# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[I, 1]

Helena

80

O, were that all! I think not on my father;
And these great tears grace his remembrance more
Than those I shed for him. What was he like?
I have forgot him: my imagination
Carries no favour in't but Bertram's.
I am undone: there is no living, none,
If Bertram be away. 'Twere all one
That I should love a bright particular star
And think to wed it, he is so above me:
In his bright radiance and collateral light
Must I be comforted, not in his sphere.
The ambition in my love thus plagues itself:
The hind that would be mated by the lion
Must die for love. 'Twas pretty, though plague,
To see him every hour; to sit and draw
His arched brows, his hawking eye, his curls,
In our heart's table; heart too capable
Of every line and trick of his sweet favour:
But now he's gone, and my idolatrous fancy
Must sanctify his reliques. Who comes here?
[Enter PAROLLES]
[Aside]
One that goes with him: I love him for his sake;
And yet I know him a notorious liar,
Think him a great way fool, solely a coward;
Yet these fixed evils sit so fit in him,
That they take place, when virtue's steely bones
Look bleak i' the cold wind: withal, full oft we see
Cold wisdom waiting on superfluous folly.

2

All's Well That Ends Well
[II, 3]

Helena

978

The honour, sir, that flames in your fair eyes,
Before I speak, too threateningly replies:
Love make your fortunes twenty times above
Her that so wishes and her humble love!

3

All's Well That Ends Well
[II, 3]

Parolles

1145

I most unfeignedly beseech your lordship to make
some reservation of your wrongs: he is my good
lord: whom I serve above is my master.

4

Antony and Cleopatra
[I, 5]

Cleopatra

543

O Charmian,
Where think'st thou he is now? Stands he, or sits he?
Or does he walk? or is he on his horse?
O happy horse, to bear the weight of Antony!
Do bravely, horse! for wot'st thou whom thou movest?
The demi-Atlas of this earth, the arm
And burgonet of men. He's speaking now,
Or murmuring 'Where's my serpent of old Nile?'
For so he calls me: now I feed myself
With most delicious poison. Think on me,
That am with Phoebus' amorous pinches black,
And wrinkled deep in time? Broad-fronted Caesar,
When thou wast here above the ground, I was
A morsel for a monarch: and great Pompey
Would stand and make his eyes grow in my brow;
There would he anchor his aspect and die
With looking on his life.

5

Antony and Cleopatra
[IV, 15]

(stage directions)

3275

[Exeunt; those above bearing off MARK ANTONY's body]

6

Antony and Cleopatra
[V, 2]

Cleopatra

3490

His legs bestrid the ocean: his rear'd arm
Crested the world: his voice was propertied
As all the tuned spheres, and that to friends;
But when he meant to quail and shake the orb,
He was as rattling thunder. For his bounty,
There was no winter in't; an autumn 'twas
That grew the more by reaping: his delights
Were dolphin-like; they show'd his back above
The element they lived in: in his livery
Walk'd crowns and crownets; realms and islands were
As plates dropp'd from his pocket.

7

As You Like It
[III, 2]

Orlando

1122

Hang there, my verse, in witness of my love;
And thou, thrice-crowned Queen of Night, survey
With thy chaste eye, from thy pale sphere above,
Thy huntress' name that my full life doth sway.
O Rosalind! these trees shall be my books,
And in their barks my thoughts I'll character,
That every eye which in this forest looks
Shall see thy virtue witness'd every where.
Run, run, Orlando; carve on every tree,
The fair, the chaste, and unexpressive she. Exit

8

Comedy of Errors
[II, 2]

Adriana

593

Come, come, no longer will I be a fool,
To put the finger in the eye and weep,
Whilst man and master laugh my woes to scorn.
Come, sir, to dinner. Dromio, keep the gate.
Husband, I'll dine above with you to-day
And shrive you of a thousand idle pranks.
Sirrah, if any ask you for your master,
Say he dines forth, and let no creature enter.
Come, sister. Dromio, play the porter well.

9

Coriolanus
[I, 6]

Messenger

629

Above an hour, my lord.

