# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Twelfth Night
[I, 2]

Captain

55

True, madam: and, to comfort you with chance,
Assure yourself, after our ship did split,
When you and those poor number saved with you
Hung on our driving boat, I saw your brother,
Most provident in peril, bind himself,
Courage and hope both teaching him the practise,
To a strong mast that lived upon the sea;
Where, like Arion on the dolphin's back,
I saw him hold acquaintance with the waves
So long as I could see.

2

Twelfth Night
[I, 5]

Feste

334

Two faults, madonna, that drink and good counsel
will amend: for give the dry fool drink, then is
the fool not dry: bid the dishonest man mend
himself; if he mend, he is no longer dishonest; if
he cannot, let the botcher mend him. Any thing
that's mended is but patched: virtue that
transgresses is but patched with sin; and sin that
amends is but patched with virtue. If that this
simple syllogism will serve, so; if it will not,
what remedy? As there is no true cuckold but
calamity, so beauty's a flower. The lady bade take
away the fool; therefore, I say again, take her away.

3

Twelfth Night
[II, 3]

Feste

738

[Sings]
O mistress mine, where are you roaming?
O, stay and hear; your true love's coming,
That can sing both high and low:
Trip no further, pretty sweeting;
Journeys end in lovers meeting,
Every wise man's son doth know.

4

Twelfth Night
[II, 3]

Sir Andrew Aguecheek

754

A mellifluous voice, as I am true knight.

5

Twelfth Night
[II, 4]

Orsino

902

Seek him out, and play the tune the while.
[Exit CURIO. Music plays]
Come hither, boy: if ever thou shalt love,
In the sweet pangs of it remember me;
For such as I am all true lovers are,
Unstaid and skittish in all motions else,
Save in the constant image of the creature
That is beloved. How dost thou like this tune?

6

Twelfth Night
[II, 4]

Feste

947

Come away, come away, death,
And in sad cypress let me be laid;
Fly away, fly away breath;
I am slain by a fair cruel maid.
My shroud of white, stuck all with yew,
O, prepare it!
My part of death, no one so true
Did share it.
Not a flower, not a flower sweet
On my black coffin let there be strown;
Not a friend, not a friend greet
My poor corpse, where my bones shall be thrown:
A thousand thousand sighs to save,
Lay me, O, where
Sad true lover never find my grave,
To weep there!

7

Twelfth Night
[II, 4]

Viola

1005

Too well what love women to men may owe:
In faith, they are as true of heart as we.
My father had a daughter loved a man,
As it might be, perhaps, were I a woman,
I should your lordship.

8

Twelfth Night
[II, 5]

Maria

1221

Nay, but say true; does it work upon him?

9

Twelfth Night
[III, 4]

Malvolio

1566

Sad, lady! I could be sad: this does make some
obstruction in the blood, this cross-gartering; but
what of that? if it please the eye of one, it is
with me as the very true sonnet is, 'Please one, and
please all.'

10

Twelfth Night
[III, 4]

Viola

1755

Nothing but this; your true love for my master.

11

Twelfth Night
[III, 4]

Viola

1928

Methinks his words do from such passion fly,
That he believes himself: so do not I.
Prove true, imagination, O, prove true,
That I, dear brother, be now ta'en for you!

12

Twelfth Night
[IV, 2]

Feste

2130

I will help you to't. But tell me true, are you
not mad indeed? or do you but counterfeit?

13

Twelfth Night
[IV, 2]

Malvolio

2132

Believe me, I am not; I tell thee true.

14

Twelfth Night
[IV, 3]

Sebastian

2184

I'll follow this good man, and go with you;
And, having sworn truth, ever will be true.

15

Twelfth Night
[V, 1]

Orsino

2309

Why should I not, had I the heart to do it,
Like to the Egyptian thief at point of death,
Kill what I love?—a savage jealousy
That sometimes savours nobly. But hear me this:
Since you to non-regardance cast my faith,
And that I partly know the instrument
That screws me from my true place in your favour,
Live you the marble-breasted tyrant still;
But this your minion, whom I know you love,
And whom, by heaven I swear, I tender dearly,
Him will I tear out of that cruel eye,
Where he sits crowned in his master's spite.
Come, boy, with me; my thoughts are ripe in mischief:
I'll sacrifice the lamb that I do love,
To spite a raven's heart within a dove.

16

Twelfth Night
[V, 1]

Orsino

2465

Be not amazed; right noble is his blood.
If this be so, as yet the glass seems true,
I shall have share in this most happy wreck.
[To VIOLA]
Boy, thou hast said to me a thousand times
Thou never shouldst love woman like to me.

17

Twelfth Night
[V, 1]

Viola

2471

And all those sayings will I overswear;
And those swearings keep as true in soul
As doth that orbed continent the fire
That severs day from night.