# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

As You Like It
[I, 1]

Orlando

24

Go apart, Adam, and thou shalt hear how he will shake me
up.

2

As You Like It
[I, 1]

Orlando

56

I will not, till I please; you shall hear me. My father
charg'd you in his will to give me good education: you have
train'd me like a peasant, obscuring and hiding from me all
gentleman-like qualities. The spirit of my father grows strong in
me, and I will no longer endure it; therefore allow me such
exercises as may become a gentleman, or give me the poor
allottery my father left me by testament; with that I will go buy
my fortunes.

3

As You Like It
[I, 3]

Celia

470

Dear sovereign, hear me speak.

4

As You Like It
[II, 2]

First Lord

625

I cannot hear of any that did see her.
The ladies, her attendants of her chamber,
Saw her abed, and in the morning early
They found the bed untreasur'd of their mistress.

5

As You Like It
[II, 7]

Jaques (lord)

906

A fool, a fool! I met a fool i' th' forest,
A motley fool. A miserable world!
As I do live by food, I met a fool,
Who laid him down and bask'd him in the sun,
And rail'd on Lady Fortune in good terms,
In good set terms- and yet a motley fool.
'Good morrow, fool,' quoth I; 'No, sir,' quoth he,
'Call me not fool till heaven hath sent me fortune.'
And then he drew a dial from his poke,
And, looking on it with lack-lustre eye,
Says very wisely, 'It is ten o'clock;
Thus we may see,' quoth he, 'how the world wags;
'Tis but an hour ago since it was nine;
And after one hour more 'twill be eleven;
And so, from hour to hour, we ripe and ripe,
And then, from hour to hour, we rot and rot;
And thereby hangs a tale.' When I did hear
The motley fool thus moral on the time,
My lungs began to crow like chanticleer
That fools should be so deep contemplative;
And I did laugh sans intermission
An hour by his dial. O noble fool!
A worthy fool! Motley's the only wear.

6

As You Like It
[III, 2]

Celia

1275

Didst thou hear these verses?

7

As You Like It
[III, 2]

Celia

1281

But didst thou hear without wondering how thy name should be
hang'd and carved upon these trees?

8

As You Like It
[III, 2]

Rosalind

1391

[Aside to CELIA] I will speak to him like a saucy lackey,
and under that habit play the knave with him.- Do you hear,
forester?

9

As You Like It
[III, 5]

Phebe

1718

Sweet youth, I pray you chide a year together;
I had rather hear you chide than this man woo.

10

As You Like It
[III, 5]

Phebe

1764

Think not I love him, though I ask for him;
'Tis but a peevish boy; yet he talks well.
But what care I for words? Yet words do well
When he that speaks them pleases those that hear.
It is a pretty youth- not very pretty;
But, sure, he's proud; and yet his pride becomes him.
He'll make a proper man. The best thing in him
Is his complexion; and faster than his tongue
Did make offence, his eye did heal it up.
He is not very tall; yet for his years he's tall;
His leg is but so-so; and yet 'tis well.
There was a pretty redness in his lip,
A little riper and more lusty red
Than that mix'd in his cheek; 'twas just the difference
Betwixt the constant red and mingled damask.
There be some women, Silvius, had they mark'd him
In parcels as I did, would have gone near
To fall in love with him; but, for my part,
I love him not, nor hate him not; and yet
I have more cause to hate him than to love him;
For what had he to do to chide at me?
He said mine eyes were black, and my hair black,
And, now I am rememb'red, scorn'd at me.
I marvel why I answer'd not again;
But that's all one: omittance is no quittance.
I'll write to him a very taunting letter,
And thou shalt bear it; wilt thou, Silvius?

11

As You Like It
[IV, 2]

Jaques (lord)

1987

Sing it; 'tis no matter how it be in tune, so it make noise
enough.
SONG.
What shall he have that kill'd the deer?
His leather skin and horns to wear.
[The rest shall hear this burden:]
Then sing him home.
Take thou no scorn to wear the horn;
It was a crest ere thou wast born.
Thy father's father wore it;
And thy father bore it.
The horn, the horn, the lusty horn,
Is not a thing to laugh to scorn. Exeunt

12

As You Like It
[IV, 3]

Rosalind

2033

Why, 'tis a boisterous and a cruel style;
A style for challengers. Why, she defies me,
Like Turk to Christian. Women's gentle brain
Could not drop forth such giant-rude invention,
Such Ethiope words, blacker in their effect
Than in their countenance. Will you hear the letter?

13

As You Like It
[IV, 3]

Rosalind

2046

'Why, thy godhead laid apart,
Warr'st thou with a woman's heart?'
Did you ever hear such railing?
'Whiles the eye of man did woo me,
That could do no vengeance to me.'
Meaning me a beast.
'If the scorn of your bright eyne
Have power to raise such love in mine,
Alack, in me what strange effect
Would they work in mild aspect!
Whiles you chid me, I did love;
How then might your prayers move!
He that brings this love to the
Little knows this love in me;
And by him seal up thy mind,
Whether that thy youth and kind
Will the faithful offer take
Of me and all that I can make;
Or else by him my love deny,
And then I'll study how to die.'

14

As You Like It
[V, 2]

Orlando

2345

To her that is not here, nor doth not hear.

15

As You Like It
[V, 3]

Touchstone

2398

By my troth, yes; I count it but time lost to hear such
a foolish song. God buy you; and God mend your voices. Come,
Audrey. Exeunt