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Result number
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Work
The work is either a play, poem, or sonnet. The sonnets
are treated as single work with 154 parts.
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Character
Indicates who said the line. If it's a play or sonnet,
the character name is "Poet."
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Line
Shows where the line falls within the work.
The numbering is not keyed to any copyrighted numbering system found in a volume of
collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not
restart for each scene.
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Text
The line's full text, with keywords highlighted
within it, unless highlighting has been disabled by the user.
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1 |
Othello
[I, 1] |
Iago |
42 |
O, sir, content you;
I follow him to serve my turn upon him:
We cannot all be masters, nor all masters
Cannot be truly follow'd. You shall mark
Many a duteous and knee-crooking knave,
That, doting on his own obsequious bondage,
Wears out his time, much like his master's ass,
For nought but provender, and when he's old, cashier'd:
Whip me such honest knaves. Others there are
Who, trimm'd in forms and visages of duty,
Keep yet their hearts attending on themselves,
And, throwing but shows of service on their lords,
Do well thrive by them and when they have lined
their coats
Do themselves homage: these fellows have some soul;
And such a one do I profess myself. For, sir,
It is as sure as you are Roderigo,
Were I the Moor, I would not be Iago:
In following him, I follow but myself;
Heaven is my judge, not I for love and duty,
But seeming so, for my peculiar end:
For when my outward action doth demonstrate
The native act and figure of my heart
In compliment extern, 'tis not long after
But I will wear my heart upon my sleeve
For daws to peck at: I am not what I am.
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2 |
Othello
[I, 1] |
Brabantio |
103 |
The worser welcome:
I have charged thee not to haunt about my doors:
In honest plainness thou hast heard me say
My daughter is not for thee; and now, in madness,
Being full of supper and distempering draughts,
Upon malicious bravery, dost thou come
To start my quiet.
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3 |
Othello
[I, 3] |
Othello |
637 |
So please your grace, my ancient;
A man he is of honest and trust:
To his conveyance I assign my wife,
With what else needful your good grace shall think
To be sent after me.
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4 |
Othello
[I, 3] |
Othello |
652 |
My life upon her faith! Honest Iago,
My Desdemona must I leave to thee:
I prithee, let thy wife attend on her:
And bring them after in the best advantage.
Come, Desdemona: I have but an hour
Of love, of worldly matters and direction,
To spend with thee: we must obey the time.
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5 |
Othello
[I, 3] |
Iago |
740 |
Thus do I ever make my fool my purse:
For I mine own gain'd knowledge should profane,
If I would time expend with such a snipe.
But for my sport and profit. I hate the Moor:
And it is thought abroad, that 'twixt my sheets
He has done my office: I know not if't be true;
But I, for mere suspicion in that kind,
Will do as if for surety. He holds me well;
The better shall my purpose work on him.
Cassio's a proper man: let me see now:
To get his place and to plume up my will
In double knavery—How, how? Let's see:—
After some time, to abuse Othello's ear
That he is too familiar with his wife.
He hath a person and a smooth dispose
To be suspected, framed to make women false.
The Moor is of a free and open nature,
That thinks men honest that but seem to be so,
And will as tenderly be led by the nose
As asses are.
I have't. It is engender'd. Hell and night
Must bring this monstrous birth to the world's light.
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6 |
Othello
[II, 1] |
Iago |
994 |
[Aside] O, you are well tuned now!
But I'll set down the pegs that make this music,
As honest as I am.
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7 |
Othello
[II, 3] |
Othello |
1136 |
Iago is most honest.
Michael, good night: to-morrow with your earliest
Let me have speech with you.
[To DESDEMONA]
Come, my dear love,
The purchase made, the fruits are to ensue;
That profit's yet to come 'tween me and you.
Good night.
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8 |
Othello
[II, 3] |
Montano |
1272 |
And 'tis great pity that the noble Moor
Should hazard such a place as his own second
With one of an ingraft infirmity:
It were an honest action to say
So to the Moor.
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9 |
Othello
[II, 3] |
Othello |
1315 |
Why, how now, ho! from whence ariseth this?
Are we turn'd Turks, and to ourselves do that
Which heaven hath forbid the Ottomites?
For Christian shame, put by this barbarous brawl:
He that stirs next to carve for his own rage
Holds his soul light; he dies upon his motion.
Silence that dreadful bell: it frights the isle
From her propriety. What is the matter, masters?
Honest Iago, that look'st dead with grieving,
Speak, who began this? on thy love, I charge thee.
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10 |
Othello
[II, 3] |
Iago |
1420 |
As I am an honest man, I thought you had received
some bodily wound; there is more sense in that than
in reputation. Reputation is an idle and most false
imposition: oft got without merit, and lost without
deserving: you have lost no reputation at all,
unless you repute yourself such a loser. What, man!
there are ways to recover the general again: you
are but now cast in his mood, a punishment more in
policy than in malice, even so as one would beat his
offenceless dog to affright an imperious lion: sue
to him again, and he's yours.
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11 |
Othello
[II, 3] |
Iago |
1480 |
I protest, in the sincerity of love and honest kindness.
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12 |
Othello
[II, 3] |
Iago |
1488 |
And what's he then that says I play the villain?
When this advice is free I give and honest,
Probal to thinking and indeed the course
To win the Moor again? For 'tis most easy
The inclining Desdemona to subdue
In any honest suit: she's framed as fruitful
As the free elements. And then for her
To win the Moor—were't to renounce his baptism,
All seals and symbols of redeemed sin,
His soul is so enfetter'd to her love,
That she may make, unmake, do what she list,
Even as her appetite shall play the god
With his weak function. How am I then a villain
To counsel Cassio to this parallel course,
Directly to his good? Divinity of hell!
When devils will the blackest sins put on,
They do suggest at first with heavenly shows,
As I do now: for whiles this honest fool
Plies Desdemona to repair his fortunes
And she for him pleads strongly to the Moor,
I'll pour this pestilence into his ear,
That she repeals him for her body's lust;
And by how much she strives to do him good,
She shall undo her credit with the Moor.
So will I turn her virtue into pitch,
And out of her own goodness make the net
That shall enmesh them all.
[Re-enter RODERIGO]
How now, Roderigo!
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13 |
Othello
[III, 1] |
Cassio |
1569 |
Dost thou hear, my honest friend?
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14 |
Othello
[III, 1] |
Clown |
1570 |
No, I hear not your honest friend; I hear you.
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15 |
Othello
[III, 1] |
Cassio |
1592 |
I humbly thank you for't.
[Exit IAGO]
I never knew
A Florentine more kind and honest.
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16 |
Othello
[III, 3] |
Desdemona |
1630 |
O, that's an honest fellow. Do not doubt, Cassio,
But I will have my lord and you again
As friendly as you were.
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17 |
Othello
[III, 3] |
Desdemona |
1676 |
Why, your lieutenant, Cassio. Good my lord,
If I have any grace or power to move you,
His present reconciliation take;
For if he be not one that truly loves you,
That errs in ignorance and not in cunning,
I have no judgment in an honest face:
I prithee, call him back.
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18 |
Othello
[III, 3] |
Othello |
1742 |
Indeed! ay, indeed: discern'st thou aught in that?
Is he not honest?
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19 |
Othello
[III, 3] |
Iago |
1744 |
Honest, my lord!
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20 |
Othello
[III, 3] |
Othello |
1745 |
Honest! ay, honest.
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