10

Coriolanus
[IV, 3]

Coriolanus

2570

Fare ye well:
Thou hast years upon thee; and thou art too full
Of the wars' surfeits, to go rove with one
That's yet unbruised: bring me but out at gate.
Come, my sweet wife, my dearest mother, and
My friends of noble touch, when I am forth,
Bid me farewell, and smile. I pray you, come.
While I remain above the ground, you shall
Hear from me still, and never of me aught
But what is like me formerly.

11

Coriolanus
[V, 1]

Menenius Agrippa

3310

For one poor grain or two!
I am one of those; his mother, wife, his child,
And this brave fellow too, we are the grains:
You are the musty chaff; and you are smelt
Above the moon: we must be burnt for you.

12

Coriolanus
[V, 3]

Coriolanus

3499

This last old man,
Whom with a crack'd heart I have sent to Rome,
Loved me above the measure of a father;
Nay, godded me, indeed. Their latest refuge
Was to send him; for whose old love I have,
Though I show'd sourly to him, once more offer'd
The first conditions, which they did refuse
And cannot now accept; to grace him only
That thought he could do more, a very little
I have yielded to: fresh embassies and suits,
Nor from the state nor private friends, hereafter
Will I lend ear to. Ha! what shout is this?
[Shout within]
Shall I be tempted to infringe my vow
In the same time 'tis made? I will not.
[Enter in mourning habits, VIRGILIA, VOLUMNIA,]
leading young CORIOLANUS, VALERIA, and Attendants]
My wife comes foremost; then the honour'd mould
Wherein this trunk was framed, and in her hand
The grandchild to her blood. But, out, affection!
All bond and privilege of nature, break!
Let it be virtuous to be obstinate.
What is that curt'sy worth? or those doves' eyes,
Which can make gods forsworn? I melt, and am not
Of stronger earth than others. My mother bows;
As if Olympus to a molehill should
In supplication nod: and my young boy
Hath an aspect of intercession, which
Great nature cries 'Deny not.' let the Volsces
Plough Rome and harrow Italy: I'll never
Be such a gosling to obey instinct, but stand,
As if a man were author of himself
And knew no other kin.

13

Cymbeline
[I, 6]

Iachimo

637

Thanks, fairest lady.
What, are men mad? Hath nature given them eyes
To see this vaulted arch, and the rich crop
Of sea and land, which can distinguish 'twixt
The fiery orbs above and the twinn'd stones
Upon the number'd beach? and can we not
Partition make with spectacles so precious
'Twixt fair and foul?

14

Cymbeline
[II, 2]

Iachimo

933

The crickets sing, and man's o'er-labour'd sense
Repairs itself by rest. Our Tarquin thus
Did softly press the rushes, ere he waken'd
The chastity he wounded. Cytherea,
How bravely thou becomest thy bed, fresh lily,
And whiter than the sheets! That I might touch!
But kiss; one kiss! Rubies unparagon'd,
How dearly they do't! 'Tis her breathing that
Perfumes the chamber thus: the flame o' the taper
Bows toward her, and would under-peep her lids,
To see the enclosed lights, now canopied
Under these windows, white and azure laced
With blue of heaven's own tinct. But my design,
To note the chamber: I will write all down:
Such and such pictures; there the window; such
The adornment of her bed; the arras; figures,
Why, such and such; and the contents o' the story.
Ah, but some natural notes about her body,
Above ten thousand meaner moveables
Would testify, to enrich mine inventory.
O sleep, thou ape of death, lie dull upon her!
And be her sense but as a monument,
Thus in a chapel lying! Come off, come off:
[Taking off her bracelet]
As slippery as the Gordian knot was hard!
'Tis mine; and this will witness outwardly,
As strongly as the conscience does within,
To the madding of her lord. On her left breast
A mole cinque-spotted, like the crimson drops
I' the bottom of a cowslip: here's a voucher,
Stronger than ever law could make: this secret
Will force him think I have pick'd the lock and ta'en
The treasure of her honour. No more. To what end?
Why should I write this down, that's riveted,
Screw'd to my memory? She hath been reading late
The tale of Tereus; here the leaf's turn'd down
Where Philomel gave up. I have enough:
To the trunk again, and shut the spring of it.
Swift, swift, you dragons of the night, that dawning
May bare the raven's eye! I lodge in fear;
Though this a heavenly angel, hell is here.
[Clock strikes]
One, two, three: time, time!

