# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[II, 5]

Parolles

1296

I know not how I have deserved to run into my lord's
displeasure.

2

All's Well That Ends Well
[II, 5]

Lafeu

1298

You have made shift to run into 't, boots and spurs
and all, like him that leaped into the custard; and
out of it you'll run again, rather than suffer
question for your residence.

3

All's Well That Ends Well
[III, 2]

Countess

1417

[Reads] I have sent you a daughter-in-law: she hath
recovered the king, and undone me. I have wedded
her, not bedded her; and sworn to make the 'not'
eternal. You shall hear I am run away: know it
before the report come. If there be breadth enough
in the world, I will hold a long distance. My duty
to you.. Your unfortunate son,
BERTRAM.
This is not well, rash and unbridled boy.
To fly the favours of so good a king;
To pluck his indignation on thy head
By the misprising of a maid too virtuous
For the contempt of empire.

4

All's Well That Ends Well
[III, 2]

Clown

1438

So say I, madam, if he run away, as I hear he does:
the danger is in standing to't; that's the loss of
men, though it be the getting of children. Here
they come will tell you more: for my part, I only
hear your son was run away.

5

All's Well That Ends Well
[IV, 3]

Parolles

2377

[Aside] I'll no more drumming; a plague of all
drums! Only to seem to deserve well, and to
beguile the supposition of that lascivious young boy
the count, have I run into this danger. Yet who
would have suspected an ambush where I was taken?

6

Antony and Cleopatra
[II, 5]

Messenger

1146

Nay, then I'll run.
What mean you, madam? I have made no fault.

7

Antony and Cleopatra
[III, 11]

Antony

2118

I have fled myself; and have instructed cowards
To run and show their shoulders. Friends, be gone;
I have myself resolved upon a course
Which has no need of you; be gone:
My treasure's in the harbour, take it. O,
I follow'd that I blush to look upon:
My very hairs do mutiny; for the white
Reprove the brown for rashness, and they them
For fear and doting. Friends, be gone: you shall
Have letters from me to some friends that will
Sweep your way for you. Pray you, look not sad,
Nor make replies of loathness: take the hint
Which my despair proclaims; let that be left
Which leaves itself: to the sea-side straightway:
I will possess you of that ship and treasure.
Leave me, I pray, a little: pray you now:
Nay, do so; for, indeed, I have lost command,
Therefore I pray you: I'll see you by and by.
[Sits down]
[Enter CLEOPATRA led by CHARMIAN and IRAS; EROS]
following]

8

Antony and Cleopatra
[IV, 8]

Antony

2782

We have beat him to his camp: run one before,
And let the queen know of our gests. To-morrow,
Before the sun shall see 's, we'll spill the blood
That has to-day escaped. I thank you all;
For doughty-handed are you, and have fought
Not as you served the cause, but as 't had been
Each man's like mine; you have shown all Hectors.
Enter the city, clip your wives, your friends,
Tell them your feats; whilst they with joyful tears
Wash the congealment from your wounds, and kiss
The honour'd gashes whole.
[To SCARUS]
Give me thy hand
[Enter CLEOPATRA, attended]
To this great fairy I'll commend thy acts,
Make her thanks bless thee.
[To CLEOPATRA]
O thou day o' the world,
Chain mine arm'd neck; leap thou, attire and all,
Through proof of harness to my heart, and there
Ride on the pants triumphing!

9

Antony and Cleopatra
[IV, 14]

Antony

3098

Thrice-nobler than myself!
Thou teachest me, O valiant Eros, what
I should, and thou couldst not. My queen and Eros
Have by their brave instruction got upon me
A nobleness in record: but I will be
A bridegroom in my death, and run into't
As to a lover's bed. Come, then; and, Eros,
Thy master dies thy scholar: to do thus
[Falling on his sword]
I learn'd of thee. How! not dead? not dead?
The guard, ho! O, dispatch me!

10

As You Like It
[I, 1]

Charles

105

Marry, do I, sir; and I came to acquaint you with a
matter. I am given, sir, secretly to understand that your younger
brother, Orlando, hath a disposition to come in disguis'd against
me to try a fall. To-morrow, sir, I wrestle for my credit; and he
that escapes me without some broken limb shall acquit him well.
Your brother is but young and tender; and, for your love, I would
be loath to foil him, as I must, for my own honour, if he come
in; therefore, out of my love to you, I came hither to acquaint
you withal, that either you might stay him from his intendment,
or brook such disgrace well as he shall run into, in that it is
thing of his own search and altogether against my will.

