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Result number
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Work
The work is either a play, poem, or sonnet. The sonnets
are treated as single work with 154 parts.
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Character
Indicates who said the line. If it's a play or sonnet,
the character name is "Poet."
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Line
Shows where the line falls within the work.
The numbering is not keyed to any copyrighted numbering system found in a volume of
collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not
restart for each scene.
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Text
The line's full text, with keywords highlighted
within it, unless highlighting has been disabled by the user.
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1 |
Tempest
[I, 1] |
(stage directions) |
1 |
of thunder and lightning heard.
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2 |
Tempest
[I, 1] |
(stage directions) |
2 |
[Enter a Master and a Boatswain]
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3 |
Tempest
[I, 1] |
Boatswain |
9 |
Heigh, my hearts! cheerly, cheerly, my hearts!
yare, yare! Take in the topsail. Tend to the
master's whistle. Blow, till thou burst thy wind,
if room enough!
[Enter ALONSO, SEBASTIAN, ANTONIO, FERDINAND,]
GONZALO, and others]
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4 |
Tempest
[I, 1] |
Boatswain |
25 |
None that I more love than myself. You are a
counsellor; if you can command these elements to
silence, and work the peace of the present, we will
not hand a rope more; use your authority: if you
cannot, give thanks you have lived so long, and make
yourself ready in your cabin for the mischance of
the hour, if it so hap. Cheerly, good hearts! Out
of our way, I say.
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5 |
Tempest
[I, 1] |
Boatswain |
42 |
Down with the topmast! yare! lower, lower! Bring
her to try with main-course.
[A cry within]
A plague upon this howling! they are louder than
the weather or our office.
[Re-enter SEBASTIAN, ANTONIO, and GONZALO]
Yet again! what do you here? Shall we give o'er
and drown? Have you a mind to sink?
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6 |
Tempest
[I, 1] |
Gonzalo |
55 |
I'll warrant him for drowning; though the ship were
no stronger than a nutshell and as leaky as an
unstanched wench.
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7 |
Tempest
[I, 1] |
Gonzalo |
63 |
The king and prince at prayers! let's assist them,
For our case is as theirs.
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8 |
Tempest
[I, 1] |
Gonzalo |
69 |
He'll be hang'd yet,
Though every drop of water swear against it
And gape at widest to glut him.
[A confused noise within: 'Mercy on us!'—]
'We split, we split!'—'Farewell, my wife and
children!'—
'Farewell, brother!'—'We split, we split, we split!']
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9 |
Tempest
[I, 1] |
(stage directions) |
78 |
[Exeunt ANTONIO and SEBASTIAN]
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10 |
Tempest
[I, 2] |
(stage directions) |
84 |
[Enter PROSPERO and MIRANDA]
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11 |
Tempest
[I, 2] |
Miranda |
85 |
If by your art, my dearest father, you have
Put the wild waters in this roar, allay them.
The sky, it seems, would pour down stinking pitch,
But that the sea, mounting to the welkin's cheek,
Dashes the fire out. O, I have suffered
With those that I saw suffer: a brave vessel,
Who had, no doubt, some noble creature in her,
Dash'd all to pieces. O, the cry did knock
Against my very heart. Poor souls, they perish'd.
Had I been any god of power, I would
Have sunk the sea within the earth or ere
It should the good ship so have swallow'd and
The fraughting souls within her.
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12 |
Tempest
[I, 2] |
Prospero |
102 |
No harm.
I have done nothing but in care of thee,
Of thee, my dear one, thee, my daughter, who
Art ignorant of what thou art, nought knowing
Of whence I am, nor that I am more better
Than Prospero, master of a full poor cell,
And thy no greater father.
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13 |
Tempest
[I, 2] |
Prospero |
111 |
'Tis time
I should inform thee farther. Lend thy hand,
And pluck my magic garment from me. So:
[Lays down his mantle]
Lie there, my art. Wipe thou thine eyes; have comfort.
The direful spectacle of the wreck, which touch'd
The very virtue of compassion in thee,
I have with such provision in mine art
So safely ordered that there is no soul—
No, not so much perdition as an hair
Betid to any creature in the vessel
Which thou heard'st cry, which thou saw'st sink. Sit down;
For thou must now know farther.
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14 |
Tempest
[I, 2] |
Miranda |
124 |
You have often
Begun to tell me what I am, but stopp'd
And left me to a bootless inquisition,
Concluding 'Stay: not yet.'
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15 |
Tempest
[I, 2] |
Prospero |
128 |
The hour's now come;
The very minute bids thee ope thine ear;
Obey and be attentive. Canst thou remember
A time before we came unto this cell?
I do not think thou canst, for then thou wast not
Out three years old.
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16 |
Tempest
[I, 2] |
Miranda |
138 |
'Tis far off
And rather like a dream than an assurance
That my remembrance warrants. Had I not
Four or five women once that tended me?
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17 |
Tempest
[I, 2] |
Prospero |
142 |
Thou hadst, and more, Miranda. But how is it
That this lives in thy mind? What seest thou else
In the dark backward and abysm of time?
If thou remember'st aught ere thou camest here,
How thou camest here thou mayst.
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18 |
Tempest
[I, 2] |
Prospero |
148 |
Twelve year since, Miranda, twelve year since,
Thy father was the Duke of Milan and
A prince of power.
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19 |
Tempest
[I, 2] |
Prospero |
152 |
Thy mother was a piece of virtue, and
She said thou wast my daughter; and thy father
Was Duke of Milan; and thou his only heir
And princess no worse issued.
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20 |
Tempest
[I, 2] |
Prospero |
165 |
My brother and thy uncle, call'd Antonio—
I pray thee, mark me—that a brother should
Be so perfidious!—he whom next thyself
Of all the world I loved and to him put
The manage of my state; as at that time
Through all the signories it was the first
And Prospero the prime duke, being so reputed
In dignity, and for the liberal arts
Without a parallel; those being all my study,
The government I cast upon my brother
And to my state grew stranger, being transported
And rapt in secret studies. Thy false uncle—
Dost thou attend me?
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