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Result number
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Work
The work is either a play, poem, or sonnet. The sonnets
are treated as single work with 154 parts.
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Character
Indicates who said the line. If it's a play or sonnet,
the character name is "Poet."
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Line
Shows where the line falls within the work.
The numbering is not keyed to any copyrighted numbering system found in a volume of
collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not
restart for each scene.
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Text
The line's full text, with keywords highlighted
within it, unless highlighting has been disabled by the user.
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1 |
Love's Labour's Lost
[I, 1] |
Costard |
259 |
With a wench.
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2 |
Love's Labour's Lost
[I, 1] |
Costard |
279 |
Sir, I confess the wench.
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3 |
Love's Labour's Lost
[I, 1] |
Ferdinand |
283 |
It was proclaimed a year's imprisonment, to be taken
with a wench.
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4 |
Love's Labour's Lost
[I, 2] |
Don Adriano de Armado |
360 |
I will hereupon confess I am in love: and as it is
base for a soldier to love, so am I in love with a
base wench. If drawing my sword against the humour
of affection would deliver me from the reprobate
thought of it, I would take Desire prisoner, and
ransom him to any French courtier for a new-devised
courtesy. I think scorn to sigh: methinks I should
outswear Cupid. Comfort, me, boy: what great men
have been in love?
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5 |
Love's Labour's Lost
[I, 2] |
Moth |
420 |
And that's great marvel, loving a light wench.
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6 |
Love's Labour's Lost
[IV, 1] |
Boyet |
1106 |
So I may answer thee with one as old, that was a
woman when Queen Guinover of Britain was a little
wench, as touching the hit it.
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7 |
Love's Labour's Lost
[V, 2] |
Katharine |
1905 |
So do not you, for you are a light wench.
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8 |
Love's Labour's Lost
[V, 2] |
Biron |
2316 |
Thus pour the stars down plagues for perjury.
Can any face of brass hold longer out?
Here stand I. lady, dart thy skill at me;
Bruise me with scorn, confound me with a flout;
Thrust thy sharp wit quite through my ignorance;
Cut me to pieces with thy keen conceit;
And I will wish thee never more to dance,
Nor never more in Russian habit wait.
O, never will I trust to speeches penn'd,
Nor to the motion of a schoolboy's tongue,
Nor never come in vizard to my friend,
Nor woo in rhyme, like a blind harper's song!
Taffeta phrases, silken terms precise,
Three-piled hyperboles, spruce affectation,
Figures pedantical; these summer-flies
Have blown me full of maggot ostentation:
I do forswear them; and I here protest,
By this white glove;—how white the hand, God knows!—
Henceforth my wooing mind shall be express'd
In russet yeas and honest kersey noes:
And, to begin, wench,—so God help me, la!—
My love to thee is sound, sans crack or flaw.
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9 |
Love's Labour's Lost
[V, 2] |
Costard |
2615 |
Faith, unless you play the honest Troyan, the poor
wench is cast away: she's quick; the child brags in
her belly already: tis yours.
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