11

As You Like It
[II, 4]

Silvius

750

O, thou didst then never love so heartily!
If thou rememb'rest not the slightest folly
That ever love did make thee run into,
Thou hast not lov'd;
Or if thou hast not sat as I do now,
Wearing thy hearer in thy mistress' praise,
Thou hast not lov'd;
Or if thou hast not broke from company
Abruptly, as my passion now makes me,
Thou hast not lov'd.
O Phebe, Phebe, Phebe! Exit Silvius

12

As You Like It
[II, 4]

Touchstone

763

And I mine. I remember, when I was in love, I broke my
sword upon a stone, and bid him take that for coming a-night to
Jane Smile; and I remember the kissing of her batler, and the
cow's dugs that her pretty chapt hands had milk'd; and I remember
the wooing of peascod instead of her; from whom I took two cods,
and giving her them again, said with weeping tears 'Wear these
for my sake.' We that are true lovers run into strange capers;
but as all is mortal in nature, so is all nature in love mortal
in folly.

13

As You Like It
[III, 2]

Orlando

1122

Hang there, my verse, in witness of my love;
And thou, thrice-crowned Queen of Night, survey
With thy chaste eye, from thy pale sphere above,
Thy huntress' name that my full life doth sway.
O Rosalind! these trees shall be my books,
And in their barks my thoughts I'll character,
That every eye which in this forest looks
Shall see thy virtue witness'd every where.
Run, run, Orlando; carve on every tree,
The fair, the chaste, and unexpressive she. Exit

14

Comedy of Errors
[III, 2]

Dromio of Syracuse

857

Marry, sir, she's the kitchen wench and all grease;
and I know not what use to put her to but to make a
lamp of her and run from her by her own light. I
warrant, her rags and the tallow in them will burn a
Poland winter: if she lives till doomsday,
she'll burn a week longer than the whole world.

15

Comedy of Errors
[III, 2]

Dromio of Syracuse

913

As from a bear a man would run for life,
So fly I from her that would be my wife.

16

Comedy of Errors
[IV, 1]

Antipholus of Ephesus

1010

Fie, now you run this humour out of breath,
where's the chain? I pray you, let me see it.

17

Comedy of Errors
[V, 1]

Dromio of Syracuse

1462

Run, master, run; for God's sake, take a house!
This is some priory. In, or we are spoil'd!
[Exeunt Antipholus of Syracuse and Dromio of Syracuse]
to the Priory]

18

Coriolanus
[I, 1]

Menenius Agrippa

155

For that, being one o' the lowest, basest, poorest,
Of this most wise rebellion, thou go'st foremost:
Thou rascal, that art worst in blood to run,
Lead'st first to win some vantage.
But make you ready your stiff bats and clubs:
Rome and her rats are at the point of battle;
The one side must have bale.
[Enter CAIUS CORIOLANUS]
Hail, noble CORIOLANUS!

19

Coriolanus
[I, 3]

Valeria

422

O' my word, the father's son: I'll swear,'tis a
very pretty boy. O' my troth, I looked upon him o'
Wednesday half an hour together: has such a
confirmed countenance. I saw him run after a gilded
butterfly: and when he caught it, he let it go
again; and after it again; and over and over he
comes, and again; catched it again; or whether his
fall enraged him, or how 'twas, he did so set his
teeth and tear it; O, I warrant it, how he mammocked
it!

20

Coriolanus
[I, 4]

Coriolanus

523

All the contagion of the south light on you,
You shames of Rome! you herd of—Boils and plagues
Plaster you o'er, that you may be abhorr'd
Further than seen and one infect another
Against the wind a mile! You souls of geese,
That bear the shapes of men, how have you run
From slaves that apes would beat! Pluto and hell!
All hurt behind; backs red, and faces pale
With flight and agued fear! Mend and charge home,
Or, by the fires of heaven, I'll leave the foe
And make my wars on you: look to't: come on;
If you'll stand fast, we'll beat them to their wives,
As they us to our trenches followed.
[Another alarum. The Volsces fly, and CORIOLANUS]
follows them to the gates]
So, now the gates are ope: now prove good seconds:
'Tis for the followers fortune widens them,
Not for the fliers: mark me, and do the like.