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Confusion now hath made his masterpiece!
Most sacrilegious murder hath broke ope
The Lord's anointed temple, and stole thence
The life o' the building!

      — Macbeth, Act II Scene 3

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KEYWORD: who

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Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Merchant of Venice
[I, 1]

Gratiano

85

Let me play the fool:
With mirth and laughter let old wrinkles come,
And let my liver rather heat with wine
Than my heart cool with mortifying groans.
Why should a man, whose blood is warm within,
Sit like his grandsire cut in alabaster?
Sleep when he wakes and creep into the jaundice
By being peevish? I tell thee what, Antonio—
I love thee, and it is my love that speaks—
There are a sort of men whose visages
Do cream and mantle like a standing pond,
And do a wilful stillness entertain,
With purpose to be dress'd in an opinion
Of wisdom, gravity, profound conceit,
As who should say 'I am Sir Oracle,
And when I ope my lips let no dog bark!'
O my Antonio, I do know of these
That therefore only are reputed wise
For saying nothing; when, I am very sure,
If they should speak, would almost damn those ears,
Which, hearing them, would call their brothers fools.
I'll tell thee more of this another time:
But fish not, with this melancholy bait,
For this fool gudgeon, this opinion.
Come, good Lorenzo. Fare ye well awhile:
I'll end my exhortation after dinner.

2

Merchant of Venice
[I, 2]

Nerissa

221

Your father was ever virtuous; and holy men at their
death have good inspirations: therefore the lottery,
that he hath devised in these three chests of gold,
silver and lead, whereof who chooses his meaning
chooses you, will, no doubt, never be chosen by any
rightly but one who shall rightly love. But what
warmth is there in your affection towards any of
these princely suitors that are already come?

3

Merchant of Venice
[I, 2]

Portia

239

He doth nothing but frown, as who should say 'If you
will not have me, choose:' he hears merry tales and
smiles not: I fear he will prove the weeping
philosopher when he grows old, being so full of
unmannerly sadness in his youth. I had rather be
married to a death's-head with a bone in his mouth
than to either of these. God defend me from these
two!

4

Merchant of Venice
[I, 2]

Portia

260

You know I say nothing to him, for he understands
not me, nor I him: he hath neither Latin, French,
nor Italian, and you will come into the court and
swear that I have a poor pennyworth in the English.
He is a proper man's picture, but, alas, who can
converse with a dumb-show? How oddly he is suited!
I think he bought his doublet in Italy, his round
hose in France, his bonnet in Germany and his
behavior every where.

5

Merchant of Venice
[I, 2]

Servant

312

The four strangers seek for you, madam, to take
their leave: and there is a forerunner come from a
fifth, the Prince of Morocco, who brings word the
prince his master will be here to-night.

6

Merchant of Venice
[I, 3]

Shylock

354

Yes, to smell pork; to eat of the habitation which
your prophet the Nazarite conjured the devil into. I
will buy with you, sell with you, talk with you,
walk with you, and so following, but I will not eat
with you, drink with you, nor pray with you. What
news on the Rialto? Who is he comes here?

7

Merchant of Venice
[I, 3]

Shylock

402

No, not take interest, not, as you would say,
Directly interest: mark what Jacob did.
When Laban and himself were compromised
That all the eanlings which were streak'd and pied
Should fall as Jacob's hire, the ewes, being rank,
In the end of autumn turned to the rams,
And, when the work of generation was
Between these woolly breeders in the act,
The skilful shepherd peel'd me certain wands,
And, in the doing of the deed of kind,
He stuck them up before the fulsome ewes,
Who then conceiving did in eaning time
Fall parti-colour'd lambs, and those were Jacob's.
This was a way to thrive, and he was blest:
And thrift is blessing, if men steal it not.

8

Merchant of Venice
[I, 3]

Antonio

456

I am as like to call thee so again,
To spit on thee again, to spurn thee too.
If thou wilt lend this money, lend it not
As to thy friends; for when did friendship take
A breed for barren metal of his friend?
But lend it rather to thine enemy,
Who, if he break, thou mayst with better face
Exact the penalty.

9

Merchant of Venice
[II, 1]

Portia

527

In terms of choice I am not solely led
By nice direction of a maiden's eyes;
Besides, the lottery of my destiny
Bars me the right of voluntary choosing:
But if my father had not scanted me
And hedged me by his wit, to yield myself
His wife who wins me by that means I told you,
Yourself, renowned prince, then stood as fair
As any comer I have look'd on yet
For my affection.

10

Merchant of Venice
[II, 2]

Launcelot Gobbo

566

Certainly my conscience will serve me to run from
this Jew my master. The fiend is at mine elbow and
tempts me saying to me 'Gobbo, Launcelot Gobbo, good
Launcelot,' or 'good Gobbo,' or good Launcelot
Gobbo, use your legs, take the start, run away. My
conscience says 'No; take heed,' honest Launcelot;
take heed, honest Gobbo, or, as aforesaid, 'honest
Launcelot Gobbo; do not run; scorn running with thy
heels.' Well, the most courageous fiend bids me
pack: 'Via!' says the fiend; 'away!' says the
fiend; 'for the heavens, rouse up a brave mind,'
says the fiend, 'and run.' Well, my conscience,
hanging about the neck of my heart, says very wisely
to me 'My honest friend Launcelot, being an honest
man's son,' or rather an honest woman's son; for,
indeed, my father did something smack, something
grow to, he had a kind of taste; well, my conscience
says 'Launcelot, budge not.' 'Budge,' says the
fiend. 'Budge not,' says my conscience.
'Conscience,' say I, 'you counsel well;' ' Fiend,'
say I, 'you counsel well:' to be ruled by my
conscience, I should stay with the Jew my master,
who, God bless the mark, is a kind of devil; and, to
run away from the Jew, I should be ruled by the
fiend, who, saving your reverence, is the devil
himself. Certainly the Jew is the very devil
incarnal; and, in my conscience, my conscience is
but a kind of hard conscience, to offer to counsel
me to stay with the Jew. The fiend gives the more
friendly counsel: I will run, fiend; my heels are
at your command; I will run.

