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I understand a fury in your words,
But not the words.

      — Othello, Act IV Scene 2

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# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

As You Like It
[I, 1]

Charles

100

They say he is already in the Forest of Arden, and a many
merry men with him; and there they live like the old Robin Hood
of England. They say many young gentlemen flock to him every day,
and fleet the time carelessly, as they did in the golden world.

2

As You Like It
[I, 1]

Oliver

116

Charles, I thank thee for thy love to me, which thou shalt
find I will most kindly requite. I had myself notice of my
brother's purpose herein, and have by underhand means laboured to
dissuade him from it; but he is resolute. I'll tell thee,
Charles, it is the stubbornest young fellow of France; full of
ambition, an envious emulator of every man's good parts, a secret
and villainous contriver against me his natural brother.
Therefore use thy discretion: I had as lief thou didst break his
neck as his finger. And thou wert best look to't; for if thou
dost him any slight disgrace, or if he do not mightily grace
himself on thee, he will practise against thee by poison, entrap
thee by some treacherous device, and never leave thee till he
hath ta'en thy life by some indirect means or other; for, I
assure thee, and almost with tears I speak it, there is not one
so young and so villainous this day living. I speak but brotherly
of him; but should I anatomize him to thee as he is, I must blush
and weep, and thou must look pale and wonder.

3

As You Like It
[I, 2]

Touchstone

257

Thus men may grow wiser every day. It is the first time
that ever I heard breaking of ribs was sport for ladies.

4

As You Like It
[II, 7]

Jaques (lord)

1037

All the world's a stage,
And all the men and women merely players;
They have their exits and their entrances;
And one man in his time plays many parts,
His acts being seven ages. At first the infant,
Mewling and puking in the nurse's arms;
Then the whining school-boy, with his satchel
And shining morning face, creeping like snail
Unwillingly to school. And then the lover,
Sighing like furnace, with a woeful ballad
Made to his mistress' eyebrow. Then a soldier,
Full of strange oaths, and bearded like the pard,
Jealous in honour, sudden and quick in quarrel,
Seeking the bubble reputation
Even in the cannon's mouth. And then the justice,
In fair round belly with good capon lin'd,
With eyes severe and beard of formal cut,
Full of wise saws and modern instances;
And so he plays his part. The sixth age shifts
Into the lean and slipper'd pantaloon,
With spectacles on nose and pouch on side,
His youthful hose, well sav'd, a world too wide
For his shrunk shank; and his big manly voice,
Turning again toward childish treble, pipes
And whistles in his sound. Last scene of all,
That ends this strange eventful history,
Is second childishness and mere oblivion;
Sans teeth, sans eyes, sans taste, sans every thing.

5

As You Like It
[III, 2]

Orlando

1122

Hang there, my verse, in witness of my love;
And thou, thrice-crowned Queen of Night, survey
With thy chaste eye, from thy pale sphere above,
Thy huntress' name that my full life doth sway.
O Rosalind! these trees shall be my books,
And in their barks my thoughts I'll character,
That every eye which in this forest looks
Shall see thy virtue witness'd every where.
Run, run, Orlando; carve on every tree,
The fair, the chaste, and unexpressive she. Exit

6

As You Like It
[III, 2]

Celia

1237

'Why should this a desert be?
For it is unpeopled? No;
Tongues I'll hang on every tree
That shall civil sayings show.
Some, how brief the life of man
Runs his erring pilgrimage,
That the streching of a span
Buckles in his sum of age;
Some, of violated vows
'Twixt the souls of friend and friend;
But upon the fairest boughs,
Or at every sentence end,
Will I Rosalinda write,
Teaching all that read to know
The quintessence of every sprite
Heaven would in little show.
Therefore heaven Nature charg'd
That one body should be fill'd
With all graces wide-enlarg'd.
Nature presently distill'd
Helen's cheek, but not her heart,
Cleopatra's majesty,
Atalanta's better part,
Sad Lucretia's modesty.
Thus Rosalinde of many parts
By heavenly synod was devis'd,
Of many faces, eyes, and hearts,
To have the touches dearest priz'd.
Heaven would that she these gifts should have,
And I to live and die her slave.'

7

As You Like It
[III, 2]

Rosalind

1398

Then there is no true lover in the forest, else sighing
every minute and groaning every hour would detect the lazy foot
of Time as well as a clock.

