# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Coriolanus
[II, 1]

Menenius Agrippa

982

You know neither me, yourselves nor any thing. You
are ambitious for poor knaves' caps and legs: you
wear out a good wholesome forenoon in hearing a
cause between an orange wife and a fosset-seller;
and then rejourn the controversy of three pence to a
second day of audience. When you are hearing a
matter between party and party, if you chance to be
pinched with the colic, you make faces like
mummers; set up the bloody flag against all
patience; and, in roaring for a chamber-pot,
dismiss the controversy bleeding the more entangled
by your hearing: all the peace you make in their
cause is, calling both the parties knaves. You are
a pair of strange ones.

2

Much Ado about Nothing
[II, 1]

Beatrice

671

The count is neither sad, nor sick, nor merry, nor
well; but civil count, civil as an orange, and
something of that jealous complexion.

3

Much Ado about Nothing
[IV, 1]

Claudio

1670

Sweet prince, you learn me noble thankfulness.
There, Leonato, take her back again:
Give not this rotten orange to your friend;
She's but the sign and semblance of her honour.
Behold how like a maid she blushes here!
O, what authority and show of truth
Can cunning sin cover itself withal!
Comes not that blood as modest evidence
To witness simple virtue? Would you not swear,
All you that see her, that she were a maid,
By these exterior shows? But she is none:
She knows the heat of a luxurious bed;
Her blush is guiltiness, not modesty.

4

Winter's Tale
[IV, 4]

Mopsa

2191

Or thou goest to the orange or mill.