# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

As You Like It
[I, 3]

Rosalind

522

Were it not better,
Because that I am more than common tall,
That I did suit me all points like a man?
A gallant curtle-axe upon my thigh,
A boar spear in my hand; and- in my heart
Lie there what hidden woman's fear there will-
We'll have a swashing and a martial outside,
As many other mannish cowards have
That do outface it with their semblances.

2

Coriolanus
[II, 1]

Menenius Agrippa

1069

One i' the neck, and two i' the thigh,—there's
nine that I know.

3

Cymbeline
[IV, 2]

Imogen

2692

[Awaking] Yes, sir, to Milford-Haven; which is
the way?—
I thank you.—By yond bush?—Pray, how far thither?
'Ods pittikins! can it be six mile yet?—
I have gone all night. 'Faith, I'll lie down and sleep.
But, soft! no bedfellow!—O gods and goddesses!
[Seeing the body of CLOTEN]
These flowers are like the pleasures of the world;
This bloody man, the care on't. I hope I dream;
For so I thought I was a cave-keeper,
And cook to honest creatures: but 'tis not so;
'Twas but a bolt of nothing, shot at nothing,
Which the brain makes of fumes: our very eyes
Are sometimes like our judgments, blind. Good faith,
I tremble stiff with fear: but if there be
Yet left in heaven as small a drop of pity
As a wren's eye, fear'd gods, a part of it!
The dream's here still: even when I wake, it is
Without me, as within me; not imagined, felt.
A headless man! The garments of Posthumus!
I know the shape of's leg: this is his hand;
His foot Mercurial; his Martial thigh;
The brawns of Hercules: but his Jovial face
Murder in heaven?—How!—'Tis gone. Pisanio,
All curses madded Hecuba gave the Greeks,
And mine to boot, be darted on thee! Thou,
Conspired with that irregulous devil, Cloten,
Hast here cut off my lord. To write and read
Be henceforth treacherous! Damn'd Pisanio
Hath with his forged letters,—damn'd Pisanio—
From this most bravest vessel of the world
Struck the main-top! O Posthumus! alas,
Where is thy head? where's that? Ay me!
where's that?
Pisanio might have kill'd thee at the heart,
And left this head on. How should this be? Pisanio?
'Tis he and Cloten: malice and lucre in them
Have laid this woe here. O, 'tis pregnant, pregnant!
The drug he gave me, which he said was precious
And cordial to me, have I not found it
Murderous to the senses? That confirms it home:
This is Pisanio's deed, and Cloten's: O!
Give colour to my pale cheek with thy blood,
That we the horrider may seem to those
Which chance to find us: O, my lord, my lord!
[Falls on the body]
[Enter LUCIUS, a Captain and other Officers,]
and a Soothsayer]

4

Henry IV, Part I
[V, 4]

Falstaff

3077

[Rising up] Embowelled! if thou embowel me to-day,
I'll give you leave to powder me and eat me too
to-morrow. 'Sblood,'twas time to counterfeit, or
that hot termagant Scot had paid me scot and lot too.
Counterfeit? I lie, I am no counterfeit: to die,
is to be a counterfeit; for he is but the
counterfeit of a man who hath not the life of a man:
but to counterfeit dying, when a man thereby
liveth, is to be no counterfeit, but the true and
perfect image of life indeed. The better part of
valour is discretion; in the which better part I
have saved my life.'Zounds, I am afraid of this
gunpowder Percy, though he be dead: how, if he
should counterfeit too and rise? by my faith, I am
afraid he would prove the better counterfeit.
Therefore I'll make him sure; yea, and I'll swear I
killed him. Why may not he rise as well as I?
Nothing confutes me but eyes, and nobody sees me.
Therefore, sirrah,
[Stabbing him]
with a new wound in your thigh, come you along with me.

5

Henry IV, Part I
[V, 4]

Falstaff

3117

Didst thou? Lord, Lord, how this world is given to
lying! I grant you I was down and out of breath;
and so was he: but we rose both at an instant and
fought a long hour by Shrewsbury clock. If I may be
believed, so; if not, let them that should reward
valour bear the sin upon their own heads. I'll take
it upon my death, I gave him this wound in the
thigh: if the man were alive and would deny it,
'zounds, I would make him eat a piece of my sword.

