# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Cymbeline
[V, 5]

Cymbeline

3822

O, what, am I
A mother to the birth of three? Ne'er mother
Rejoiced deliverance more. Blest pray you be,
That, after this strange starting from your orbs,
may reign in them now! O Imogen,
Thou hast lost by this a kingdom.

2

Henry IV, Part II
[I, 1]

Travers

86

My lord, Sir John Umfrevile turn'd me back
With joyful tidings; and, being better hors'd,
Out-rode me. After him came spurring hard
A gentleman, almost forspent with speed,
That stopp'd by me to breathe his bloodied horse.
He ask'd the way to Chester; and of him
I did demand what news from Shrewsbury.
He told me that rebellion had bad luck,
And that young Harry Percy's spur was cold.
With that he gave his able horse the head
And, bending forward, struck his armed heels
Against the panting sides of his poor jade
Up to the rowel-head; and starting so,
He seem'd in running to devour the way,
Staying no longer question.

3

Macbeth
[V, 1]

Lady Macbeth

2166

The thane of Fife had a wife: where is she now?—
What, will these hands ne'er be clean?—No more o'
that, my lord, no more o' that: you mar all with
this starting.

4

Midsummer Night's Dream
[V, 1]

Bottom

2197

[Starting up] No assure you; the wall is down that
parted their fathers. Will it please you to see the
epilogue, or to hear a Bergomask dance between two
of our company?

5

Troilus and Cressida
[I, 0]

Chorus

1

In Troy, there lies the scene. From isles of Greece
The princes orgulous, their high blood chafed,
Have to the port of Athens sent their ships,
Fraught with the ministers and instruments
Of cruel war: sixty and nine, that wore
Their crownets regal, from the Athenian bay
Put forth toward Phrygia; and their vow is made
To ransack Troy, within whose strong immures
The ravish'd Helen, Menelaus' queen,
With wanton Paris sleeps; and that's the quarrel.
To Tenedos they come;
And the deep-drawing barks do there disgorge
Their warlike fraughtage: now on Dardan plains
The fresh and yet unbruised Greeks do pitch
Their brave pavilions: Priam's six-gated city,
Dardan, and Tymbria, Helias, Chetas, Troien,
And Antenorides, with massy staples
And corresponsive and fulfilling bolts,
Sperr up the sons of Troy.
Now expectation, tickling skittish spirits,
On one and other side, Trojan and Greek,
Sets all on hazard: and hither am I come
A prologue arm'd, but not in confidence
Of author's pen or actor's voice, but suited
In like conditions as our argument,
To tell you, fair beholders, that our play
Leaps o'er the vaunt and firstlings of those broils,
Beginning in the middle, starting thence away
To what may be digested in a play.
Like or find fault; do as your pleasures are:
Now good or bad, 'tis but the chance of war.

6

Troilus and Cressida
[IV, 5]

Agamemnon

2595

Here art thou in appointment fresh and fair,
Anticipating time with starting courage.
Give with thy trumpet a loud note to Troy,
Thou dreadful Ajax; that the appalled air
May pierce the head of the great combatant
And hale him hither.