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Was ever woman in this humour wooed?
Was ever woman in this humour won?

      — King Richard III, Act I Scene 2

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KEYWORD: sebastian

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# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[IV, 3]

Parolles

2247

By my troth, sir, if I were to live this present
hour, I will tell true. Let me see: Spurio, a
hundred and fifty; Sebastian, so many; Corambus, so
many; Jaques, so many; Guiltian, Cosmo, Lodowick,
and Gratii, two hundred and fifty each; mine own
company, Chitopher, Vaumond, Bentii, two hundred and
fifty each: so that the muster-file, rotten and
sound, upon my life, amounts not to fifteen thousand
poll; half of the which dare not shake snow from off
their cassocks, lest they shake themselves to pieces.

2

Tempest
[I, 1]

Boatswain

9

Heigh, my hearts! cheerly, cheerly, my hearts!
yare, yare! Take in the topsail. Tend to the
master's whistle. Blow, till thou burst thy wind,
if room enough!
[Enter ALONSO, SEBASTIAN, ANTONIO, FERDINAND,]
GONZALO, and others]

3

Tempest
[I, 1]

Boatswain

42

Down with the topmast! yare! lower, lower! Bring
her to try with main-course.
[A cry within]
A plague upon this howling! they are louder than
the weather or our office.
[Re-enter SEBASTIAN, ANTONIO, and GONZALO]
Yet again! what do you here? Shall we give o'er
and drown? Have you a mind to sink?

4

Tempest
[I, 1]

(stage directions)

78

[Exeunt ANTONIO and SEBASTIAN]

5

Tempest
[II, 1]

(stage directions)

704

[Enter ALONSO, SEBASTIAN, ANTONIO, GONZALO,]
ADRIAN, FRANCISCO, and others]

6

Tempest
[II, 1]

Gonzalo

841

My lord Sebastian,
The truth you speak doth lack some gentleness
And time to speak it in: you rub the sore,
When you should bring the plaster.

7

Tempest
[II, 1]

(stage directions)

903

[All sleep except ALONSO, SEBASTIAN, and ANTONIO]

8

Tempest
[II, 1]

Antonio

921

Nor I; my spirits are nimble.
They fell together all, as by consent;
They dropp'd, as by a thunder-stroke. What might,
Worthy Sebastian? O, what might?—No more:—
And yet me thinks I see it in thy face,
What thou shouldst be: the occasion speaks thee, and
My strong imagination sees a crown
Dropping upon thy head.

9

Tempest
[II, 1]

Antonio

937

Noble Sebastian,
Thou let'st thy fortune sleep—die, rather; wink'st
Whiles thou art waking.

10

Tempest
[II, 1]

Antonio

992

A space whose every cubit
Seems to cry out, 'How shall that Claribel
Measure us back to Naples? Keep in Tunis,
And let Sebastian wake.' Say, this were death
That now hath seized them; why, they were no worse
Than now they are. There be that can rule Naples
As well as he that sleeps; lords that can prate
As amply and unnecessarily
As this Gonzalo; I myself could make
A chough of as deep chat. O, that you bore
The mind that I do! what a sleep were this
For your advancement! Do you understand me?

11

Tempest
[III, 3]

(stage directions)

1552

[Enter ALONSO, SEBASTIAN, ANTONIO, GONZALO,]
ADRIAN, FRANCISCO, and others]

12

Tempest
[III, 3]

Antonio

1565

[Aside to SEBASTIAN] I am right glad that he's so
out of hope.
Do not, for one repulse, forego the purpose
That you resolved to effect.

13

Tempest
[III, 3]

Antonio

1571

[Aside to SEBASTIAN] Let it be to-night;
For, now they are oppress'd with travel, they
Will not, nor cannot, use such vigilance
As when they are fresh.

14

Tempest
[III, 3]

Ariel

1629

You are three men of sin, whom Destiny,
That hath to instrument this lower world
And what is in't, the never-surfeited sea
Hath caused to belch up you; and on this island
Where man doth not inhabit; you 'mongst men
Being most unfit to live. I have made you mad;
And even with such-like valour men hang and drown
Their proper selves.
[ALONSO, SEBASTIAN &c. draw their swords]
You fools! I and my fellows
Are ministers of Fate: the elements,
Of whom your swords are temper'd, may as well
Wound the loud winds, or with bemock'd-at stabs
Kill the still-closing waters, as diminish
One dowle that's in my plume: my fellow-ministers
Are like invulnerable. If you could hurt,
Your swords are now too massy for your strengths
And will not be uplifted. But remember—
For that's my business to you—that you three
From Milan did supplant good Prospero;
Exposed unto the sea, which hath requit it,
Him and his innocent child: for which foul deed
The powers, delaying, not forgetting, have
Incensed the seas and shores, yea, all the creatures,
Against your peace. Thee of thy son, Alonso,
They have bereft; and do pronounce by me:
Lingering perdition, worse than any death
Can be at once, shall step by step attend
You and your ways; whose wraths to guard you from—
Which here, in this most desolate isle, else falls
Upon your heads—is nothing but heart-sorrow
And a clear life ensuing.
[He vanishes in thunder; then, to soft music]
enter the Shapes again, and dance, with
mocks and mows, and carrying out the table]

