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Dictynna, goodman Dull.

      — Love's Labour's Lost, Act IV Scene 2

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KEYWORD: concert

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Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

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1

Henry VI, Part II
[III, 2]

Earl of Suffolk

2003

A plague upon them! wherefore should I curse them?
Would curses kill, as doth the mandrake's groan,
I would invent as bitter-searching terms,
As curst, as harsh and horrible to hear,
Deliver'd strongly through my fixed teeth,
With full as many signs of deadly hate,
As lean-faced Envy in her loathsome cave:
My tongue should stumble in mine earnest words;
Mine eyes should sparkle like the beaten flint;
Mine hair be fixed on end, as one distract;
Ay, every joint should seem to curse and ban:
And even now my burthen'd heart would break,
Should I not curse them. Poison be their drink!
Gall, worse than gall, the daintiest that they taste!
Their sweetest shade a grove of cypress trees!
Their chiefest prospect murdering basilisks!
Their softest touch as smart as lizards' sting!
Their music frightful as the serpent's hiss,
And boding screech-owls make the concert full!
All the foul terrors in dark-seated hell—

2

Two Gentlemen of Verona
[III, 2]

Proteus

1525

Say that upon the altar of her beauty
You sacrifice your tears, your sighs, your heart:
Write till your ink be dry, and with your tears
Moist it again, and frame some feeling line
That may discover such integrity:
For Orpheus' lute was strung with poets' sinews,
Whose golden touch could soften steel and stones,
Make tigers tame and huge leviathans
Forsake unsounded deeps to dance on sands.
After your dire-lamenting elegies,
Visit by night your lady's chamber-window
With some sweet concert; to their instruments
Tune a deploring dump: the night's dead silence
Will well become such sweet-complaining grievance.
This, or else nothing, will inherit her.

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