8

As You Like It
[III, 2]

Rosalind

1440

There were none principal; they were all like one another
as halfpence are; every one fault seeming monstrous till his
fellow-fault came to match it.

9

As You Like It
[III, 2]

Rosalind

1457

A lean cheek, which you have not; a blue eye and sunken,
which you have not; an unquestionable spirit, which you have not;
a beard neglected, which you have not; but I pardon you for that,
for simply your having in beard is a younger brother's revenue.
Then your hose should be ungarter'd, your bonnet unbanded, your
sleeve unbutton'd, your shoe untied, and every thing about you
demonstrating a careless desolation. But you are no such man; you
are rather point-device in your accoutrements, as loving yourself
than seeming the lover of any other.

10

As You Like It
[III, 2]

Rosalind

1482

Yes, one; and in this manner. He was to imagine me his
love, his mistress; and I set him every day to woo me; at which
time would I, being but a moonish youth, grieve, be effeminate,
changeable, longing and liking, proud, fantastical, apish,
shallow, inconstant, full of tears, full of smiles; for every
passion something and for no passion truly anything, as boys and
women are for the most part cattle of this colour; would now like
him, now loathe him; then entertain him, then forswear him; now
weep for him, then spit at him; that I drave my suitor from his
mad humour of love to a living humour of madness; which was, to
forswear the full stream of the world and to live in a nook
merely monastic. And thus I cur'd him; and this way will I take
upon me to wash your liver as clean as a sound sheep's heart,
that there shall not be one spot of love in 't.

11

As You Like It
[III, 2]

Rosalind

1497

I would cure you, if you would but call me Rosalind, and
come every day to my cote and woo me.

12

As You Like It
[IV, 1]

Rosalind

1801

Those that are in extremity of either are abominable
fellows, and betray themselves to every modern censure worse than
drunkards.

13

As You Like It
[IV, 1]

Rosalind

1973

No; that same wicked bastard of Venus, that was begot of
thought, conceiv'd of spleen, and born of madness; that blind
rascally boy, that abuses every one's eyes, because his own are
out- let him be judge how deep I am in love. I'll tell thee,
Aliena, I cannot be out of the sight of Orlando. I'll go find a
shadow, and sigh till he come.

14

As You Like It
[V, 4]

Hymen

2518

Peace, ho! I bar confusion;
'Tis I must make conclusion
Of these most strange events.
Here's eight that must take hands
To join in Hymen's bands,
If truth holds true contents.
You and you no cross shall part;
You and you are heart in heart;
You to his love must accord,
Or have a woman to your lord;
You and you are sure together,
As the winter to foul weather.
Whiles a wedlock-hymn we sing,
Feed yourselves with questioning,
That reason wonder may diminish,
How thus we met, and these things finish.
SONG
Wedding is great Juno's crown;
O blessed bond of board and bed!
'Tis Hymen peoples every town;
High wedlock then be honoured.
Honour, high honour, and renown,
To Hymen, god of every town!

15

As You Like It
[V, 4]

Jaques (son)

2546

Let me have audience for a word or two.
I am the second son of old Sir Rowland,
That bring these tidings to this fair assembly.
Duke Frederick, hearing how that every day
Men of great worth resorted to this forest,
Address'd a mighty power; which were on foot,
In his own conduct, purposely to take
His brother here, and put him to the sword;
And to the skirts of this wild wood he came,
Where, meeting with an old religious man,
After some question with him, was converted
Both from his enterprise and from the world;
His crown bequeathing to his banish'd brother,
And all their lands restor'd to them again
That were with him exil'd. This to be true
I do engage my life.

16

As You Like It
[V, 4]

Duke

2562

Welcome, young man.
Thou offer'st fairly to thy brothers' wedding:
To one, his lands withheld; and to the other,
A land itself at large, a potent dukedom.
First, in this forest let us do those ends
That here were well begun and well begot;
And after, every of this happy number,
That have endur'd shrewd days and nights with us,
Shall share the good of our returned fortune,
According to the measure of their states.
Meantime, forget this new-fall'n dignity,
And fall into our rustic revelry.
Play, music; and you brides and bridegrooms all,
With measure heap'd in joy, to th' measures fall.

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