#
Result number
|
Work
The work is either a play, poem, or sonnet. The sonnets
are treated as single work with 154 parts.
|
Character
Indicates who said the line. If it's a play or sonnet,
the character name is "Poet."
|
Line
Shows where the line falls within the work.
The numbering is not keyed to any copyrighted numbering system found in a volume of
collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not
restart for each scene.
|
Text
The line's full text, with keywords highlighted
within it, unless highlighting has been disabled by the user.
|
1 |
Henry VIII
[V, 4] |
Man |
3291 |
I am not Samson, nor Sir Guy, nor Colbrand,
To mow 'em down before me: but if I spared any
That had a head to hit, either young or old,
He or she, cuckold or cuckold-maker,
Let me ne'er hope to see a chine again
And that I would not for a cow, God save her!
[Within]
Do you hear, master porter?
|
2 |
Love's Labour's Lost
[I, 2] |
Moth |
373 |
Samson, master: he was a man of good carriage, great
carriage, for he carried the town-gates on his back
like a porter: and he was in love.
|
3 |
Love's Labour's Lost
[I, 2] |
Don Adriano de Armado |
376 |
O well-knit Samson! strong-jointed Samson! I do
excel thee in my rapier as much as thou didst me in
carrying gates. I am in love too. Who was Samson's
love, my dear Moth?
|
4 |
Love's Labour's Lost
[I, 2] |
Don Adriano de Armado |
387 |
Green indeed is the colour of lovers; but to have a
love of that colour, methinks Samson had small reason
for it. He surely affected her for her wit.
|
5 |
Love's Labour's Lost
[I, 2] |
Don Adriano de Armado |
463 |
I do affect the very ground, which is base, where
her shoe, which is baser, guided by her foot, which
is basest, doth tread. I shall be forsworn, which
is a great argument of falsehood, if I love. And
how can that be true love which is falsely
attempted? Love is a familiar; Love is a devil:
there is no evil angel but Love. Yet was Samson so
tempted, and he had an excellent strength; yet was
Solomon so seduced, and he had a very good wit.
Cupid's butt-shaft is too hard for Hercules' club;
and therefore too much odds for a Spaniard's rapier.
The first and second cause will not serve my turn;
the passado he respects not, the duello he regards
not: his disgrace is to be called boy; but his
glory is to subdue men. Adieu, valour! rust rapier!
be still, drum! for your manager is in love; yea,
he loveth. Assist me, some extemporal god of rhyme,
for I am sure I shall turn sonnet. Devise, wit;
write, pen; for I am for whole volumes in folio.
|