# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Henry VI, Part II
[III, 2]

Henry VI

1720

What, doth my Lord of Suffolk comfort me?
Came he right now to sing a raven's note,
Whose dismal tune bereft my vital powers;
And thinks he that the chirping of a wren,
By crying comfort from a hollow breast,
Can chase away the first-conceived sound?
Hide not thy poison with such sugar'd words;
Lay not thy hands on me; forbear, I say;
Their touch affrights me as a serpent's sting.
Thou baleful messenger, out of my sight!
Upon thy eye-balls murderous tyranny
Sits in grim majesty, to fright the world.
Look not upon me, for thine eyes are wounding:
Yet do not go away: come, basilisk,
And kill the innocent gazer with thy sight;
For in the shade of death I shall find joy;
In life but double death, now Gloucester's dead.

2

King Lear
[IV, 6]

Lear

2716

Ay, every inch a king!
When I do stare, see how the subject quakes.
I pardon that man's life. What was thy cause?
Adultery?
Thou shalt not die. Die for adultery? No.
The wren goes to't, and the small gilded fly
Does lecher in my sight.
Let copulation thrive; for Gloucester's bastard son
Was kinder to his father than my daughters
Got 'tween the lawful sheets.
To't, luxury, pell-mell! for I lack soldiers.
Behold yond simp'ring dame,
Whose face between her forks presageth snow,
That minces virtue, and does shake the head
To hear of pleasure's name.
The fitchew nor the soiled horse goes to't
With a more riotous appetite.
Down from the waist they are Centaurs,
Though women all above.
But to the girdle do the gods inherit,
Beneath is all the fiend's.
There's hell, there's darkness, there's the sulphurous pit;
burning, scalding, stench, consumption. Fie, fie, fie! pah, pah!
Give me an ounce of civet, good apothecary, to sweeten my
imagination. There's money for thee.

3

Macbeth
[IV, 2]

Lady Macduff

1746

Wisdom! to leave his wife, to leave his babes,
His mansion and his titles in a place
From whence himself does fly? He loves us not;
He wants the natural touch: for the poor wren,
The most diminutive of birds, will fight,
Her young ones in her nest, against the owl.
All is the fear and nothing is the love;
As little is the wisdom, where the flight
So runs against all reason.

4

Merchant of Venice
[V, 1]

Portia

2559

The crow doth sing as sweetly as the lark,
When neither is attended, and I think
The nightingale, if she should sing by day,
When every goose is cackling, would be thought
No better a musician than the wren.
How many things by season season'd are
To their right praise and true perfection!
Peace, ho! the moon sleeps with Endymion
And would not be awaked.

5

Midsummer Night's Dream
[III, 1]

Bottom

940

I see their knavery: this is to make an ass of me;
to fright me, if they could. But I will not stir
from this place, do what they can: I will walk up
and down here, and I will sing, that they shall hear
I am not afraid.
[Sings]
The ousel cock so black of hue,
With orange-tawny bill,
The throstle with his note so true,
The wren with little quill,—

6

Twelfth Night
[III, 2]

Sir Toby Belch

1469

Look, where the youngest wren of nine comes.