is but a butchery;
Abhor it, fear it, do not enter it.

10

As You Like It
[III, 2]

Rosalind

1413

With a priest that lacks Latin and a rich man that hath
not the gout; for the one sleeps easily because he cannot study,
and the other lives merrily because he feels no pain; the one
lacking the burden of lean and wasteful learning, the other
knowing no burden of heavy tedious penury. These Time ambles
withal.

11

As You Like It
[III, 5]

Silvius

1651

Sweet Phebe, do not scorn me; do not, Phebe.
Say that you love me not; but say not so
In bitterness. The common executioner,
Whose heart th' accustom'd sight of death makes hard,
Falls not the axe upon the humbled neck
But first begs pardon. Will you sterner be
Than he that dies and lives by bloody drops?

12

Comedy of Errors
[I, 1]

Solinus

5

Merchant of Syracuse, plead no more;
I am not partial to infringe our laws:
The enmity and discord which of late
Sprung from the rancorous outrage of your duke
To merchants, our well-dealing countrymen,
Who wanting guilders to redeem their lives
Have seal'd his rigorous statutes with their bloods,
Excludes all pity from our threatening looks.
For, since the mortal and intestine jars
'Twixt thy seditious countrymen and us,
It hath in solemn synods been decreed
Both by the Syracusians and ourselves,
To admit no traffic to our adverse towns Nay, more,
If any born at Ephesus be seen
At any Syracusian marts and fairs;
Again: if any Syracusian born
Come to the bay of Ephesus, he dies,
His goods confiscate to the duke's dispose,
Unless a thousand marks be levied,
To quit the penalty and to ransom him.
Thy substance, valued at the highest rate,
Cannot amount unto a hundred marks;
Therefore by law thou art condemned to die.

13

Comedy of Errors
[III, 1]

Balthazar

720

Have patience, sir; O, let it not be so!
Herein you war against your reputation
And draw within the compass of suspect
The unviolated honour of your wife.
Once this,—your long experience of her wisdom,
Her sober virtue, years and modesty,
Plead on her part some cause to you unknown:
And doubt not, sir, but she will well excuse
Why at this time the doors are made against you.
Be ruled by me: depart in patience,
And let us to the Tiger all to dinner,
And about evening come yourself alone
To know the reason of this strange restraint.
If by strong hand you offer to break in
Now in the stirring passage of the day,
A vulgar comment will be made of it,
And that supposed by the common rout
Against your yet ungalled estimation
That may with foul intrusion enter in
And dwell upon your grave when you are dead;
For slander lives upon succession,
For ever housed where it gets possession.

14

Comedy of Errors
[III, 2]

Dromio of Syracuse

857

Marry, sir, she's the kitchen wench and all grease;
and I know not what use to put her to but to make a
lamp of her and run from her by her own light. I
warrant, her rags and the tallow in them will burn a
Poland winter: if she lives till doomsday,
she'll burn a week longer than the whole world.

15

Comedy of Errors
[V, 1]

Angelo

1428

Of very reverend reputation, sir,
Of credit infinite, highly beloved,
Second to none that lives here in the city:
His word might bear my wealth at any time.

16

Coriolanus
[II, 1]

Menenius Agrippa

928

He's a bear indeed, that lives like a lamb. You two
are old men: tell me one thing that I shall ask you.

17

Coriolanus
[II, 2]

Cominius

1329

I shall lack voice: the deeds of Coriolanus
Should not be utter'd feebly. It is held
That valour is the chiefest virtue, and
Most dignifies the haver: if it be,
The man I speak of cannot in the world
Be singly counterpoised. At sixteen years,
When Tarquin made a head for Rome, he fought
Beyond the mark of others: our then dictator,
Whom with all praise I point at, saw him fight,
When with his Amazonian chin he drove
The bristled lips before him: be bestrid
An o'er-press'd Roman and i' the consul's view
Slew three opposers: Tarquin's self he met,
And struck him on his knee: in that day's feats,
When he might act the woman in the scene,
He proved best man i' the field, and for his meed
Was brow-bound with the oak. His pupil age
Man-enter'd thus, he waxed like a sea,
And in the brunt of seventeen battles since
He lurch'd all swords of the garland. For this last,
Before and in Corioli, let me say,
I cannot speak him home: he stopp'd the fliers;
And by his rare example made the coward
Turn terror into sport: as weeds before
A vessel under sail, so men obey'd
And fell below his stem: his sword, death's stamp,
Where it did mark, it took; from face to foot
He was a thing of blood, whose every motion
Was timed with dying cries: alone he enter'd
The mortal gate of the city, which he painted
With shunless destiny; aidless came off,
And with a sudden reinforcement struck
Corioli like a planet: now all's his:
When, by and by, the din of war gan pierce
His ready sense; then straight his doubled spirit
Re-quicken'd what in flesh was fatigate,
And to the battle came he; where he did
Run reeking o'er the lives of men, as if
'Twere a perpetual spoil: and till we call'd
Both field and city ours, he never stood
To ease his breast with panting.

18

Coriolanus
[III, 1]

Coriolanus

1747

At Antium lives he?

19

Cymbeline
[III, 1]

Caius Lucius

1412

When Julius Caesar, whose remembrance yet
Lives in men's eyes and will to ears and tongues
Be theme and hearing ever, was in this Britain
And conquer'd it, Cassibelan, thine uncle,—
Famous in Caesar's praises, no whit less
Than in his feats deserving it—for him
And his succession granted Rome a tribute,
Yearly three thousand pounds, which by thee lately
Is left untender'd.

20

Cymbeline
[IV, 2]

Guiderius

2484

Why, worthy father, what have we to lose,
But that he swore to take, our lives? The law
Protects not us: then why should we be tender
To let an arrogant piece of flesh threat us,
Play judge and executioner all himself,
For we do fear the law? What company
Discover you abroad?