# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[I, 3]

Steward

421

Madam, I was very late more near her than I think
she wished me: alone she was, and did communicate
to herself her own words to her own ears; she
thought, I dare vow for her, they touched not any
stranger sense. Her matter was, she loved your son:
Fortune, she said, was no goddess, that had put
such difference betwixt their two estates; Love no
god, that would not extend his might, only where
qualities were level; Dian no queen of virgins, that
would suffer her poor knight surprised, without
rescue in the first assault or ransom afterward.
This she delivered in the most bitter touch of
sorrow that e'er I heard virgin exclaim in: which I
held my duty speedily to acquaint you withal;
sithence, in the loss that may happen, it concerns
you something to know it.

2

Comedy of Errors
[I, 2]

First Merchant

187

I am invited, sir, to certain merchants,
Of whom I hope to make much benefit;
I crave your pardon. Soon at five o'clock,
Please you, I'll meet with you upon the mart
And afterward consort you till bed-time:
My present business calls me from you now.

3

Cymbeline
[I, 5]

Cornelius

533

[Aside] I do not like her. She doth think she has
Strange lingering poisons: I do know her spirit,
And will not trust one of her malice with
A drug of such damn'd nature. Those she has
Will stupefy and dull the sense awhile;
Which first, perchance, she'll prove on
cats and dogs,
Then afterward up higher: but there is
No danger in what show of death it makes,
More than the locking-up the spirits a time,
To be more fresh, reviving. She is fool'd
With a most false effect; and I the truer,
So to be false with her.

4

Measure for Measure
[V, 1]

Escalus

2911

I am sorry, one so learned and so wise
As you, Lord Angelo, have still appear'd,
Should slip so grossly, both in the heat of blood.
And lack of temper'd judgment afterward.

5

Merchant of Venice
[II, 1]

Portia

554

You must take your chance,
And either not attempt to choose at all
Or swear before you choose, if you choose wrong
Never to speak to lady afterward
In way of marriage: therefore be advised.

6

Much Ado about Nothing
[V, 4]

Leonato

2674

We'll have dancing afterward.

7

Richard III
[III, 7]

Duke of Buckingham

2385

My lord, this argues conscience in your grace;
But the respects thereof are nice and trivial,
All circumstances well considered.
You say that Edward is your brother's son:
So say we too, but not by Edward's wife;
For first he was contract to Lady Lucy—
Your mother lives a witness to that vow—
And afterward by substitute betroth'd
To Bona, sister to the King of France.
These both put by a poor petitioner,
A care-crazed mother of a many children,
A beauty-waning and distressed widow,
Even in the afternoon of her best days,
Made prize and purchase of his lustful eye,
Seduced the pitch and height of all his thoughts
To base declension and loathed bigamy
By her, in his unlawful bed, he got
This Edward, whom our manners term the prince.
More bitterly could I expostulate,
Save that, for reverence to some alive,
I give a sparing limit to my tongue.
Then, good my lord, take to your royal self
This proffer'd benefit of dignity;
If non to bless us and the land withal,
Yet to draw forth your noble ancestry
From the corruption of abusing times,
Unto a lineal true-derived course.

8

Two Gentlemen of Verona
[III, 2]

Proteus

1548

We'll wait upon your grace till after supper,
And afterward determine our proceedings.