# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Comedy of Errors
[IV, 4]

Pinch

1331

It is no shame: the fellow finds his vein,
And yielding to him humours well his frenzy.

2

Henry IV, Part I
[II, 4]

Henry V

1082

I am now of all humours that have showed themselves
humours since the old days of goodman Adam to the
pupil age of this present twelve o'clock at midnight.
[Re-enter FRANCIS]
What's o'clock, Francis?

3

Henry IV, Part I
[II, 4]

Henry V

1428

Swearest thou, ungracious boy? henceforth ne'er look
on me. Thou art violently carried away from grace:
there is a devil haunts thee in the likeness of an
old fat man; a tun of man is thy companion. Why
dost thou converse with that trunk of humours, that
bolting-hutch of beastliness, that swollen parcel
of dropsies, that huge bombard of sack, that stuffed
cloak-bag of guts, that roasted Manningtree ox with
the pudding in his belly, that reverend vice, that
grey iniquity, that father ruffian, that vanity in
years? Wherein is he good, but to taste sack and
drink it? wherein neat and cleanly, but to carve a
capon and eat it? wherein cunning, but in craft?
wherein crafty, but in villany? wherein villanous,
but in all things? wherein worthy, but in nothing?

4

Henry IV, Part I
[III, 1]

Lady Percy

1785

Then should you be nothing but musical for you are
altogether governed by humours. Lie still, ye thief,
and hear the lady sing in Welsh.

5

Henry IV, Part II
[II, 1]

Falstaff

885

Glasses, glasses, is the only drinking; and for thy
walls, a pretty slight drollery, or the story of the
the German hunting, in water-work, is worth a thousand of
bed-hangers and these fly-bitten tapestries. Let it be ten
if thou canst. Come, and 'twere not for thy humours, there's
a better wench in England. Go, wash thy face, and draw the
action. Come, thou must not be in this humour with me; dost
know me? Come, come, I know thou wast set on to this.

6

Henry IV, Part II
[II, 3]

Lady Percy

1163

O, yet, for God's sake, go not to these wars!
The time was, father, that you broke your word,
When you were more endear'd to it than now;
When your own Percy, when my heart's dear Harry,
Threw many a northward look to see his father
Bring up his powers; but he did long in vain.
Who then persuaded you to stay at home?
There were two honours lost, yours and your son's.
For yours, the God of heaven brighten it!
For his, it stuck upon him as the sun
In the grey vault of heaven; and by his light
Did all the chivalry of England move
To do brave acts. He was indeed the glass
Wherein the noble youth did dress themselves.
He had no legs that practis'd not his gait;
And speaking thick, which nature made his blemish,
Became the accents of the valiant;
For those who could speak low and tardily
Would turn their own perfection to abuse
To seem like him: so that in speech, in gait,
In diet, in affections of delight,
In military rules, humours of blood,
He was the mark and glass, copy and book,
That fashion'd others. And him—O wondrous him!
O miracle of men!—him did you leave—
Second to none, unseconded by you—
To look upon the hideous god of war
In disadvantage, to abide a field
Where nothing but the sound of Hotspur's name
Did seem defensible. So you left him.
Never, O never, do his ghost the wrong
To hold your honour more precise and nice
With others than with him! Let them alone.
The Marshal and the Archbishop are strong.
Had my sweet Harry had but half their numbers,
To-day might I, hanging on Hotspur's neck,
Have talk'd of Monmouth's grave.

7

Henry IV, Part II
[II, 4]

Pistol

1427

These be good humours, indeed! Shall packhorses,
And hollow pamper'd jades of Asia,
Which cannot go but thirty mile a day,
Compare with Caesars, and with Cannibals,
And Troiant Greeks? Nay, rather damn them with
King Cerberus; and let the welkin roar.
Shall we fall foul for toys?

8

Henry V
[II, 1]

Nym

626

The king hath run bad humours on the knight; that's
the even of it.

9

Henry V
[II, 1]

Nym

630

The king is a good king: but it must be as it may;
he passes some humours and careers.

10

Henry V
[III, 2]

Pistol

1133

The plain-song is most just: for humours do abound:
Knocks go and come; God's vassals drop and die;
And sword and shield,
In bloody field,
Doth win immortal fame.

11

Henry V
[III, 2]

Nym

1153

These be good humours! your honour wins bad humours.

12

Henry VI, Part II
[I, 1]

Richard Plantagenet (Duke of Gloucester)