15

Cymbeline
[II, 3]

Imogen

1134

He never can meet more mischance than come
To be but named of thee. His meanest garment,
That ever hath but clipp'd his body, is dearer
In my respect than all the hairs above thee,
Were they all made such men. How now, Pisanio!

16

Cymbeline
[II, 4]

Iachimo

1255

First, her bedchamber,—
Where, I confess, I slept not, but profess
Had that was well worth watching—it was hang'd
With tapesty of silk and silver; the story
Proud Cleopatra, when she met her Roman,
And Cydnus swell'd above the banks, or for
The press of boats or pride: a piece of work
So bravely done, so rich, that it did strive
In workmanship and value; which I wonder'd
Could be so rarely and exactly wrought,
Since the true life on't was—

17

Cymbeline
[II, 4]

Posthumus Leonatus

1308

O, no, no, no! 'tis true. Here, take this too;
[Gives the ring]
It is a basilisk unto mine eye,
Kills me to look on't. Let there be no honour
Where there is beauty; truth, where semblance; love,
Where there's another man: the vows of women
Of no more bondage be, to where they are made,
Than they are to their virtues; which is nothing.
O, above measure false!

18

Cymbeline
[III, 3]

Belarius

1613

Now for our mountain sport: up to yond hill;
Your legs are young; I'll tread these flats. Consider,
When you above perceive me like a crow,
That it is place which lessens and sets off;
And you may then revolve what tales I have told you
Of courts, of princes, of the tricks in war:
This service is not service, so being done,
But being so allow'd: to apprehend thus,
Draws us a profit from all things we see;
And often, to our comfort, shall we find
The sharded beetle in a safer hold
Than is the full-wing'd eagle. O, this life
Is nobler than attending for a cheque,
Richer than doing nothing for a bauble,
Prouder than rustling in unpaid-for silk:
Such gain the cap of him that makes 'em fine,
Yet keeps his book uncross'd: no life to ours.

19

Cymbeline
[IV, 1]

Cloten

2287

I am near to the place where they should meet, if
Pisanio have mapped it truly. How fit his garments
serve me! Why should his mistress, who was made by
him that made the tailor, not be fit too? the
rather—saving reverence of the word—for 'tis said
a woman's fitness comes by fits. Therein I must
play the workman. I dare speak it to myself—for it
is not vain-glory for a man and his glass to confer
in his own chamber—I mean, the lines of my body are
as well drawn as his; no less young, more strong,
not beneath him in fortunes, beyond him in the
advantage of the time, above him in birth, alike
conversant in general services, and more remarkable
in single oppositions: yet this imperceiverant
thing loves him in my despite. What mortality is!
Posthumus, thy head, which now is growing upon thy
shoulders, shall within this hour be off; thy
mistress enforced; thy garments cut to pieces before
thy face: and all this done, spurn her home to her
father; who may haply be a little angry for my so
rough usage; but my mother, having power of his
testiness, shall turn all into my commendations. My
horse is tied up safe: out, sword, and to a sore
purpose! Fortune, put them into my hand! This is
the very description of their meeting-place; and
the fellow dares not deceive me.

20

Cymbeline
[V, 5]

Soothsayer

3939

The fingers of the powers above do tune
The harmony of this peace. The vision
Which I made known to Lucius, ere the stroke
Of this yet scarce-cold battle, at this instant
Is full accomplish'd; for the Roman eagle,
From south to west on wing soaring aloft,
Lessen'd herself, and in the beams o' the sun
So vanish'd: which foreshow'd our princely eagle,
The imperial Caesar, should again unite
His favour with the radiant Cymbeline,
Which shines here in the west.