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It is a wise father that knows his own child.

      — The Merchant of Venice, Act II Scene 2

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KEYWORD: under

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# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Love's Labour's Lost
[I, 2]

Moth

392

Most maculate thoughts, master, are masked under
such colours.

2

Love's Labour's Lost
[IV, 2]

Sir Nathaniel

1221

Sir, I praise the Lord for you; and so may my
parishioners; for their sons are well tutored by
you, and their daughters profit very greatly under
you: you are a good member of the commonwealth.

3

Love's Labour's Lost
[IV, 2]

Holofernes

1240

Fauste, precor gelida quando pecus omne sub umbra
Ruminat,—and so forth. Ah, good old Mantuan! I
may speak of thee as the traveller doth of Venice;
Venetia, Venetia,
Chi non ti vede non ti pretia.
Old Mantuan, old Mantuan! who understandeth thee
not, loves thee not. Ut, re, sol, la, mi, fa.
Under pardon, sir, what are the contents? or rather,
as Horace says in his—What, my soul, verses?

4

Love's Labour's Lost
[IV, 3]

Biron

1342

[Aside] Shot, by heaven! Proceed, sweet Cupid:
thou hast thumped him with thy bird-bolt under the
left pap. In faith, secrets!

5

Love's Labour's Lost
[V, 2]

Boyet

1973

Under the cool shade of a sycamore
I thought to close mine eyes some half an hour;
When, lo! to interrupt my purposed rest,
Toward that shade I might behold addrest
The king and his companions: warily
I stole into a neighbour thicket by,
And overheard what you shall overhear,
That, by and by, disguised they will be here.
Their herald is a pretty knavish page,
That well by heart hath conn'd his embassage:
Action and accent did they teach him there;
'Thus must thou speak,' and 'thus thy body bear:'
And ever and anon they made a doubt
Presence majestical would put him out,
'For,' quoth the king, 'an angel shalt thou see;
Yet fear not thou, but speak audaciously.'
The boy replied, 'An angel is not evil;
I should have fear'd her had she been a devil.'
With that, all laugh'd and clapp'd him on the shoulder,
Making the bold wag by their praises bolder:
One rubb'd his elbow thus, and fleer'd and swore
A better speech was never spoke before;
Another, with his finger and his thumb,
Cried, 'Via! we will do't, come what will come;'
The third he caper'd, and cried, 'All goes well;'
The fourth turn'd on the toe, and down he fell.
With that, they all did tumble on the ground,
With such a zealous laughter, so profound,
That in this spleen ridiculous appears,
To cheque their folly, passion's solemn tears.

6

Love's Labour's Lost
[V, 2]

Costard

2421

Not so, sir; under correction, sir; I hope it is not so.
You cannot beg us, sir, I can assure you, sir we know
what we know:
I hope, sir, three times thrice, sir,—

7

Love's Labour's Lost
[V, 2]

Costard

2426

Under correction, sir, we know whereuntil it doth amount.

8

Love's Labour's Lost
[V, 2]

Ferdinand

2479

The ship is under sail, and here she comes amain.

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