# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[I, 1]

Lafeu

44

Your commendations, madam, get from her tears.

2

All's Well That Ends Well
[I, 1]

Helena

80

O, were that all! I think not on my father;
And these great tears grace his remembrance more
Than those I shed for him. What was he like?
I have forgot him: my imagination
Carries no favour in't but Bertram's.
I am undone: there is no living, none,
If Bertram be away. 'Twere all one
That I should love a bright particular star
And think to wed it, he is so above me:
In his bright radiance and collateral light
Must I be comforted, not in his sphere.
The ambition in my love thus plagues itself:
The hind that would be mated by the lion
Must die for love. 'Twas pretty, though plague,
To see him every hour; to sit and draw
His arched brows, his hawking eye, his curls,
In our heart's table; heart too capable
Of every line and trick of his sweet favour:
But now he's gone, and my idolatrous fancy
Must sanctify his reliques. Who comes here?
[Enter PAROLLES]
[Aside]
One that goes with him: I love him for his sake;
And yet I know him a notorious liar,
Think him a great way fool, solely a coward;
Yet these fixed evils sit so fit in him,
That they take place, when virtue's steely bones
Look bleak i' the cold wind: withal, full oft we see
Cold wisdom waiting on superfluous folly.

3

All's Well That Ends Well
[III, 4]

Countess

1586

What angel shall
Bless this unworthy husband? he cannot thrive,
Unless her prayers, whom heaven delights to hear
And loves to grant, reprieve him from the wrath
Of greatest justice. Write, write, Rinaldo,
To this unworthy husband of his wife;
Let every word weigh heavy of her worth
That he does weigh too light: my greatest grief.
Though little he do feel it, set down sharply.
Dispatch the most convenient messenger:
When haply he shall hear that she is gone,
He will return; and hope I may that she,
Hearing so much, will speed her foot again,
Led hither by pure love: which of them both
Is dearest to me. I have no skill in sense
To make distinction: provide this messenger:
My heart is heavy and mine age is weak;
Grief would have tears, and sorrow bids me speak.

4

All's Well That Ends Well
[IV, 3]

Second Lord

2154

And how mightily some other times we drown our gain
in tears! The great dignity that his valour hath
here acquired for him shall at home be encountered
with a shame as ample.

5

Antony and Cleopatra
[I, 2]

Domitius Enobarus

241

Alack, sir, no; her passions are made of nothing but
the finest part of pure love: we cannot call her
winds and waters sighs and tears; they are greater
storms and tempests than almanacs can report: this
cannot be cunning in her; if it be, she makes a
shower of rain as well as Jove.

6

Antony and Cleopatra
[I, 2]

Domitius Enobarus

256

Why, sir, give the gods a thankful sacrifice. When
it pleaseth their deities to take the wife of a man
from him, it shows to man the tailors of the earth;
comforting therein, that when old robes are worn
out, there are members to make new. If there were
no more women but Fulvia, then had you indeed a cut,
and the case to be lamented: this grief is crowned
with consolation; your old smock brings forth a new
petticoat: and indeed the tears live in an onion
that should water this sorrow.

7

Antony and Cleopatra
[I, 3]

Cleopatra

385

So Fulvia told me.
I prithee, turn aside and weep for her,
Then bid adieu to me, and say the tears
Belong to Egypt: good now, play one scene
Of excellent dissembling; and let it look
Life perfect honour.

8

Antony and Cleopatra
[II, 7]

Antony

1428

'Tis so. And the tears of it are wet.

9

Antony and Cleopatra
[IV, 8]

Antony

2782

We have beat him to his camp: run one before,
And let the queen know of our gests. To-morrow,
Before the sun shall see 's, we'll spill the blood
That has to-day escaped. I thank you all;
For doughty-handed are you, and have fought
Not as you served the cause, but as 't had been
Each man's like mine; you have shown all Hectors.
Enter the city, clip your wives, your friends,
Tell them your feats; whilst they with joyful tears
Wash the congealment from your wounds, and kiss
The honour'd gashes whole.
[To SCARUS]
Give me thy hand
[Enter CLEOPATRA, attended]
To this great fairy I'll commend thy acts,
Make her thanks bless thee.
[To CLEOPATRA]
O thou day o' the world,
Chain mine arm'd neck; leap thou, attire and all,
Through proof of harness to my heart, and there
Ride on the pants triumphing!

10

Antony and Cleopatra
[V, 1]

Octavius

3323

O Antony!
I have follow'd thee to this; but we do lance
Diseases in our bodies: I must perforce
Have shown to thee such a declining day,
Or look on thine; we could not stall together
In the whole world: but yet let me lament,
With tears as sovereign as the blood of hearts,
That thou, my brother, my competitor
In top of all design, my mate in empire,
Friend and companion in the front of war,
The arm of mine own body, and the heart
Where mine his thoughts did kindle,—that our stars,
Unreconciliable, should divide
Our equalness to this. Hear me, good friends—
But I will tell you at some meeter season:
[Enter an Egyptian]
The business of this man looks out of him;
We'll hear him what he says. Whence are you?