226

Anjou and Maine are given to the French;
Paris is lost; the state of Normandy
Stands on a tickle point, now they are gone:
Suffolk concluded on the articles,
The peers agreed, and Henry was well pleased
To change two dukedoms for a duke's fair daughter.
I cannot blame them all: what is't to them?
'Tis thine they give away, and not their own.
Pirates may make cheap pennyworths of their pillage
And purchase friends and give to courtezans,
Still revelling like lords till all be gone;
While as the silly owner of the goods
Weeps over them and wrings his hapless hands
And shakes his head and trembling stands aloof,
While all is shared and all is borne away,
Ready to starve and dare not touch his own:
So York must sit and fret and bite his tongue,
While his own lands are bargain'd for and sold.
Methinks the realms of England, France and Ireland
Bear that proportion to my flesh and blood
As did the fatal brand Althaea burn'd
Unto the prince's heart of Calydon.
Anjou and Maine both given unto the French!
Cold news for me, for I had hope of France,
Even as I have of fertile England's soil.
A day will come when York shall claim his own;
And therefore I will take the Nevils' parts
And make a show of love to proud Duke Humphrey,
And, when I spy advantage, claim the crown,
For that's the golden mark I seek to hit:
Nor shall proud Lancaster usurp my right,
Nor hold the sceptre in his childish fist,
Nor wear the diadem upon his head,
Whose church-like humours fits not for a crown.
Then, York, be still awhile, till time do serve:
Watch thou and wake when others be asleep,
To pry into the secrets of the state;
Till Henry, surfeiting in joys of love,
With his new bride and England's dear-bought queen,
And Humphrey with the peers be fall'n at jars:
Then will I raise aloft the milk-white rose,
With whose sweet smell the air shall be perfumed;
And in my standard bear the arms of York
To grapple with the house of Lancaster;
And, force perforce, I'll make him yield the crown,
Whose bookish rule hath pull'd fair England down.

13

Julius Caesar
[II, 1]

Portia

888

Is Brutus sick? and is it physical
To walk unbraced and suck up the humours
Of the dank morning? What, is Brutus sick,
And will he steal out of his wholesome bed,
To dare the vile contagion of the night
And tempt the rheumy and unpurged air
To add unto his sickness? No, my Brutus;
You have some sick offence within your mind,
Which, by the right and virtue of my place,
I ought to know of: and, upon my knees,
I charm you, by my once-commended beauty,
By all your vows of love and that great vow
Which did incorporate and make us one,
That you unfold to me, yourself, your half,
Why you are heavy, and what men to-night
Have had to resort to you: for here have been
Some six or seven, who did hide their faces
Even from darkness.

14

King John
[II, 1]

Chatillon

345

Then turn your forces from this paltry siege
And stir them up against a mightier task.
England, impatient of your just demands,
Hath put himself in arms: the adverse winds,
Whose leisure I have stay'd, have given him time
To land his legions all as soon as I;
His marches are expedient to this town,
His forces strong, his soldiers confident.
With him along is come the mother-queen,
An Ate, stirring him to blood and strife;
With her her niece, the Lady Blanch of Spain;
With them a bastard of the king's deceased,
And all the unsettled humours of the land,
Rash, inconsiderate, fiery voluntaries,
With ladies' faces and fierce dragons' spleens,
Have sold their fortunes at their native homes,
Bearing their birthrights proudly on their backs,
To make hazard of new fortunes here:
In brief, a braver choice of dauntless spirits
Than now the English bottoms have waft o'er
Did nearer float upon the swelling tide,
To do offence and scath in Christendom.
[Drum beats]
The interruption of their churlish drums
Cuts off more circumstance: they are at hand,
To parley or to fight; therefore prepare.

15

King John
[IV, 2]

King John

1952

It is the curse of kings to be attended
By slaves that take their humours for a warrant
To break within the bloody house of life,
And on the winking of authority
To understand a law, to know the meaning
Of dangerous majesty, when perchance it frowns
More upon humour than advised respect.

16

Love's Labour's Lost
[II, 1]

Maria

539

They say so most that most his humours know.

17

Love's Labour's Lost
[III, 1]

Moth

773

No, my complete master: but to jig off a tune at
the tongue's end, canary to it with your feet, humour
it with turning up your eyelids, sigh a note and
sing a note, sometime through the throat, as if you
swallowed love with singing love, sometime through
the nose, as if you snuffed up love by smelling
love; with your hat penthouse-like o'er the shop of
your eyes; with your arms crossed on your thin-belly
doublet like a rabbit on a spit; or your hands in
your pocket like a man after the old painting; and
keep not too long in one tune, but a snip and away.
These are complements, these are humours; these
betray nice wenches, that would be betrayed without
these; and make them men of note—do you note
me?—that most are affected to these.

18

Love's Labour's Lost
[V, 2]

Biron

2693

Honest plain words best pierce the ear of grief;
And by these badges understand the king.
For your fair sakes have we neglected time,
Play'd foul play with our oaths: your beauty, ladies,
Hath much deform'd us, fashioning our humours
Even to the opposed end of our intents:
And what in us hath seem'd ridiculous,—
As love is full of unbefitting strains,
All wanton as a child, skipping and vain,
Form'd by the eye and therefore, like the eye,
Full of strange shapes, of habits and of forms,
Varying in subjects as the eye doth roll
To every varied object in his glance:
Which parti-coated presence of loose love
Put on by us, if, in your heavenly eyes,
Have misbecomed our oaths and gravities,
Those heavenly eyes, that look into these faults,
Suggested us to make. Therefore, ladies,
Our love being yours, the error that love makes
Is likewise yours: we to ourselves prove false,
By being once false for ever to be true
To those that make us both,—fair ladies, you:
And even that falsehood, in itself a sin,
Thus purifies itself and turns to grace.

19

Merchant of Venice
[III, 5]

Launcelot Gobbo

1896

For the table, sir, it shall be served in; for the
meat, sir, it shall be covered; for your coming in
to dinner, sir, why, let it be as humours and
conceits shall govern.

20

Merry Wives of Windsor
[I, 1]

Nym

150

Be avised, sir, and pass good humours: I will say
'marry trap' with you, if you run the nuthook's
humour on me; that is the very note of it.