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Talks as familiarly of roaring lions
As maids of thirteen do of puppy-dogs!

      — King John, Act II Scene 1

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1-8 of 8 total

KEYWORD: turn

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# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Love's Labour's Lost
[I, 1]

Ferdinand

290

This maid will not serve your turn, sir.

2

Love's Labour's Lost
[I, 1]

Costard

291

This maid will serve my turn, sir.

3

Love's Labour's Lost
[I, 2]

Don Adriano de Armado

463

I do affect the very ground, which is base, where
her shoe, which is baser, guided by her foot, which
is basest, doth tread. I shall be forsworn, which
is a great argument of falsehood, if I love. And
how can that be true love which is falsely
attempted? Love is a familiar; Love is a devil:
there is no evil angel but Love. Yet was Samson so
tempted, and he had an excellent strength; yet was
Solomon so seduced, and he had a very good wit.
Cupid's butt-shaft is too hard for Hercules' club;
and therefore too much odds for a Spaniard's rapier.
The first and second cause will not serve my turn;
the passado he respects not, the duello he regards
not: his disgrace is to be called boy; but his
glory is to subdue men. Adieu, valour! rust rapier!
be still, drum! for your manager is in love; yea,
he loveth. Assist me, some extemporal god of rhyme,
for I am sure I shall turn sonnet. Devise, wit;
write, pen; for I am for whole volumes in folio.

4

Love's Labour's Lost
[IV, 3]

Biron

1576

My eyes are then no eyes, nor I Biron:
O, but for my love, day would turn to night!
Of all complexions the cull'd sovereignty
Do meet, as at a fair, in her fair cheek,
Where several worthies make one dignity,
Where nothing wants that want itself doth seek.
Lend me the flourish of all gentle tongues,—
Fie, painted rhetoric! O, she needs it not:
To things of sale a seller's praise belongs,
She passes praise; then praise too short doth blot.
A wither'd hermit, five-score winters worn,
Might shake off fifty, looking in her eye:
Beauty doth varnish age, as if new-born,
And gives the crutch the cradle's infancy:
O, 'tis the sun that maketh all things shine.

5

Love's Labour's Lost
[V, 2]

Princess of France

2030

No, to the death, we will not move a foot;
Nor to their penn'd speech render we no grace,
But while 'tis spoke each turn away her face.

6

Love's Labour's Lost
[V, 2]

Moth

2049

A holy parcel of the fairest dames.
[The Ladies turn their backs to him]
That ever turn'd their—backs—to mortal views!

7

Love's Labour's Lost
[V, 2]

Dumain

2312

Let us confess and turn it to a jest.

8

Love's Labour's Lost
[V, 2]

Costard

2440

We will turn it finely off, sir; we will take
some care.

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