11

Merchant of Venice
[II, 2]

Launcelot Gobbo

600

[Aside] O heavens, this is my true-begotten father!
who, being more than sand-blind, high-gravel blind,
knows me not: I will try confusions with him.

12

Merchant of Venice
[II, 2]

Launcelot Gobbo

667

Well, well: but, for mine own part, as I have set
up my rest to run away, so I will not rest till I
have run some ground. My master's a very Jew: give
him a present! give him a halter: I am famished in
his service; you may tell every finger I have with
my ribs. Father, I am glad you are come: give me
your present to one Master Bassanio, who, indeed,
gives rare new liveries: if I serve not him, I
will run as far as God has any ground. O rare
fortune! here comes the man: to him, father; for I
am a Jew, if I serve the Jew any longer.

13

Merchant of Venice
[II, 3]

Jessica

776

I am sorry thou wilt leave my father so:
Our house is hell, and thou, a merry devil,
Didst rob it of some taste of tediousness.
But fare thee well, there is a ducat for thee:
And, Launcelot, soon at supper shalt thou see
Lorenzo, who is thy new master's guest:
Give him this letter; do it secretly;
And so farewell: I would not have my father
See me in talk with thee.

14

Merchant of Venice
[II, 5]

Shylock

854

Who bids thee call? I do not bid thee call.

15

Merchant of Venice
[II, 6]

Gratiano

917

That ever holds: who riseth from a feast
With that keen appetite that he sits down?
Where is the horse that doth untread again
His tedious measures with the unbated fire
That he did pace them first? All things that are,
Are with more spirit chased than enjoy'd.
How like a younker or a prodigal
The scarfed bark puts from her native bay,
Hugg'd and embraced by the strumpet wind!
How like the prodigal doth she return,
With over-weather'd ribs and ragged sails,
Lean, rent and beggar'd by the strumpet wind!

16

Merchant of Venice
[II, 6]

Jessica

937

Who are you? Tell me, for more certainty,
Albeit I'll swear that I do know your tongue.

17

Merchant of Venice
[II, 6]

Jessica

940

Lorenzo, certain, and my love indeed,
For who love I so much? And now who knows
But you, Lorenzo, whether I am yours?

18

Merchant of Venice
[II, 7]

Prince of Morocco

990

The first, of gold, who this inscription bears,
'Who chooseth me shall gain what many men desire;'
The second, silver, which this promise carries,
'Who chooseth me shall get as much as he deserves;'
This third, dull lead, with warning all as blunt,
'Who chooseth me must give and hazard all he hath.'
How shall I know if I do choose the right?

19

Merchant of Venice
[II, 7]

Prince of Morocco

999

Some god direct my judgment! Let me see;
I will survey the inscriptions back again.
What says this leaden casket?
'Who chooseth me must give and hazard all he hath.'
Must give: for what? for lead? hazard for lead?
This casket threatens. Men that hazard all
Do it in hope of fair advantages:
A golden mind stoops not to shows of dross;
I'll then nor give nor hazard aught for lead.
What says the silver with her virgin hue?
'Who chooseth me shall get as much as he deserves.'
As much as he deserves! Pause there, Morocco,
And weigh thy value with an even hand:
If thou be'st rated by thy estimation,
Thou dost deserve enough; and yet enough
May not extend so far as to the lady:
And yet to be afeard of my deserving
Were but a weak disabling of myself.
As much as I deserve! Why, that's the lady:
I do in birth deserve her, and in fortunes,
In graces and in qualities of breeding;
But more than these, in love I do deserve.
What if I stray'd no further, but chose here?
Let's see once more this saying graved in gold
'Who chooseth me shall gain what many men desire.'
Why, that's the lady; all the world desires her;
From the four corners of the earth they come,
To kiss this shrine, this mortal-breathing saint:
The Hyrcanian deserts and the vasty wilds
Of wide Arabia are as thoroughfares now
For princes to come view fair Portia:
The watery kingdom, whose ambitious head
Spits in the face of heaven, is no bar
To stop the foreign spirits, but they come,
As o'er a brook, to see fair Portia.
One of these three contains her heavenly picture.
Is't like that lead contains her? 'Twere damnation
To think so base a thought: it were too gross
To rib her cerecloth in the obscure grave.
Or shall I think in silver she's immured,
Being ten times undervalued to tried gold?
O sinful thought! Never so rich a gem
Was set in worse than gold. They have in England
A coin that bears the figure of an angel
Stamped in gold, but that's insculp'd upon;
But here an angel in a golden bed
Lies all within. Deliver me the key:
Here do I choose, and thrive I as I may!

20

Merchant of Venice
[II, 8]

Salanio

1075

The villain Jew with outcries raised the duke,
Who went with him to search Bassanio's ship.

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