15

Tempest
[III, 3]

(stage directions)

1690

[Exeunt SEBASTIAN, and ANTONIO]

16

Tempest
[V, 1]

Prospero

2054

Ye elves of hills, brooks, standing lakes and groves,
And ye that on the sands with printless foot
Do chase the ebbing Neptune and do fly him
When he comes back; you demi-puppets that
By moonshine do the green sour ringlets make,
Whereof the ewe not bites, and you whose pastime
Is to make midnight mushrooms, that rejoice
To hear the solemn curfew; by whose aid,
Weak masters though ye be, I have bedimm'd
The noontide sun, call'd forth the mutinous winds,
And 'twixt the green sea and the azured vault
Set roaring war: to the dread rattling thunder
Have I given fire and rifted Jove's stout oak
With his own bolt; the strong-based promontory
Have I made shake and by the spurs pluck'd up
The pine and cedar: graves at my command
Have waked their sleepers, oped, and let 'em forth
By my so potent art. But this rough magic
I here abjure, and, when I have required
Some heavenly music, which even now I do,
To work mine end upon their senses that
This airy charm is for, I'll break my staff,
Bury it certain fathoms in the earth,
And deeper than did ever plummet sound
I'll drown my book.
[Solemn music]
[Re-enter ARIEL before: then ALONSO, with a]
frantic gesture, attended by GONZALO;
SEBASTIAN and ANTONIO in like manner,
attended by ADRIAN and FRANCISCO they all
enter the circle which PROSPERO had made,
and there stand charmed; which PROSPERO
observing, speaks:]
A solemn air and the best comforter
To an unsettled fancy cure thy brains,
Now useless, boil'd within thy skull! There stand,
For you are spell-stopp'd.
Holy Gonzalo, honourable man,
Mine eyes, even sociable to the show of thine,
Fall fellowly drops. The charm dissolves apace,
And as the morning steals upon the night,
Melting the darkness, so their rising senses
Begin to chase the ignorant fumes that mantle
Their clearer reason. O good Gonzalo,
My true preserver, and a loyal sir
To him you follow'st! I will pay thy graces
Home both in word and deed. Most cruelly
Didst thou, Alonso, use me and my daughter:
Thy brother was a furtherer in the act.
Thou art pinch'd fort now, Sebastian. Flesh and blood,
You, brother mine, that entertain'd ambition,
Expell'd remorse and nature; who, with Sebastian,
Whose inward pinches therefore are most strong,
Would here have kill'd your king; I do forgive thee,
Unnatural though thou art. Their understanding
Begins to swell, and the approaching tide
Will shortly fill the reasonable shore
That now lies foul and muddy. Not one of them
That yet looks on me, or would know me Ariel,
Fetch me the hat and rapier in my cell:
I will discase me, and myself present
As I was sometime Milan: quickly, spirit;
Thou shalt ere long be free.
[ARIEL sings and helps to attire him]
Where the bee sucks. there suck I:
In a cowslip's bell I lie;
There I couch when owls do cry.
On the bat's back I do fly
After summer merrily.
Merrily, merrily shall I live now
Under the blossom that hangs on the bough.

17

Tempest
[V, 1]

Prospero

2159

You do yet taste
Some subtilties o' the isle, that will not let you
Believe things certain. Welcome, my friends all!
[Aside to SEBASTIAN and ANTONIO]
But you, my brace of lords, were I so minded,
I here could pluck his highness' frown upon you
And justify you traitors: at this time
I will tell no tales.

18

Twelfth Night
[II, 1]

(stage directions)

611

[Enter ANTONIO and SEBASTIAN]

19

Twelfth Night
[II, 1]

Sebastian

619

No, sooth, sir: my determinate voyage is mere
extravagancy. But I perceive in you so excellent a
touch of modesty, that you will not extort from me
what I am willing to keep in; therefore it charges
me in manners the rather to express myself. You
must know of me then, Antonio, my name is Sebastian,
which I called Roderigo. My father was that
Sebastian of Messaline, whom I know you have heard
of. He left behind him myself and a sister, both
born in an hour: if the heavens had been pleased,
would we had so ended! but you, sir, altered that;
for some hour before you took me from the breach of
the sea was my sister drowned.

20

Twelfth Night
[III, 3]

(stage directions)

1488

[Enter SEBASTIAN and ANTONIO]

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