# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[III, 6]

Second Lord

1822

None in the world; but return with an invention and
clap upon you two or three probable lies: but we
have almost embossed him; you shall see his fall
to-night; for indeed he is not for your lordship's respect.

2

As You Like It
[V, 3]

First Page

2370

Shall we clap into't roundly, without hawking, or
spitting, or saying we are hoarse, which are the only prologues
to a bad voice?

3

Henry IV, Part I
[II, 4]

Falstaff

1252

By the Lord, I knew ye as well as he that made ye.
Why, hear you, my masters: was it for me to kill the
heir-apparent? should I turn upon the true prince?
why, thou knowest I am as valiant as Hercules: but
beware instinct; the lion will not touch the true
prince. Instinct is a great matter; I was now a
coward on instinct. I shall think the better of
myself and thee during my life; I for a valiant
lion, and thou for a true prince. But, by the Lord,
lads, I am glad you have the money. Hostess, clap
to the doors: watch to-night, pray to-morrow.
Gallants, lads, boys, hearts of gold, all the titles
of good fellowship come to you! What, shall we be
merry? shall we have a play extempore?

4

Henry V
[V, 2]

Henry V

3103

The princess is the better Englishwoman. I' faith,
Kate, my wooing is fit for thy understanding: I am
glad thou canst speak no better English; for, if
thou couldst, thou wouldst find me such a plain king
that thou wouldst think I had sold my farm to buy my
crown. I know no ways to mince it in love, but
directly to say 'I love you:' then if you urge me
farther than to say 'do you in faith?' I wear out
my suit. Give me your answer; i' faith, do: and so
clap hands and a bargain: how say you, lady?

5

Henry VIII
[V, 4]

Lord Chamberlain

3352

As I live,
If the king blame me for't, I'll lay ye all
By the heels, and suddenly; and on your heads
Clap round fines for neglect: ye are lazy knaves;
And here ye lie baiting of bombards, when
Ye should do service. Hark! the trumpets sound;
They're come already from the christening:
Go, break among the press, and find a way out
To let the troop pass fairly; or I'll find
A Marshalsea shall hold ye play these two months.

6

Henry VIII
[V, 5]

Chorus

3464

'Tis ten to one this play can never please
All that are here: some come to take their ease,
And sleep an act or two; but those, we fear,
We have frighted with our trumpets; so, 'tis clear,
They'll say 'tis naught: others, to hear the city
Abused extremely, and to cry 'That's witty!'
Which we have not done neither: that, I fear,
All the expected good we're like to hear
For this play at this time, is only in
The merciful construction of good women;
For such a one we show'd 'em: if they smile,
And say 'twill do, I know, within a while
All the best men are ours; for 'tis ill hap,
If they hold when their ladies bid 'em clap.

7

Julius Caesar
[I, 2]

Casca

350

I know not what you mean by that; but, I am sure,
Caesar fell down. If the tag-rag people did not
clap him and hiss him, according as he pleased and
displeased them, as they use to do the players in
the theatre, I am no true man.

8

King John
[III, 1]

King Phillip

1149

Good reverend father, make my person yours,
And tell me how you would bestow yourself.
This royal hand and mine are newly knit,
And the conjunction of our inward souls
Married in league, coupled and linked together
With all religious strength of sacred vows;
The latest breath that gave the sound of words
Was deep-sworn faith, peace, amity, true love
Between our kingdoms and our royal selves,
And even before this truce, but new before,
No longer than we well could wash our hands
To clap this royal bargain up of peace,
Heaven knows, they were besmear'd and over-stain'd
With slaughter's pencil, where revenge did paint
The fearful difference of incensed kings:
And shall these hands, so lately purged of blood,
So newly join'd in love, so strong in both,
Unyoke this seizure and this kind regreet?
Play fast and loose with faith? so jest with heaven,
Make such unconstant children of ourselves,
As now again to snatch our palm from palm,
Unswear faith sworn, and on the marriage-bed
Of smiling peace to march a bloody host,
And make a riot on the gentle brow
Of true sincerity? O, holy sir,
My reverend father, let it not be so!
Out of your grace, devise, ordain, impose
Some gentle order; and then we shall be blest
To do your pleasure and continue friends.

9

King Lear
[I, 4]

Lear

822

What, fifty of my followers at a clap?
Within a fortnight?

10

Measure for Measure
[IV, 3]

Abhorson

2155

Truly, sir, I would desire you to clap into your
prayers; for, look you, the warrant's come.

11

Merry Wives of Windsor
[II, 2]

Pistol

927

This punk is one of Cupid's carriers:
Clap on more sails; pursue; up with your fights:
Give fire: she is my prize, or ocean whelm them all!

12

Richard II
[III, 2]

Sir Stephen Scroop

1514

Glad am I that your highness is so arm'd
To bear the tidings of calamity.
Like an unseasonable stormy day,
Which makes the silver rivers drown their shores,
As if the world were all dissolved to tears,
So high above his limits swells the rage
Of Bolingbroke, covering your fearful land
With hard bright steel and hearts harder than steel.
White-beards have arm'd their thin and hairless scalps
Against thy majesty; boys, with women's voices,
Strive to speak big and clap their female joints
In stiff unwieldy arms against thy crown:
The very beadsmen learn to bend their bows
Of double-fatal yew against thy state;
Yea, distaff-women manage rusty bills
Against thy seat: both young and old rebel,
And all goes worse than I have power to tell.

13

Troilus and Cressida
[III, 3]

Ulysses

1987

I do not strain at the position,—
It is familiar,—but at the author's drift;
Who, in his circumstance, expressly proves
That no man is the lord of any thing,
Though in and of him there be much consisting,
Till he communicate his parts to others:
Nor doth he of himself know them for aught
Till he behold them form'd in the applause
Where they're extended; who, like an arch,
reverberates
The voice again, or, like a gate of steel
Fronting the sun, receives and renders back
His figure and his heat. I was much wrapt in this;
And apprehended here immediately
The unknown Ajax.
Heavens, what a man is there! a very horse,
That has he knows not what. Nature, what things there are
Most abject in regard and dear in use!
What things again most dear in the esteem
And poor in worth! Now shall we see to-morrow—
An act that very chance doth throw upon him—
Ajax renown'd. O heavens, what some men do,
While some men leave to do!
How some men creep in skittish fortune's hall,
Whiles others play the idiots in her eyes!
How one man eats into another's pride,
While pride is fasting in his wantonness!
To see these Grecian lords!—why, even already
They clap the lubber Ajax on the shoulder,
As if his foot were on brave Hector's breast
And great Troy shrieking.

14

Winter's Tale
[I, 2]

Leontes

174

Why, that was when
Three crabbed months had sour'd themselves to death,
Ere I could make thee open thy white hand
And clap thyself my love: then didst thou utter
'I am yours for ever.'