# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Cymbeline
[I, 4]

Frenchman

371

Safely, I think: 'twas a contention in public,
which may, without contradiction, suffer the report.
It was much like an argument that fell out last
night, where each of us fell in praise of our
country mistresses; this gentleman at that time
vouching—and upon warrant of bloody
affirmation—his to be more fair, virtuous, wise,
chaste, constant-qualified and less attemptable
than any the rarest of our ladies in France.

2

Cymbeline
[I, 5]

(stage directions)

490

[Enter QUEEN, Ladies, and CORNELIUS]

3

Cymbeline
[I, 5]

Queen

494

Dispatch.
[Exeunt Ladies]
Now, master doctor, have you brought those drugs?

4

Cymbeline
[I, 5]

Queen

550

Weeps she still, say'st thou? Dost thou think in time
She will not quench and let instructions enter
Where folly now possesses? Do thou work:
When thou shalt bring me word she loves my son,
I'll tell thee on the instant thou art then
As great as is thy master, greater, for
His fortunes all lie speechless and his name
Is at last gasp: return he cannot, nor
Continue where he is: to shift his being
Is to exchange one misery with another,
And every day that comes comes to decay
A day's work in him. What shalt thou expect,
To be depender on a thing that leans,
Who cannot be new built, nor has no friends,
So much as but to prop him?
[The QUEEN drops the box: PISANIO takes it up]
Thou takest up
Thou know'st not what; but take it for thy labour:
It is a thing I made, which hath the king
Five times redeem'd from death: I do not know
What is more cordial. Nay, I prethee, take it;
It is an earnest of a further good
That I mean to thee. Tell thy mistress how
The case stands with her; do't as from thyself.
Think what a chance thou changest on, but think
Thou hast thy mistress still, to boot, my son,
Who shall take notice of thee: I'll move the king
To any shape of thy preferment such
As thou'lt desire; and then myself, I chiefly,
That set thee on to this desert, am bound
To load thy merit richly. Call my women:
Think on my words.
[Exit PISANIO]
A sly and constant knave,
Not to be shaked; the agent for his master
And the remembrancer of her to hold
The hand-fast to her lord. I have given him that
Which, if he take, shall quite unpeople her
Of liegers for her sweet, and which she after,
Except she bend her humour, shall be assured
To taste of too.
[Re-enter PISANIO and Ladies]
So, so: well done, well done:
The violets, cowslips, and the primroses,
Bear to my closet. Fare thee well, Pisanio;
Think on my words.

5

Cymbeline
[I, 5]

(stage directions)

596

[Exeunt QUEEN and Ladies]

6

Cymbeline
[III, 4]

Imogen

1768

I false! Thy conscience witness: Iachimo,
Thou didst accuse him of incontinency;
Thou then look'dst like a villain; now methinks
Thy favour's good enough. Some jay of Italy
Whose mother was her painting, hath betray'd him:
Poor I am stale, a garment out of fashion;
And, for I am richer than to hang by the walls,
I must be ripp'd:—to pieces with me!—O,
Men's vows are women's traitors! All good seeming,
By thy revolt, O husband, shall be thought
Put on for villany; not born where't grows,
But worn a bait for ladies.

7

Cymbeline
[III, 5]

Cloten

2036

I love and hate her: for she's fair and royal,
And that she hath all courtly parts more exquisite
Than lady, ladies, woman; from every one
The best she hath, and she, of all compounded,
Outsells them all; I love her therefore: but
Disdaining me and throwing favours on
The low Posthumus slanders so her judgment
That what's else rare is choked; and in that point
I will conclude to hate her, nay, indeed,
To be revenged upon her. For when fools Shall—
[Enter PISANIO]
Who is here? What, are you packing, sirrah?
Come hither: ah, you precious pander! Villain,
Where is thy lady? In a word; or else
Thou art straightway with the fiends.

8

Cymbeline
[V, 5]

Cymbeline

3390

Bow your knees.
Arise my knights o' the battle: I create you
Companions to our person and will fit you
With dignities becoming your estates.
[Enter CORNELIUS and Ladies]
There's business in these faces. Why so sadly
Greet you our victory? you look like Romans,
And not o' the court of Britain.