# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

As You Like It
[I, 1]

Oliver

136

Farewell, good Charles. Now will I stir this gamester. I
hope I shall see an end of him; for my soul, yet I know not why,
hates nothing more than he. Yet he's gentle; never school'd and
yet learned; full of noble device; of all sorts enchantingly
beloved; and, indeed, so much in the heart of the world, and
especially of my own people, who best know him, that I am
altogether misprised. But it shall not be so long; this wrestler
shall clear all. Nothing remains but that I kindle the boy
thither, which now I'll go about. Exit

2

As You Like It
[I, 2]

Celia

189

Peradventure this is not Fortune's work neither, but
Nature's, who perceiveth our natural wits too dull to reason of
such goddesses, and hath sent this natural for our whetstone; for
always the dullness of the fool is the whetstone of the wits. How
now, wit! Whither wander you?

3

As You Like It
[I, 2]

Celia

212

Prithee, who is't that thou mean'st?

4

As You Like It
[I, 2]

Celia

323

If I had a thunderbolt in mine eye, I can tell who should
down.

5

As You Like It
[II, 4]

Rosalind

737

Ay, be so, good Touchstone. Look you, who comes here, a
young man and an old in solemn talk.

6

As You Like It
[II, 4]

Corin

783

Who calls?

7

As You Like It
[II, 5]

Amiens

820

Under the greenwood tree
Who loves to lie with me,
And turn his merry note
Unto the sweet bird's throat,
Come hither, come hither, come hither.
Here shall he see
No enemy
But winter and rough weather.

8

As You Like It
[II, 5]

Jaques (lord)

847

And I have been all this day to avoid him. He is too
disputable for my company. I think of as many matters as he; but
I give heaven thanks, and make no boast of them. Come, warble, come.
SONG
[All together here]
Who doth ambition shun,
And loves to live i' th' sun,
Seeking the food he eats,
And pleas'd with what he gets,
Come hither, come hither, come hither.
Here shall he see
No enemy
But winter and rough weather.

9

As You Like It
[II, 7]

Jaques (lord)

906

A fool, a fool! I met a fool i' th' forest,
A motley fool. A miserable world!
As I do live by food, I met a fool,
Who laid him down and bask'd him in the sun,
And rail'd on Lady Fortune in good terms,
In good set terms- and yet a motley fool.
'Good morrow, fool,' quoth I; 'No, sir,' quoth he,
'Call me not fool till heaven hath sent me fortune.'
And then he drew a dial from his poke,
And, looking on it with lack-lustre eye,
Says very wisely, 'It is ten o'clock;
Thus we may see,' quoth he, 'how the world wags;
'Tis but an hour ago since it was nine;
And after one hour more 'twill be eleven;
And so, from hour to hour, we ripe and ripe,
And then, from hour to hour, we rot and rot;
And thereby hangs a tale.' When I did hear
The motley fool thus moral on the time,
My lungs began to crow like chanticleer
That fools should be so deep contemplative;
And I did laugh sans intermission
An hour by his dial. O noble fool!
A worthy fool! Motley's the only wear.

10

As You Like It
[II, 7]

Jaques (lord)

965

Why, who cries out on pride
That can therein tax any private party?
Doth it not flow as hugely as the sea,
Till that the wearer's very means do ebb?
What woman in the city do I name
When that I say the city-woman bears
The cost of princes on unworthy shoulders?
Who can come in and say that I mean her,
When such a one as she such is her neighbour?
Or what is he of basest function
That says his bravery is not on my cost,
Thinking that I mean him, but therein suits
His folly to the mettle of my speech?
There then! how then? what then? Let me see wherein
My tongue hath wrong'd him: if it do him right,
Then he hath wrong'd himself; if he be free,
Why then my taxing like a wild-goose flies,
Unclaim'd of any man. But who comes here?

11

As You Like It
[II, 7]

Orlando

1023

Then but forbear your food a little while,
Whiles, like a doe, I go to find my fawn,
And give it food. There is an old poor man
Who after me hath many a weary step
Limp'd in pure love; till he be first suffic'd,
Oppress'd with two weak evils, age and hunger,
I will not touch a bit.

12

As You Like It
[III, 2]

Celia

1287

Trow you who hath done this?

13

As You Like It
[III, 2]

Rosalind

1291

I prithee, who?

14

As You Like It
[III, 2]

Rosalind

1294

Nay, but who is it?

15

As You Like It
[III, 2]

Rosalind

1296

Nay, I prithee now, with most petitionary vehemence, tell
me who it is.

16

As You Like It
[III, 2]

Rosalind

1300

Good my complexion! dost thou think, though I am
caparison'd like a man, I have a doublet and hose in my
disposition? One inch of delay more is a South Sea of discovery.
I prithee tell me who is it quickly, and speak apace. I would
thou could'st stammer, that thou mightst pour this conceal'd man
out of thy mouth, as wine comes out of narrow-mouth'd bottle-
either too much at once or none at all. I prithee take the cork
out of thy mouth that I may drink thy tidings.

17

As You Like It
[III, 2]

Rosalind

1403

By no means, sir. Time travels in divers paces with
divers persons. I'll tell you who Time ambles withal, who Time
trots withal, who Time gallops withal, and who he stands still
withal.

18

As You Like It
[III, 2]

Orlando

1407

I prithee, who doth he trot withal?

19

As You Like It
[III, 2]

Orlando

1412

Who ambles Time withal?

20

As You Like It
[III, 2]

Orlando

1419

Who doth he gallop withal?