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When we mean to build,
We first survey the plot, then draw the model;
And when we see the figure of the house,
Then must we rate the cost of the erection.

      — King Henry IV. Part II, Act I Scene 3

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1-14 of 14 total

KEYWORD: balthasar

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# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Merchant of Venice
[III, 4]

(stage directions)

1749

[Enter PORTIA, NERISSA, LORENZO, JESSICA, and BALTHASAR]

2

Merchant of Venice
[III, 4]

Portia

1793

I thank you for your wish, and am well pleased
To wish it back on you: fare you well Jessica.
[Exeunt JESSICA and LORENZO]
Now, Balthasar,
As I have ever found thee honest-true,
So let me find thee still. Take this same letter,
And use thou all the endeavour of a man
In speed to Padua: see thou render this
Into my cousin's hand, Doctor Bellario;
And, look, what notes and garments he doth give thee,
Bring them, I pray thee, with imagined speed
Unto the tranect, to the common ferry
Which trades to Venice. Waste no time in words,
But get thee gone: I shall be there before thee.

3

Merchant of Venice
[IV, 1]

Clerk

2086

[Reads]
Your grace shall understand that at the receipt of
your letter I am very sick: but in the instant that
your messenger came, in loving visitation was with
me a young doctor of Rome; his name is Balthasar. I
acquainted him with the cause in controversy between
the Jew and Antonio the merchant: we turned o'er
many books together: he is furnished with my
opinion; which, bettered with his own learning, the
greatness whereof I cannot enough commend, comes
with him, at my importunity, to fill up your grace's
request in my stead. I beseech you, let his lack of
years be no impediment to let him lack a reverend
estimation; for I never knew so young a body with so
old a head. I leave him to your gracious
acceptance, whose trial shall better publish his
commendation.

4

Much Ado about Nothing
[I, 1]

(stage directions)

84

[Enter DON PEDRO, DON JOHN, CLAUDIO, BENEDICK, and BALTHASAR]

5

Much Ado about Nothing
[II, 1]

Leonato

471

The revellers are entering, brother: make good room.
[All put on their masks]
[Enter DON PEDRO, CLAUDIO, BENEDICK, BALTHASAR,]
DON JOHN, BORACHIO, MARGARET, URSULA and others, masked]

6

Much Ado about Nothing
[II, 3]

(stage directions)

858

[Enter BALTHASAR with Music]

7

Much Ado about Nothing
[II, 3]

Don Pedro

859

Come, Balthasar, we'll hear that song again.

8

Much Ado about Nothing
[II, 3]

Don Pedro

903

Yea, marry, dost thou hear, Balthasar? I pray thee,
get us some excellent music; for to-morrow night we
would have it at the Lady Hero's chamber-window.

9

Much Ado about Nothing
[II, 3]

Don Pedro

907

Do so: farewell.
[Exit BALTHASAR]
Come hither, Leonato. What was it you told me of
to-day, that your niece Beatrice was in love with
Signior Benedick?

10

Romeo and Juliet
[I, 1]

(stage directions)

56

[Enter ABRAHAM and BALTHASAR]

11

Romeo and Juliet
[V, 1]

Romeo

2805

If I may trust the flattering truth of sleep,
My dreams presage some joyful news at hand:
My bosom's lord sits lightly in his throne;
And all this day an unaccustom'd spirit
Lifts me above the ground with cheerful thoughts.
I dreamt my lady came and found me dead—
Strange dream, that gives a dead man leave
to think!—
And breathed such life with kisses in my lips,
That I revived, and was an emperor.
Ah me! how sweet is love itself possess'd,
When but love's shadows are so rich in joy!
[Enter BALTHASAR, booted]
News from Verona!—How now, Balthasar!
Dost thou not bring me letters from the friar?
How doth my lady? Is my father well?
How fares my Juliet? that I ask again;
For nothing can be ill, if she be well.

12

Romeo and Juliet
[V, 1]

Romeo

2840

No matter: get thee gone,
And hire those horses; I'll be with thee straight.
[Exit BALTHASAR]
Well, Juliet, I will lie with thee to-night.
Let's see for means: O mischief, thou art swift
To enter in the thoughts of desperate men!
I do remember an apothecary,—
And hereabouts he dwells,—which late I noted
In tatter'd weeds, with overwhelming brows,
Culling of simples; meagre were his looks,
Sharp misery had worn him to the bones:
And in his needy shop a tortoise hung,
An alligator stuff'd, and other skins
Of ill-shaped fishes; and about his shelves
A beggarly account of empty boxes,
Green earthen pots, bladders and musty seeds,
Remnants of packthread and old cakes of roses,
Were thinly scatter'd, to make up a show.
Noting this penury, to myself I said
'An if a man did need a poison now,
Whose sale is present death in Mantua,
Here lives a caitiff wretch would sell it him.'
O, this same thought did but forerun my need;
And this same needy man must sell it me.
As I remember, this should be the house.
Being holiday, the beggar's shop is shut.
What, ho! apothecary!

13

Romeo and Juliet
[V, 3]

(stage directions)

2958

[Enter ROMEO and BALTHASAR, with a torch, mattock, &c]

14

Romeo and Juliet
[V, 3]

(stage directions)

3151

[Re-enter some of the Watch, with BALTHASAR]

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