6

Julius Caesar
[II, 1]

Portia

919

If this were true, then should I know this secret.
I grant I am a woman; but withal
A woman that Lord Brutus took to wife:
I grant I am a woman; but withal
A woman well-reputed, Cato's daughter.
Think you I am no stronger than my sex,
Being so father'd and so husbanded?
Tell me your counsels, I will not disclose 'em:
I have made strong proof of my constancy,
Giving myself a voluntary wound
Here, in the thigh: can I bear that with patience.
And not my husband's secrets?

7

Othello
[III, 3]

Iago

2092

I do not like the office:
But, sith I am enter'd in this cause so far,
Prick'd to't by foolish honesty and love,
I will go on. I lay with Cassio lately;
And, being troubled with a raging tooth,
I could not sleep.
There are a kind of men so loose of soul,
That in their sleeps will mutter their affairs:
One of this kind is Cassio:
In sleep I heard him say 'Sweet Desdemona,
Let us be wary, let us hide our loves;'
And then, sir, would he gripe and wring my hand,
Cry 'O sweet creature!' and then kiss me hard,
As if he pluck'd up kisses by the roots
That grew upon my lips: then laid his leg
Over my thigh, and sigh'd, and kiss'd; and then
Cried 'Cursed fate that gave thee to the Moor!'

8

Othello
[V, 2]

Othello

3616

Behold, I have a weapon;
A better never did itself sustain
Upon a soldier's thigh: I have seen the day,
That, with this little arm and this good sword,
I have made my way through more impediments
Than twenty times your stop: but, O vain boast!
Who can control his fate? 'tis not so now.
Be not afraid, though you do see me weapon'd;
Here is my journey's end, here is my butt,
And very sea-mark of my utmost sail.
Do you go back dismay'd? 'tis a lost fear;
Man but a rush against Othello's breast,
And he retires. Where should Othello go?
Now, how dost thou look now? O ill-starr'd wench!
Pale as thy smock! when we shall meet at compt,
This look of thine will hurl my soul from heaven,
And fiends will snatch at it. Cold, cold, my girl!
Even like thy chastity. O cursed slave!
Whip me, ye devils,
From the possession of this heavenly sight!
Blow me about in winds! roast me in sulphur!
Wash me in steep-down gulfs of liquid fire!
O Desdemona! Desdemona! dead!
Oh! Oh! Oh!
[Enter LODOVICO. MONTANO, CASSIO carried in a chair,]
and Officers with IAGO, prisoner]

9

Passionate Pilgrim

Shakespeare

118

Fair was the morn when the fair queen of love,
[ ]
Paler for sorrow than her milk-white dove,
For Adon's sake, a youngster proud and wild;
Her stand she takes upon a steep-up hill:
Anon Adonis comes with horn and hounds;
She, silly queen, with more than love's good will,
Forbade the boy he should not pass those grounds:
'Once,' quoth she, 'did I see a fair sweet youth
Here in these brakes deep-wounded with a boar,
Deep in the thigh, a spectacle of ruth!
See, in my thigh,' quoth she, 'here was the sore.'
She showed hers: he saw more wounds than one,
And blushing fled, and left her all alone.

10

Romeo and Juliet
[II, 1]

Mercutio

805

Nay, I'll conjure too.
Romeo! humours! madman! passion! lover!
Appear thou in the likeness of a sigh:
Speak but one rhyme, and I am satisfied;
Cry but 'Ay me!' pronounce but 'love' and 'dove;'
Speak to my gossip Venus one fair word,
One nick-name for her purblind son and heir,
Young Adam Cupid, he that shot so trim,
When King Cophetua loved the beggar-maid!
He heareth not, he stirreth not, he moveth not;
The ape is dead, and I must conjure him.
I conjure thee by Rosaline's bright eyes,
By her high forehead and her scarlet lip,
By her fine foot, straight leg and quivering thigh
And the demesnes that there adjacent lie,
That in thy likeness thou appear to us!

11

Venus and Adonis

Shakespeare

893

And as she runs, the bushes in the way
Some catch her by the neck, some kiss her face,
Some twine about her thigh to make her stay:
She wildly breaketh from their strict embrace,
Like a milch doe, whose swelling dugs do ache,
Hasting to feed her fawn hid in some brake.