11

As You Like It
[I, 1]

Oliver

116

Charles, I thank thee for thy love to me, which thou shalt
find I will most kindly requite. I had myself notice of my
brother's purpose herein, and have by underhand means laboured to
dissuade him from it; but he is resolute. I'll tell thee,
Charles, it is the stubbornest young fellow of France; full of
ambition, an envious emulator of every man's good parts, a secret
and villainous contriver against me his natural brother.
Therefore use thy discretion: I had as lief thou didst break his
neck as his finger. And thou wert best look to't; for if thou
dost him any slight disgrace, or if he do not mightily grace
himself on thee, he will practise against thee by poison, entrap
thee by some treacherous device, and never leave thee till he
hath ta'en thy life by some indirect means or other; for, I
assure thee, and almost with tears I speak it, there is not one
so young and so villainous this day living. I speak but brotherly
of him; but should I anatomize him to thee as he is, I must blush
and weep, and thou must look pale and wonder.

12

As You Like It
[I, 2]

Rosalind

345

My father lov'd Sir Rowland as his soul,
And all the world was of my father's mind;
Had I before known this young man his son,
I should have given him tears unto entreaties
Ere he should thus have ventur'd.

13

As You Like It
[II, 1]

First Lord

574

Indeed, my lord,
The melancholy Jaques grieves at that;
And, in that kind, swears you do more usurp
Than doth your brother that hath banish'd you.
To-day my Lord of Amiens and myself
Did steal behind him as he lay along
Under an oak whose antique root peeps out
Upon the brook that brawls along this wood!
To the which place a poor sequest'red stag,
That from the hunter's aim had ta'en a hurt,
Did come to languish; and, indeed, my lord,
The wretched animal heav'd forth such groans
That their discharge did stretch his leathern coat
Almost to bursting; and the big round tears
Cours'd one another down his innocent nose
In piteous chase; and thus the hairy fool,
Much marked of the melancholy Jaques,
Stood on th' extremest verge of the swift brook,
Augmenting it with tears.

14

As You Like It
[II, 4]

Touchstone

763

And I mine. I remember, when I was in love, I broke my
sword upon a stone, and bid him take that for coming a-night to
Jane Smile; and I remember the kissing of her batler, and the
cow's dugs that her pretty chapt hands had milk'd; and I remember
the wooing of peascod instead of her; from whom I took two cods,
and giving her them again, said with weeping tears 'Wear these
for my sake.' We that are true lovers run into strange capers;
but as all is mortal in nature, so is all nature in love mortal
in folly.

15

As You Like It
[III, 2]

Rosalind

1482

Yes, one; and in this manner. He was to imagine me his
love, his mistress; and I set him every day to woo me; at which
time would I, being but a moonish youth, grieve, be effeminate,
changeable, longing and liking, proud, fantastical, apish,
shallow, inconstant, full of tears, full of smiles; for every
passion something and for no passion truly anything, as boys and
women are for the most part cattle of this colour; would now like
him, now loathe him; then entertain him, then forswear him; now
weep for him, then spit at him; that I drave my suitor from his
mad humour of love to a living humour of madness; which was, to
forswear the full stream of the world and to live in a nook
merely monastic. And thus I cur'd him; and this way will I take
upon me to wash your liver as clean as a sound sheep's heart,
that there shall not be one spot of love in 't.

16

As You Like It
[III, 4]

Celia

1596

Do, I prithee; but yet have the grace to consider that tears
do not become a man.

17

As You Like It
[IV, 3]

Oliver

2144

By and by.
When from the first to last, betwixt us two,
Tears our recountments had most kindly bath'd,
As how I came into that desert place-
In brief, he led me to the gentle Duke,
Who gave me fresh array and entertainment,
Committing me unto my brother's love;
Who led me instantly unto his cave,
There stripp'd himself, and here upon his arm
The lioness had torn some flesh away,
Which all this while had bled; and now he fainted,
And cried, in fainting, upon Rosalind.
Brief, I recover'd him, bound up his wound,
And, after some small space, being strong at heart,
He sent me hither, stranger as I am,
To tell this story, that you might excuse
His broken promise, and to give this napkin,
Dy'd in his blood, unto the shepherd youth
That he in sport doth call his Rosalind.

18

As You Like It
[V, 2]

Silvius

2322

It is to be all made of sighs and tears;
And so am I for Phebe.

19

Comedy of Errors
[III, 2]

Antipholus of Syracuse

791

Sweet mistress—what your name is else, I know not,
Nor by what wonder you do hit of mine,—
Less in your knowledge and your grace you show not
Than our earth's wonder, more than earth divine.
Teach me, dear creature, how to think and speak;
Lay open to my earthy-gross conceit,
Smother'd in errors, feeble, shallow, weak,
The folded meaning of your words' deceit.
Against my soul's pure truth why labour you
To make it wander in an unknown field?
Are you a god? would you create me new?
Transform me then, and to your power I'll yield.
But if that I am I, then well I know
Your weeping sister is no wife of mine,
Nor to her bed no homage do I owe
Far more, far more to you do I decline.
O, train me not, sweet mermaid, with thy note,
To drown me in thy sister's flood of tears:
Sing, siren, for thyself and I will dote:
Spread o'er the silver waves thy golden hairs,
And as a bed I'll take them and there lie,
And in that glorious supposition think
He gains by death that hath such means to die:
Let Love, being light, be drowned if she sink!

20

Comedy of Errors
[V, 1]

Adriana

1546

Come, go: I will fall prostrate at his feet
And never rise until my tears and prayers
Have won his grace to come in person hither
And take perforce my husband from the abbess.