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Result number
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Work
The work is either a play, poem, or sonnet. The sonnets
are treated as single work with 154 parts.
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Character
Indicates who said the line. If it's a play or sonnet,
the character name is "Poet."
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Line
Shows where the line falls within the work.
The numbering is not keyed to any copyrighted numbering system found in a volume of
collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not
restart for each scene.
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Text
The line's full text, with keywords highlighted
within it, unless highlighting has been disabled by the user.
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1 |
Love's Labour's Lost
[I, 1] |
Biron |
197 |
How low soever the matter, I hope in God for high words.
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2 |
Love's Labour's Lost
[I, 1] |
Longaville |
198 |
A high hope for a low heaven: God grant us patience!
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3 |
Love's Labour's Lost
[I, 1] |
Costard |
215 |
As it shall follow in my correction: and God defend
the right!
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4 |
Love's Labour's Lost
[I, 1] |
Ferdinand |
220 |
[Reads] 'Great deputy, the welkin's vicegerent and
sole dominator of Navarre, my soul's earth's god,
and body's fostering patron.'
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5 |
Love's Labour's Lost
[I, 2] |
Costard |
457 |
Nay, nothing, Master Moth, but what they look upon.
It is not for prisoners to be too silent in their
words; and therefore I will say nothing: I thank
God I have as little patience as another man; and
therefore I can be quiet.
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6 |
Love's Labour's Lost
[I, 2] |
Don Adriano de Armado |
463 |
I do affect the very ground, which is base, where
her shoe, which is baser, guided by her foot, which
is basest, doth tread. I shall be forsworn, which
is a great argument of falsehood, if I love. And
how can that be true love which is falsely
attempted? Love is a familiar; Love is a devil:
there is no evil angel but Love. Yet was Samson so
tempted, and he had an excellent strength; yet was
Solomon so seduced, and he had a very good wit.
Cupid's butt-shaft is too hard for Hercules' club;
and therefore too much odds for a Spaniard's rapier.
The first and second cause will not serve my turn;
the passado he respects not, the duello he regards
not: his disgrace is to be called boy; but his
glory is to subdue men. Adieu, valour! rust rapier!
be still, drum! for your manager is in love; yea,
he loveth. Assist me, some extemporal god of rhyme,
for I am sure I shall turn sonnet. Devise, wit;
write, pen; for I am for whole volumes in folio.
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7 |
Love's Labour's Lost
[II, 1] |
Princess of France |
563 |
God bless my ladies! are they all in love,
That every one her own hath garnished
With such bedecking ornaments of praise?
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8 |
Love's Labour's Lost
[II, 1] |
Biron |
682 |
Now, God save thy life!
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9 |
Love's Labour's Lost
[III, 1] |
Costard |
913 |
I thank your worship: God be wi' you!
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10 |
Love's Labour's Lost
[IV, 1] |
Costard |
1015 |
God dig-you-den all! Pray you, which is the head lady?
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11 |
Love's Labour's Lost
[IV, 2] |
Holofernes |
1189 |
God comfort thy capacity! I say, the allusion holds
in the exchange.
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12 |
Love's Labour's Lost
[IV, 2] |
Jaquenetta |
1230 |
God give you good morrow, master Parson.
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13 |
Love's Labour's Lost
[IV, 2] |
Jaquenetta |
1293 |
Good Costard, go with me. Sir, God save your life!
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14 |
Love's Labour's Lost
[IV, 2] |
Sir Nathaniel |
1296 |
Sir, you have done this in the fear of God, very
religiously; and, as a certain father saith,—
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15 |
Love's Labour's Lost
[IV, 3] |
Biron |
1319 |
The king he is hunting the deer; I am coursing
myself: they have pitched a toil; I am toiling in
a pitch,—pitch that defiles: defile! a foul
word. Well, set thee down, sorrow! for so they say
the fool said, and so say I, and I the fool: well
proved, wit! By the Lord, this love is as mad as
Ajax: it kills sheep; it kills me, I a sheep:
well proved again o' my side! I will not love: if
I do, hang me; i' faith, I will not. O, but her
eye,—by this light, but for her eye, I would not
love her; yes, for her two eyes. Well, I do nothing
in the world but lie, and lie in my throat. By
heaven, I do love: and it hath taught me to rhyme
and to be melancholy; and here is part of my rhyme,
and here my melancholy. Well, she hath one o' my
sonnets already: the clown bore it, the fool sent
it, and the lady hath it: sweet clown, sweeter
fool, sweetest lady! By the world, I would not care
a pin, if the other three were in. Here comes one
with a paper: God give him grace to groan!
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16 |
Love's Labour's Lost
[IV, 3] |
Biron |
1397 |
This is the liver-vein, which makes flesh a deity,
A green goose a goddess: pure, pure idolatry.
God amend us, God amend! we are much out o' the way.
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17 |
Love's Labour's Lost
[IV, 3] |
Jaquenetta |
1523 |
God bless the king!
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18 |
Love's Labour's Lost
[V, 1] |
Sir Nathaniel |
1735 |
I praise God for you, sir: your reasons at dinner
have been sharp and sententious; pleasant without
scurrility, witty without affection, audacious without
impudency, learned without opinion, and strange with-
out heresy. I did converse this quondam day with
a companion of the king's, who is intituled, nomi-
nated, or called, Don Adriano de Armado.
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19 |
Love's Labour's Lost
[V, 2] |
Boyet |
2204 |
They will, they will, God knows,
And leap for joy, though they are lame with blows:
Therefore change favours; and, when they repair,
Blow like sweet roses in this summer air.
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20 |
Love's Labour's Lost
[V, 2] |
Ferdinand |
2227 |
Fair sir, God save you! Where's the princess?
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