# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Love's Labour's Lost
[I, 1]

Biron

126

Let's see the penalty.
[Reads]
'On pain of losing her tongue.' Who devised this penalty?

2

Love's Labour's Lost
[I, 1]

Biron

132

A dangerous law against gentility!
[Reads]
'Item, If any man be seen to talk with a woman
within the term of three years, he shall endure such
public shame as the rest of the court can possibly devise.'
This article, my liege, yourself must break;
For well you know here comes in embassy
The French king's daughter with yourself to speak—
A maid of grace and complete majesty—
About surrender up of Aquitaine
To her decrepit, sick and bedrid father:
Therefore this article is made in vain,
Or vainly comes the admired princess hither.

3

Love's Labour's Lost
[I, 1]

Costard

207

In manner and form following, sir; all those three:
I was seen with her in the manor-house, sitting with
her upon the form, and taken following her into the
park; which, put together, is in manner and form
following. Now, sir, for the manner,—it is the
manner of a man to speak to a woman: for the form,—
in some form.

4

Love's Labour's Lost
[I, 1]

Ferdinand

268

[Reads] 'For Jaquenetta,—so is the weaker vessel
called which I apprehended with the aforesaid
swain,—I keep her as a vessel of the law's fury;
and shall, at the least of thy sweet notice, bring
her to trial. Thine, in all compliments of devoted
and heart-burning heat of duty.
DON ADRIANO DE ARMADO.'

5

Love's Labour's Lost
[I, 1]

Costard

289

If it were, I deny her virginity: I was taken with a maid.

6

Love's Labour's Lost
[I, 2]

Don Adriano de Armado

387

Green indeed is the colour of lovers; but to have a
love of that colour, methinks Samson had small reason
for it. He surely affected her for her wit.

7

Love's Labour's Lost
[I, 2]

Moth

398

If she be made of white and red,
Her faults will ne'er be known,
For blushing cheeks by faults are bred
And fears by pale white shown:
Then if she fear, or be to blame,
By this you shall not know,
For still her cheeks possess the same
Which native she doth owe.
A dangerous rhyme, master, against the reason of
white and red.

8

Love's Labour's Lost
[I, 2]

Dull

424

Sir, the duke's pleasure is, that you keep Costard
safe: and you must suffer him to take no delight
nor no penance; but a' must fast three days a week.
For this damsel, I must keep her at the park: she
is allowed for the day-woman. Fare you well.

9

Love's Labour's Lost
[I, 2]

Don Adriano de Armado

463

I do affect the very ground, which is base, where
her shoe, which is baser, guided by her foot, which
is basest, doth tread. I shall be forsworn, which
is a great argument of falsehood, if I love. And
how can that be true love which is falsely
attempted? Love is a familiar; Love is a devil:
there is no evil angel but Love. Yet was Samson so
tempted, and he had an excellent strength; yet was
Solomon so seduced, and he had a very good wit.
Cupid's butt-shaft is too hard for Hercules' club;
and therefore too much odds for a Spaniard's rapier.
The first and second cause will not serve my turn;
the passado he respects not, the duello he regards
not: his disgrace is to be called boy; but his
glory is to subdue men. Adieu, valour! rust rapier!
be still, drum! for your manager is in love; yea,
he loveth. Assist me, some extemporal god of rhyme,
for I am sure I shall turn sonnet. Devise, wit;
write, pen; for I am for whole volumes in folio.

10

Love's Labour's Lost
[II, 1]

Princess of France

563

God bless my ladies! are they all in love,
That every one her own hath garnished
With such bedecking ornaments of praise?

11

Love's Labour's Lost
[II, 1]

Boyet

687

The heir of Alencon, Katharine her name.

12

Love's Labour's Lost
[II, 1]

Boyet

691

A woman sometimes, an you saw her in the light.

13

Love's Labour's Lost
[II, 1]

Longaville

692

Perchance light in the light. I desire her name.

14

Love's Labour's Lost
[II, 1]

Boyet

695

Her mother's, I have heard.

15

Love's Labour's Lost
[II, 1]

Biron

703

What's her name in the cap?

16

Love's Labour's Lost
[II, 1]

Boyet

706

To her will, sir, or so.

17

Love's Labour's Lost
[II, 1]

(stage directions)

720

[Offering to kiss her]

18

Love's Labour's Lost
[II, 1]

Rosaline

757

Then was Venus like her mother, for her father is but grim.

19

Love's Labour's Lost
[III, 1]

Moth

796

Negligent student! learn her by heart.

20

Love's Labour's Lost
[III, 1]

Moth

800

A man, if I live; and this, by, in, and without, upon
the instant: by heart you love her, because your
heart cannot come by her; in heart you love her,
because your heart is in love with her; and out of
heart you love her, being out of heart that you
cannot enjoy her.