# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Henry V
[II, 0]

Chorus

464

Now all the youth of England are on fire,
And silken dalliance in the wardrobe lies:
Now thrive the armourers, and honour's thought
Reigns solely in the breast of every man:
They sell the pasture now to buy the horse,
Following the mirror of all Christian kings,
With winged heels, as English Mercuries.
For now sits Expectation in the air,
And hides a sword from hilts unto the point
With crowns imperial, crowns and coronets,
Promised to Harry and his followers.
The French, advised by good intelligence
Of this most dreadful preparation,
Shake in their fear and with pale policy
Seek to divert the English purposes.
O England! model to thy inward greatness,
Like little body with a mighty heart,
What mightst thou do, that honour would thee do,
Were all thy children kind and natural!
But see thy fault! France hath in thee found out
A nest of hollow bosoms, which he fills
With treacherous crowns; and three corrupted men,
One, Richard Earl of Cambridge, and the second,
Henry Lord Scroop of Masham, and the third,
Sir Thomas Grey, knight, of Northumberland,
Have, for the gilt of France,—O guilt indeed!
Confirm'd conspiracy with fearful France;
And by their hands this grace of kings must die,
If hell and treason hold their promises,
Ere he take ship for France, and in Southampton.
Linger your patience on; and we'll digest
The abuse of distance; force a play:
The sum is paid; the traitors are agreed;
The king is set from London; and the scene
Is now transported, gentles, to Southampton;
There is the playhouse now, there must you sit:
And thence to France shall we convey you safe,
And bring you back, charming the narrow seas
To give you gentle pass; for, if we may,
We'll not offend one stomach with our play.
But, till the king come forth, and not till then,
Unto Southampton do we shift our scene.

2

Julius Caesar
[II, 1]

Brutus

688

Let 'em enter.
[Exit LUCIUS]
They are the faction. O conspiracy,
Shamest thou to show thy dangerous brow by night,
When evils are most free? O, then by day
Where wilt thou find a cavern dark enough
To mask thy monstrous visage? Seek none, conspiracy;
Hide it in smiles and affability:
For if thou path, thy native semblance on,
Not Erebus itself were dim enough
To hide thee from prevention.
[Enter the conspirators, CASSIUS, CASCA, DECIUS
BRUTUS, CINNA, METELLUS CIMBER, and TREBONIUS]

3

Julius Caesar
[II, 3]

Artemidorus

1121

'Caesar, beware of Brutus; take heed of Cassius;
come not near Casca; have an eye to Cinna, trust not
Trebonius: mark well Metellus Cimber: Decius Brutus
loves thee not: thou hast wronged Caius Ligarius.
There is but one mind in all these men, and it is
bent against Caesar. If thou beest not immortal,
look about you: security gives way to conspiracy.
The mighty gods defend thee! Thy lover,
'ARTEMIDORUS.'
Here will I stand till Caesar pass along,
And as a suitor will I give him this.
My heart laments that virtue cannot live
Out of the teeth of emulation.
If thou read this, O Caesar, thou mayst live;
If not, the Fates with traitors do contrive.

4

King Lear
[I, 2]

Earl of Gloucester

380

[reads] 'This policy and reverence of age makes the world
bitter to the best of our times; keeps our fortunes from us
till our oldness cannot relish them. I begin to find an idle
and fond bondage in the oppression of aged tyranny, who sways,
not as it hath power, but as it is suffer'd. Come to me, that
of this I may speak more. If our father would sleep till I
wak'd him, you should enjoy half his revenue for ever, and live
the beloved of your brother,
'EDGAR.'
Hum! Conspiracy? 'Sleep till I wak'd him, you should enjoy half
his revenue.' My son Edgar! Had he a hand to write this? a heart
and brain to breed it in? When came this to you? Who brought it?

5

Merry Wives of Windsor
[IV, 2]

Ford

2075

Ay, but if it prove true, Master Page, have you any
way then to unfool me again? Set down the basket,
villain! Somebody call my wife. Youth in a basket!
O you panderly rascals! there's a knot, a ging, a
pack, a conspiracy against me: now shall the devil
be shamed. What, wife, I say! Come, come forth!
Behold what honest clothes you send forth to bleaching!

6

Richard II
[V, 2]

Edmund of Langley

2546

Thou fond mad woman,
Wilt thou conceal this dark conspiracy?
A dozen of them here have ta'en the sacrament,
And interchangeably set down their hands,
To kill the king at Oxford.

7

Richard II
[V, 3]

Henry IV

2637

O heinous, strong and bold conspiracy!
O loyal father of a treacherous son!
Thou sheer, immaculate and silver fountain,
From when this stream through muddy passages
Hath held his current and defiled himself!
Thy overflow of good converts to bad,
And thy abundant goodness shall excuse
This deadly blot in thy digressing son.

8

Tempest
[II, 1]

Ariel

1040

My master through his art foresees the danger
That you, his friend, are in; and sends me forth—
For else his project dies—to keep them living.
[Sings in GONZALO's ear]
While you here do snoring lie,
Open-eyed conspiracy
His time doth take.
If of life you keep a care,
Shake off slumber, and beware:
Awake, awake!

9

Tempest
[IV, 1]

Prospero

1867

[Aside] I had forgot that foul conspiracy
Of the beast Caliban and his confederates
Against my life: the minute of their plot
Is almost come.
[To the Spirits]
Well done! avoid; no more!

10

Winter's Tale
[III, 2]

Hermione

1274

More than mistress of
Which comes to me in name of fault, I must not
At all acknowledge. For Polixenes,
With whom I am accused, I do confess
I loved him as in honour he required,
With such a kind of love as might become
A lady like me, with a love even such,
So and no other, as yourself commanded:
Which not to have done I think had been in me
Both disobedience and ingratitude
To you and toward your friend, whose love had spoke,
Even since it could speak, from an infant, freely
That it was yours. Now, for conspiracy,
I know not how it tastes; though it be dish'd
For me to try how: all I know of it
Is that Camillo was an honest man;
And why he left your court, the gods themselves,
Wotting no more than I, are ignorant.